Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response
暂无分享,去创建一个
[1] Mr Porter’s Secretary. Further information , 2000 .
[2] P. Laukka,et al. Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.
[3] Catherine J. Stevens,et al. Moving with and without music : scaling and lapsing in time in the performance of contemporary dance , 2009 .
[4] Emery Schubert,et al. Continuous Self-Report Methods , 1993 .
[5] Barbara Tillmann,et al. Unspoken knowledge: implicit learning of structured human dance movement. , 2009, Journal of experimental psychology. Learning, memory, and cognition.
[6] Emery Schubert. Modeling Perceived Emotion With Continuous Musical Features , 2004 .
[7] A. Gabrielsson,et al. Strong Experiences Related to Music: Adescriptive System , 2003 .
[8] Eoin Brazil. Proceedings of the 2002 conference on New interfaces for musical expression , 2002 .
[9] J. Russell. Affective space is bipolar. , 1979 .
[10] Leonard B. Meyer. Emotion and Meaning in Music , 1957 .
[11] Densil Cabrera,et al. PsySound3: a program for the analysis of sound recordings , 2008 .
[12] Michael J. Martinez,et al. Cerebral Cortex doi:10.1093/cercor/bhj057 Cerebral Cortex Advance Access published October 12, 2005 The Neural Basis of Human Dance , 2022 .