A Comparison of Music Compositional Process and Product of Two Groups of Secondary Students: Using Only Acoustic Instruments Versus Using Acoustic Instruments and iPads

[1]  Christopher J. Ward Musical exploration using ICT in the middle and secondary school classroom , 2009 .

[2]  M. Hickey,et al.  An Application of Amabile's Consensual Assessment Technique for Rating the Creativity of Children's Musical Compositions , 2001 .

[3]  P. Webster Time, Technology, and Creative Process , 1994 .

[4]  Kristen Wright,et al.  The app generation: How today’s youth navigate identity, intimacy, and imagination in a digital world , 2016, New Media Soc..

[5]  F. Seddon,et al.  Collaborative computer-mediated music composition in cyberspace , 2006, British Journal of Music Education.

[6]  Jan Bolton Technologically mediated composition learning: Josh's story , 2008 .

[7]  S. Alex Ruthmann,et al.  Whose agency matters? Negotiating pedagogical and creative intent during composing experiences , 2008 .

[8]  Bill Crow,et al.  Musical creativity and the new technology , 2006 .

[9]  John Kratus,et al.  A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11 , 1989 .

[10]  Bo Nilsson,et al.  Children's practice of computer-based composition1 , 2005 .

[11]  Maud Hickey,et al.  The Computer as a Tool in Creative Music Making , 1997 .

[12]  S. Stauffer Connections between the Musical and Life Experiences of Young Composers and Their Compositions , 2002 .

[13]  Jackie Wiggins The Nature of Shared Musical Understanding and Is Role in Empowering Independent Musical Thinking. , 2000 .

[14]  Martin Fautley Teacher intervention strategies in the composing processes of lower secondary school students , 2004 .

[15]  H. Gardner Creating minds: an anatomy of creativity seen through the lives of freud , 1993 .

[16]  S. O’Neill,et al.  Creative Thinking Processes in Adolescent Computer-based Composition: an analysis of strategies adopted and the influence of instrumental music training , 2003 .

[17]  Betty Anne Younker Thought Processes and Strategies of Students Engaged in Music Composition 1 , 2000 .

[18]  M. Kennedy Listening to the Music: Compositional Processes of High School Composers , 2002 .

[19]  Danah Henriksen,et al.  COLUMN : RETHINKING TECHNOLOGY & CREATIVITY IN THE 21 ST CENTURY A Systems View of Creativity in a YouTube World , 2016 .

[20]  Konstantina Dogani Teachers' understanding of composing in the primary classroom , 2004 .

[21]  Margaret S. Barrett ‘Creative collaboration’: an ‘eminence’ study of teaching and learning in music composition , 2006 .

[22]  D. Williams The non-traditional music student in secondary schools of the United States: Engaging non-participant students in creative music activities through technology , 2012 .

[23]  How do secondary school music teachers view creativity? A report on educators' views of teaching composing skills , 2001 .

[24]  Susan J. Byo Classroom Teachers' and Music Specialists' Perceived Ability to Implement the National Standards for Music Education , 1999 .

[25]  Tina Beveridge No Child Left Behind and Fine Arts Classes , 2009 .

[26]  Rena Upitis,et al.  The craft of composition: Helping children create music with computer tools. , 1989 .

[27]  John Kratus Effect of Available Tonality and Pitch Options on Children's Compositional Processes and Products , 2001 .

[28]  Donald J. Running Creativity research in music education : A review ( 1980-2005 ) , 2017 .

[29]  Teresa M. Amabile,et al.  Creativity In Context: Update To The Social Psychology Of Creativity , 1996 .

[30]  Sandra L. Stauffer,et al.  Composing with computers: Meg makes music , 2001 .

[31]  Berner Lindström,et al.  Compositional Strategies in Computer-Based Music-Making , 1996, British Journal of Music Education.

[32]  June Tillman,et al.  The Sequence of Musical Development: A Study of Children's Composition , 1986, British Journal of Music Education.

[33]  Bennett Reimer A Philosophy of Music Education: Advancing the Vision , 1970 .

[34]  Judy M. Parr,et al.  MIDI, Music and Me: Students' Perspectives on Composing with MIDI , 2001 .

[35]  J. J. Mahlmann National Standards for Arts Education: What Every Young American Should Know and Be Able To Do in the Arts. , 1994 .

[36]  G. Wallas The art of thought , 1926 .

[37]  Thomas A. Brush,et al.  Integrating technology into K-12 teaching and learning: current knowledge gaps and recommendations for future research , 2007 .

[38]  Bill Crow,et al.  Changing conceptions of educational creativity: a study of student teachers’ experience of musical creativity , 2008 .

[39]  Betty Anne Younker,et al.  Comparing and Modeling Musical Thought Processes of Expert and Novice Composers , 1996 .

[40]  Oscar Odena Creativity in the Secondary Music Classroom , 2012 .

[41]  Clint Randies Tlie Relationship of Compositional Experiences of High School Instrumentalists to Music Self-Concept , 2010 .

[42]  M. Hickey Creativity in the Music Classroom , 2001 .

[43]  M. Kaschub A Comparison of Two Composer-Guided Large Group Composition Projects , 1997 .

[44]  M. Hickey Music Outside the Lines: Ideas for Composing in K-12 Music Classrooms , 2012 .

[45]  Pamela Burnard,et al.  Mapping Pathways: Fostering creativity in composition , 2002 .

[46]  John Kratus,et al.  Relationships Among Children's Music Audiation and Their Compositional Processes and Products , 1994 .

[47]  Peter Webster Research on creative thinking in music: the assessment literature , 1992 .

[48]  Teresa M. Amabile,et al.  ? + ? = creativity. , 2018, Public health nursing.

[49]  S. Reese,et al.  The Development of a Rating Scale for Judging Constructive Feedback for Student Composition , 2001 .

[50]  Liz Mellor,et al.  Creativity, originality, identity: investigating computer-based composition in the secondary school , 2008 .

[51]  P. Burnard How Children Ascribe Meaning to Improvisation and Composition: Rethinking pedagogy in music education , 2000 .

[52]  M. Csíkszentmihályi Creativity: Flow and the Psychology of Discovery and Invention , 1996 .

[53]  Peter Webster,et al.  Creative Thinking in Music , 1990, Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship.

[54]  Peter Webster,et al.  Computers and Technology , 2006 .

[55]  Jessica Koehler,et al.  The Creativity Of Action , 2016 .

[56]  Robert A. Choate Documentary report of the Tanglewood Symposium , 1968 .

[57]  Edwin Gordon,et al.  A music learning theory for newborn and young children , 1990 .

[58]  Nick Reynolds,et al.  The Computer as Scaffold, Tool and Data Collector: Children Composing with Computers , 2005, Education and Information Technologies.

[59]  K. Strand Survey of Indiana Music Teachers on Using Composition in the Classroom , 2006 .

[60]  T. Amabile Big C, Little C, Howard, and Me: Approaches to Understanding Creativity , 2012 .

[61]  Berner Lindström,et al.  Young People's Music in the Digital Age , 1995 .

[62]  Michael L. Mark Contemporary Music Education , 1978 .

[63]  Patricia E. Riley Including Composition in Middle School Band: Effects on Achievement, Performance, and Attitude , 2006 .

[64]  David Elliott,et al.  Music Matters: A New Philosophy of Music Education , 1995 .

[65]  Lisa C. DeLorenzo,et al.  A Field Study of Sixth-Grade Students' Creative Music Problem-Solving Processes , 1989 .

[66]  Jackie Wiggins Children's Strategies for Solving Compositional Problems with Peers , 1994 .

[67]  A. Hewitt Some features of children's composing in a computer-based environment: the influence of age, task familiarity and formal instrumental music tuition , 2009 .

[68]  Marina R Y Gall,et al.  Music composition lessons: the multimodal affordances of technology , 2005 .

[69]  Maud Hickey,et al.  Creativity research in music, visual arts, theatre and dance , 2002 .

[70]  L. Mellor Computer-based composition in the primary school: An investigation of children's “creative” responses using the CD Rom Dance eJay , 2007 .

[71]  A. Bessette Responding to Student Compositions : Suggestions for Teacher Feedback , 1996 .

[72]  Evelyn K Orman Comparison of the National Standards for Music Education and Elementary Music Specialists' Use of Class Time , 2002 .

[73]  Pamela Burnard,et al.  Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways , 2004 .