Enabling Participants to Play Rhythmic Solos Within a Group via Auctions

The paper presents the interactive music system SoloJam, which allows a group of participants with little or no musical training to eectively play together in a "band-like" setting. It allows the partici- pants to take turns playing solos made up of rhythmic pattern sequences. We specify the issue at hand for allowing such participation as being the requirement of decentralised coherent circulation of playing solos. This is to be realised by some form of intelligence within the devices used for participation. Here we take inspiration from the Economic Sciences, and propose this intelligence to take the form of making devices pos- sessing the capability of evaluating their utility of playing the next solo, the capability of holding auctions, and of bidding within them. We show that holding auctions and bidding within them enables decentralisation of co-ordinating solo circulation, and a properly designed utility function enables coherence in the musical output. The approach helps achieve de- centralised coherent circulation with artificial agents simulating human participants. The eectiveness of the approach is further supported when human users participate. As a result, the approach is shown to be eec- tive at enabling participants with little or no musical training to play together in SoloJam.

[1]  Kiri Miller,et al.  Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity , 2009, Journal of the Society for American Music.

[2]  Davide Rocchesso,et al.  Explorations in Sonic Interaction Design , 2011 .

[3]  Christopher Small Musicking: The Meanings of Performing and Listening , 1999 .

[4]  Masataka Goto Active Music Listening Interfaces Based on Signal Processing , 2007, 2007 IEEE International Conference on Acoustics, Speech and Signal Processing - ICASSP '07.

[5]  P. Janata,et al.  Embodied music cognition and mediation technology , 2009 .

[6]  Michael Rohs,et al.  Interactivity for Mobile Music-Making , 2009, Organised Sound.

[7]  John Shiga Copy-and-Persist: The Logic of Mash-Up Culture , 2007 .

[8]  WrightMatthew Open Sound Control: an enabling technology for musical networking , 2005 .

[9]  William Vickrey,et al.  Counterspeculation, Auctions, And Competitive Sealed Tenders , 1961 .

[10]  P. Fishburn,et al.  Utility theory , 1980, Cognitive Choice Modeling.

[11]  Tom E. Bishop,et al.  Blind Image Restoration Using a Block-Stationary Signal Model , 2006, 2006 IEEE International Conference on Acoustics Speech and Signal Processing Proceedings.

[12]  G. Stigler The Development of Utility Theory. I , 1950, Journal of Political Economy.

[13]  Marc Leman,et al.  D-Jogger: Syncing Music with Walking , 2010 .