Learning and Blending Harmonies in the Context of a Melodic Harmonisation Assistant
暂无分享,去创建一个
Maximos A. Kaliakatsos-Papakostas | Dimos Makris | Asteris I. Zacharakis | Costas Tsougras | Emilios Cambouropoulos
[1] Maximos A. Kaliakatsos-Papakostas,et al. Probabilistic harmonization with fixed intermediate chord constraints , 2014, ICMC.
[2] Maximos A. Kaliakatsos-Papakostas,et al. A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation , 2015, MCM.
[3] Elaine Chew,et al. A Hybrid System for Automatic Generation of Style-Specific A ccompaniment , 2007 .
[4] Darrell Conklin,et al. Representation and Discovery of Vertical Patterns in Music , 2002, ICMAI.
[5] José Manuel Iñesta Quereda,et al. Genre classification using chords and stochastic language models , 2009, Connect. Sci..
[6] Roberto Confalonieri,et al. An Argument-based Creative Assistant for Harmonic Blending , 2016, ICCC.
[7] Martin Rohrmeier,et al. Towards a generative syntax of tonal harmony , 2011 .
[8] G. Fauconnier,et al. The Way We Think: Conceptual Blending and the Mind''s Hidden Complexities. Basic Books , 2002 .
[9] J. Goguen. Mathematical Models of Cognitive Space and Time , 2006 .
[10] Maximos A. Kaliakatsos-Papakostas,et al. An Idiom-independent Representation of Chords for Computational Music Analysis and Generation , 2014, ICMC.
[11] Rafael Peñaloza,et al. Upward Refinement for Conceptual Blending in Description Logic: An ASP-based Approach and Case Study in EL++ , 2015, JOWO@IJCAI.
[12] Maximos A. Kaliakatsos-Papakostas,et al. Learning and Creating Novel Harmonies in Diverse Musical Idioms: An Adaptive Modular Melodic Harmonisation System , 2016 .
[13] Mark Steedman. The Blues and the Abstract Truth: Music and Mental Models , 2009 .
[14] Kai-Uwe Kühnberger,et al. COINVENT: Towards a Computational Concept Invention Theory , 2014, ICCC.
[15] Marco Schorlemmer,et al. ASP, Amalgamation, and the Conceptual Blending Workflow , 2015, LPNMR.
[16] Geraint A. Wiggins,et al. Computational Modeling of Music Cognition and Musical Creativity , 2011 .
[17] Christopher Raphael,et al. Functional Harmonic Analysis Using Probabilistic Models , 2004, Computer Music Journal.
[18] Geraint A. Wiggins,et al. Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints in the Harmonization Problem , 2013 .
[19] Emilios Cambouropoulos,et al. The Harmonic Musical Surface and Two Novel Chord Representation Schemes , 2016, Computational Music Analysis.
[20] Maximos A. Kaliakatsos-Papakostas,et al. Structural Blending of Harmonic Spaces : a Computational Approach , 2015 .
[21] Kai-Uwe Kühnberger,et al. Concept invention and music: Creating novel harmonies via conceptual blending , 2014 .
[22] Maximos A. Kaliakatsos-Papakostas,et al. HARMONY IN THE POLYPHONIC SONGS OF EPIRUS : REPRESENTATION , STATISTICAL ANALYSIS AND GENERATION , 2014 .
[23] Maximos A. Kaliakatsos-Papakostas,et al. Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation , 2015, ISMIR.
[24] Ricardo Scholz,et al. Robust modeling of musical chord sequences using probabilistic N-grams , 2009, 2009 IEEE International Conference on Acoustics, Speech and Signal Processing.
[25] Mark Steedman,et al. A Robust Parser-Interpreter for Jazz Chord Sequences , 2014 .
[26] Kai-Uwe Kühnberger,et al. Computational Invention of Cadences and Chord Progressions by Conceptual Chord-Blending , 2015, IJCAI.
[27] Maximos A. Kaliakatsos-Papakostas,et al. Probabilistic Modular Bass Voice Leading in Melodic Harmonisation , 2015, ISMIR.
[28] Simon Dixon,et al. Probabilistic and Logic-Based Modelling of Harmony , 2010, CMMR.
[29] Maximos A. Kaliakatsos-Papakostas,et al. Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories , 2015, ISMIR.