Electrophysiological correlates of accurate mental image formation in auditory perception and imagery tasks

[1]  D. A. Nelson,et al.  Effects of intersignal interval on the human auditory evoked response. , 1968, The Journal of the Acoustical Society of America.

[2]  R. Butler.  Effect of changes in stimulus frequency and intensity on habituation of the human vertex potential. , 1968, The Journal of the Acoustical Society of America.

[3]  D. A. Nelson,et al.  Combined effects of recovery period and stimulus intensity on the human auditory evoked vertex response. , 1973, Journal of speech and hearing research.

[4]  N. Squires,et al.  Two varieties of long-latency positive waves evoked by unpredictable auditory stimuli in man. , 1975, Electroencephalography and clinical neurophysiology.

[5]  W. Ritter,et al.  The scalp topography of potentials associated with missing visual or auditory stimuli. , 1976, Electroencephalography and clinical neurophysiology.

[6]  D. M. Green,et al.  Frequency discrimination as a function of frequency and sensation level. , 1977, The Journal of the Acoustical Society of America.

[7]  Charles S. Watson,et al.  Performance on frequency‐discrimination tasks by musicians and nonmusicians , 1984 .

[8]  R. Näätänen,et al.  Auditory frequency discrimination and event-related potentials. , 1985, Electroencephalography and clinical neurophysiology.

[9]  L Demany.  Perceptual learning in frequency discrimination. , 1985, The Journal of the Acoustical Society of America.

[10]  J. Bharucha,et al.  Reaction time and musical expectancy: priming of chords. , 1986, Journal of experimental psychology. Human perception and performance.

[11]  D. Woods,et al.  The habituation of event-related potentials to speech sounds and tones. , 1986, Electroencephalography and clinical neurophysiology.

[12]  F. Macar,et al.  An event-related potential analysis of incongruity in music and other non-linguistic contexts. , 1987, Psychophysiology.

[13]  T. Picton,et al.  The N1 wave of the human electric and magnetic response to sound: a review and an analysis of the component structure. , 1987, Psychophysiology.

[14]  Petr Janata,et al.  Response-Time Measures as a Means of Exploring Tonal Hierarchies , 1988 .

[15]  D. Ruchkin,et al.  Multiple sources of P3b associated with different types of information. , 1990, Psychophysiology.

[16]  C. Krumhansl.  Cognitive Foundations of Musical Pitch , 1990 .

[17]  C C Wood,et al.  Event-related potentials elicited by deviant endings to melodies. , 1992, Psychophysiology.

[18]  F. Bloom,et al.  Modulation of early sensory processing in human auditory cortex during auditory selective attention. , 1993, Proceedings of the National Academy of Sciences of the United States of America.

[19]  K. Reinikainen,et al.  Attentive novelty detection in humans is governed by pre-attentive sensory memory , 1994, Nature.

[20]  Mireille Besson,et al.  Brain waves associated with musical incongruities differ for musicians and non-musicians , 1994, Neuroscience Letters.

[21]  Petr Janata,et al.  ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music , 1995, Journal of Cognitive Neuroscience.

[22]  M. Besson,et al.  AN EVENT-RELATED POTENTIAL (ERP) STUDY OF MUSICAL EXPECTANCY : COMPARISON OF MUSICIANS WITH NONMUSICIANS , 1995 .

[23]  F. Perrin,et al.  Tonotopic organization of the human auditory cortex: N100 topography and multiple dipole model analysis. , 1995, Electroencephalography and clinical neurophysiology.

[24]  Alan C. Evans,et al.  Hearing in the Mind's Ear: A PET Investigation of Musical Imagery and Perception , 1996, Journal of Cognitive Neuroscience.

[25]  M. Kutas,et al.  What's in a pause: event-related potential analysis of temporal disruptions in written and spoken sentences , 1997, Biological Psychology.

[26]  E. Schröger,et al.  Behavioral and electrophysiological effects of task-irrelevant sound change: a new distraction paradigm. , 1998, Brain research. Cognitive brain research.

[27]  R. Oostenveld,et al.  Increased auditory cortical representation in musicians , 1998, Nature.

[28]  J. Polich,et al.  P3a, perceptual distinctiveness, and stimulus modality. , 1998, Brain research. Cognitive brain research.

[29]  M. Tervaniemi,et al.  Superior pre-attentive auditory processing in musicians. , 1999, Neuroreport.

[30]  B. Tillmann,et al.  Effect of global structure and temporal organization on chord processing , 1999 .

[31]  J. Polich,et al.  P3a and P3b from typical auditory and visual stimuli , 1999, Clinical Neurophysiology.

[32]  R. Zatorre,et al.  When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies. , 1999, Cerebral cortex.

[33]  A. Friederici,et al.  Brain Indices of Music Processing: Nonmusicians are Musical , 2000, Journal of Cognitive Neuroscience.

[34]  Barbara Tillmann,et al.  Implicit learning of tonality: A self-organizing approach , 2000 .

[35]  Elvira Brattico,et al.  Context Effects on Pitch Perception in Musicians and Nonmusicians: Evidence from Event-Related-Potential Recordings , 2001 .

[36]  David Huron,et al.  Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles , 2001 .

[37]  K. Kiehl,et al.  Neural sources involved in auditory target detection and novelty processing: an event-related fMRI study. , 2001, Psychophysiology.

[38]  R. Ilmoniemi,et al.  Superior formation of cortical memory traces for melodic patterns in musicians. , 2001, Learning & memory.

[39]  Risto Näätänen,et al.  Simultaneous storage of two complex temporal sound patterns in auditory sensory memory , 2002, Neuroreport.

[40]  P. Janata,et al.  Listening to polyphonic music recruits domain-general attention and working memory circuits , 2002, Cognitive, affective & behavioral neuroscience.

[41]  I. Peretz,et al.  Congenital amusia: a group study of adults afflicted with a music-specific disorder. , 2002, Brain : a journal of neurology.

[42]  Robert J Zatorre,et al.  Influence of tonal context and timbral variation on perception of pitch , 2002, Perception & Psychophysics.

[43]  E. Donchin,et al.  The influence of stimulus deviance and novelty on the P300 and novelty P3. , 2002, Psychophysiology.

[44]  Mary Florentine,et al.  A comparison of psychophysical procedures for level-discrimination thresholds. , 2003, The Journal of the Acoustical Society of America.

[45]  P. Janata,et al.  Activation of the inferior frontal cortex in musical priming. , 2003, Annals of the New York Academy of Sciences.

[46]  Antoine J. Shahin,et al.  Enhancement of Neuroplastic P2 and N1c Auditory Evoked Potentials in Musicians , 2003, The Journal of Neuroscience.

[47]  M. Tervaniemi,et al.  Pitch discrimination accuracy in musicians vs nonmusicians: an event-related potential and behavioral study , 2005, Experimental Brain Research.

[48]  Petr Janata,et al.  Brain Electrical Activity Evoked by Mental Formation of Auditory Expectations and Images , 2004, Brain Topography.

[49]  Mireille Besson,et al.  Visually Induced Auditory Expectancy in Music Reading: A Behavioral and Electrophysiological Study , 2005, Journal of Cognitive Neuroscience.

[50]  Laurel J. Trainor,et al.  Automatic Encoding of Polyphonic Melodies in Musicians and Nonmusicians , 2005, Journal of Cognitive Neuroscience.

[51]  Isabelle Peretz,et al.  Abnormal electrical brain responses to pitch in congenital amusia , 2005, Annals of neurology.

[52]  B. Tillmann,et al.  Repetition priming: Is music special? , 2005, The Quarterly journal of experimental psychology. A, Human experimental psychology.

[53]  Godfrey Pearlson,et al.  An adaptive reflexive processing model of neurocognitive function: supporting evidence from a large scale (n = 100) fMRI study of an auditory oddball task , 2005, NeuroImage.

[54]  K. Kaga,et al.  Auditory imagery mismatch negativity elicited in musicians , 2005, Neuroreport.

[55]  A. Oxenham,et al.  Influence of musical and psychoacoustical training on pitch discrimination , 2006, Hearing Research.

[56]  Petr Janata,et al.  Acuity of auditory images in pitch and time , 2006, Perception & psychophysics.

[57]  Antoine J. Shahin,et al.  Enhanced anterior-temporal processing for complex tones in musicians , 2007, Clinical Neurophysiology.

[58]  Michael T. Ullman,et al.  Double dissociation between rules and memory in music: An event-related potential study , 2007, NeuroImage.

[59]  J. Polich.  Updating P300: An integrative theory of P3a and P3b , 2007, Clinical Neurophysiology.

[60]  Robert J. Zatorre,et al.  Experience-dependent neural substrates involved in vocal pitch regulation during singing , 2008, NeuroImage.

[61]  Christo Pantev,et al.  Neural basis of music imagery and the effect of musical expertise , 2008, The European journal of neuroscience.

[62]  C. Palmer,et al.  Repetition priming in music. , 2008, Journal of experimental psychology. Human perception and performance.

[63]  P. Janata.  The Neural Architecture of Music-Evoked Autobiographical Memories , 2009, Cerebral cortex.

[64]  I. Peretz,et al.  The amusic brain: in tune, out of key, and unaware. , 2009, Brain : a journal of neurology.

[65]  Erika Skoe,et al.  Selective Subcortical Enhancement of Musical Intervals in Musicians , 2009, The Journal of Neuroscience.

[66]  J. Rauschecker,et al.  Brain Activation during Anticipation of Sound Sequences , 2009, The Journal of Neuroscience.

[67]  G. Schlaug,et al.  Tone Deafness: A New Disconnection Syndrome? , 2009, The Journal of Neuroscience.

[68]  Petr Janata,et al.  Influences of multiple memory systems on auditory mental image acuity. , 2010, The Journal of the Acoustical Society of America.