Sonification Report: Status of the Field and Research Agenda Prepared for the National Science Foundation by members of the International Community for Auditory Display
暂无分享,去创建一个
John G. Neuhoff | Terri L. Bonebright | S. Handel | G. Kramer | P. Cook | H. Levkowitz | W. Fitch | B. Shinn-Cunningham | J. Berger | J. Neuhoff | J. H. Flowers | G. Evreinov | S. Lodha | N. Miner | R. Bargar | S. Barrass | Matti. Grohn | H. Kaper | Mary Simoni | Sever Tipei | Matti Gröhn | M. Simoni | Bruce Walker | Steve Handel
[1] Max V. Mathews,et al. The Technology Of Computer Music , 1970 .
[2] John M. Chowning,et al. The Synthesis of Complex Audio Spectra by Means of Frequency Modulation , 1973 .
[3] W R Thurlow,et al. Certain Determinants of the “Ventriloquism Effect” , 1973, Perceptual and motor skills.
[4] H. McGurk,et al. Hearing lips and seeing voices , 1976, Nature.
[5] E. Owens,et al. An Introduction to the Psychology of Hearing , 1997 .
[6] J. Grey,et al. Perceptual evaluations of synthesized musical instrument tones , 1977 .
[7] J. Grey. Multidimensional perceptual scaling of musical timbres. , 1977, The Journal of the Acoustical Society of America.
[8] David Wessel,et al. Timbre Space as a Musical Control Structure , 1979 .
[9] Robert C. Morrison,et al. High technology laboratory aids for visually handicapped chemistry students , 1981 .
[10] James A. Ballas,et al. Acquisition of acoustic pattern categories by exemplar observation , 1982 .
[11] J. Blauert. Spatial Hearing: The Psychophysics of Human Sound Localization , 1983 .
[12] Kevin Karplus,et al. Digital Synthesis of Plucked-String and Drum Timbers , 1983 .
[13] John R. Pierce,et al. The science of musical sound , 1983 .
[14] William L. Martens. Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres , 1985, ICMC.
[15] Edward Rolf Tufte,et al. The visual display of quantitative information , 1985 .
[16] S. Handel. Listening As Introduction to the Perception of Auditory Events , 1989 .
[17] Xavier Serra,et al. A system for sound analysis/transformation/synthesis based on a deterministic plus stochastic decomposition , 1989 .
[18] George A. Gescheider,et al. Hearing: Physiological Acoustics, Neural Coding, and Psychoacoustics , 1989 .
[19] Steven K. Feiner,et al. Computer graphics: principles and practice (2nd ed.) , 1990 .
[20] Edward R. Tufte,et al. Envisioning Information , 1990 .
[21] William W. Gaver,et al. Effective sounds in complex systems: the ARKOLA simulation , 1991, CHI.
[22] Alan B. Craig,et al. Using sound to extract meaning from complex data , 1991, Electronic Imaging.
[23] Elizabeth M. Wenzel,et al. Localization in Virtual Acoustic Displays , 1992, Presence: Teleoperators & Virtual Environments.
[24] Peter B. L. Meijer,et al. An experimental system for auditory image representations , 1992, IEEE Transactions on Biomedical Engineering.
[25] Tapio Takala,et al. Sound rendering , 1992, SIGGRAPH.
[26] L D Rosenblum,et al. Visual influences on auditory pluck and bow judgments , 1993, Perception & psychophysics.
[27] S. McAdams,et al. Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) , 1993 .
[28] F L Wightman,et al. Localization using nonindividualized head-related transfer functions. , 1993, The Journal of the Acoustical Society of America.
[29] Xavier Rodet,et al. Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware , 1993, ICMC.
[30] Gregory Kramer,et al. Auditory Display: Sonification, Audification, And Auditory Interfaces , 1994 .
[31] D. A. Duce,et al. Visualization in Scientific Computing , 1994, Focus on Computer Graphics.
[32] Gregory Kramer,et al. Sound and communication in virtual reality , 1995 .
[33] Perry R. Cook,et al. A Hierarchical System for Controlling Synthesis by Phyical Modeling , 1995, International Conference on Mathematics and Computing.
[34] John R. Pierce,et al. A passive nonlinear digital filter design which facilitates physics-based sound synthesis of highly nonlinear musical instruments , 1995 .
[35] John A. Gardner,et al. TRIANGLE: A practical application of non-speech audio for imparting information , 1996 .
[36] Julius O. Smith,et al. Physical Modeling Synthesis Update , 1996 .
[37] Simon Carlile,et al. Virtual Auditory Space: Generation and Applications , 2013, Neuroscience Intelligence Unit.
[38] Greg Kramer,et al. Mapping a Single Data Stream to Multiple Auditory Variables: A Subjective Approach to Creating a Compelling Design , 1996 .
[39] Stephen Barrass. Sculpting a sound space with information properties , 1996 .
[40] Dinesh K. Pai,et al. Synthesis of shape dependent sounds with physical modeling , 1996 .
[41] John H. Flowers,et al. Cross-Modal Equivalence of Visual and Auditory Scatterplots for Exploring Bivariate Data Samples , 1997, Hum. Factors.
[42] Alistair D. N. Edwards,et al. Access to Mathematics for Visually Disabled Students through Multi-modal Interaction , 1997 .
[43] Thomas Ertl,et al. Computer Graphics - Principles and Practice, 3rd Edition , 2014 .
[44] Alistair D. N. Edwards,et al. Access to Mathematics for Visually Disabled Students Through Multimodal Interaction , 1997, Hum. Comput. Interact..
[45] Myke Gluck,et al. Visual Explanations: Images and Quantities, Evidence and Narrative , 1997, Inf. Process. Manag..
[46] Jennifer Lawrence,et al. Communication in the Age of Virtual Reality. , 1997 .
[47] Perry R. Cook,et al. Physically Informed Sonic Modeling (PhISM): Synthesis of percussive sounds , 1997 .
[48] Christopher D. Wickens,et al. An introduction to human factors engineering , 1997 .
[49] S. Backhaus,et al. Quantum oscillations between two weakly coupled reservoirs of superfluid 3He , 1997, Nature.
[50] John G. Neuhoff,et al. Perceptual bias for rising tones , 1998, Nature.
[51] B. Shinn-Cunningham. Applications of virtual auditory displays , 1998, Proceedings of the 20th Annual International Conference of the IEEE Engineering in Medicine and Biology Society. Vol.20 Biomedical Engineering Towards the Year 2000 and Beyond (Cat. No.98CH36286).
[52] R. Duda,et al. Range dependence of the response of a spherical head model , 1998 .
[53] Thomas P. Caudell,et al. Creating wavelet-based models for real-time synthesis of perceptually convincing environmental sounds , 1998 .
[54] Rick L. Jenison,et al. Synthesis of virtual motion in 3D auditory space , 1998, Proceedings of the 20th Annual International Conference of the IEEE Engineering in Medicine and Biology Society. Vol.20 Biomedical Engineering Towards the Year 2000 and Beyond (Cat. No.98CH36286).
[55] D. S. Brungart. Control of perceived distance in virtual audio displays , 1998, Proceedings of the 20th Annual International Conference of the IEEE Engineering in Medicine and Biology Society. Vol.20 Biomedical Engineering Towards the Year 2000 and Beyond (Cat. No.98CH36286).
[56] Charles Earl,et al. A Survey of Windows Screen Reader Users: Recent Improvements in Accessibility , 1999 .
[57] A. Bregman. Auditory Scene Analysis , 2001 .