Digital rights management for digital cinema

There is a wide consensus among the feature film production studios that the Internet era brings a new paradigm for film distribution to cinemas worldwide. The benefits of digital cinema to both producers and cinemas are numerous: significantly lower distribution and maintenance costs, immediate access to film libraries, higher presentation quality, and strong potential for developing new business models. Despite these advantages, the studios are still reluctant to jump into the digital age. The main showstopper for digital cinema is the danger of widespread piracy. Piracy already costs Hollywood an estimated two billion dollars annually and digital cinema without proper copyright enforcement could increase this number. In this paper, we present a copyright management system that aims at providing the set of necessary security tools: standard cryptographic primitives and copyright protection mechanisms that enable a reliable and secure feature film delivery system.

[1]  Dan Collusion-Secure Fingerprinting for Digital Data , 2002 .

[2]  Ahmed H. Tewfik,et al.  Robust audio watermarking using perceptual masking , 1998, Signal Process..

[3]  Ingemar J. Cox,et al.  A Secure, Robust Watermark for Multimedia , 1996, Information Hiding.

[4]  Gregory W. Wornell,et al.  Digital watermarking and information embedding using dither modulation , 1998, 1998 IEEE Second Workshop on Multimedia Signal Processing (Cat. No.98EX175).

[5]  Josh Benaloh,et al.  Key Compression and its Application to Digital Fingerprinting , 2001 .

[6]  Jean-Paul M. G. Linnartz,et al.  Analysis of the Sensitivity Attack against Electronic Watermarks in Images , 1998, Information Hiding.

[7]  Lev Vaitzblit A High-Resolution Video Server for Cinema of the Future , 1995, IEEE Multim..

[8]  Markus G. Kuhn,et al.  Attacks on Copyright Marking Systems , 1998, Information Hiding.

[9]  Markus G. Kuhn Attacks on Pay-TV Access Control Systems , 1997 .

[10]  Darko Kirovski,et al.  Robust Covert Communication over a Public Audio Channel Using Spread Spectrum , 2001, Information Hiding.

[11]  Bernd Girod,et al.  Fast public-key watermarking of compressed video , 1997, Proceedings of International Conference on Image Processing.

[12]  Birgit Pfitzmann,et al.  Error- and Collusion-Secure Fingerprinting for Digital Data , 1999, Information Hiding.

[13]  Darko Kirovski,et al.  Robust spread-spectrum audio watermarking , 2001, 2001 IEEE International Conference on Acoustics, Speech, and Signal Processing. Proceedings (Cat. No.01CH37221).

[14]  Ioannis Pitas,et al.  Robust audio watermarking in the time domain , 1998, 9th European Signal Processing Conference (EUSIPCO 1998).

[15]  Joseph A. O'Sullivan,et al.  Information-theoretic analysis of information hiding , 2003, IEEE Trans. Inf. Theory.

[16]  Madhu Sudan,et al.  Decoding of Reed Solomon Codes beyond the Error-Correction Bound , 1997, J. Complex..

[17]  Walter Bender,et al.  Echo Hiding , 1996, Information Hiding.

[18]  Derrick Grover,et al.  The Protection of Computer Software: Its Technology and Application , 1992 .

[19]  F. MacWilliams,et al.  The Theory of Error-Correcting Codes , 1977 .

[20]  D. P. Maher,et al.  Music on the Internet and the intellectual property protection problem , 1997, ISIE '97 Proceeding of the IEEE International Symposium on Industrial Electronics.

[21]  P. D. Lubell A coming attraction: digital cinema , 2000 .

[22]  O. Roeva,et al.  Information Hiding: Techniques for Steganography and Digital Watermarking , 2000 .

[23]  Xin Wang,et al.  XrML -- eXtensible rights Markup Language , 2002, XMLSEC '02.

[24]  Bernd Girod,et al.  Power-spectrum condition for energy-efficient watermarking , 1999, Proceedings 1999 International Conference on Image Processing (Cat. 99CH36348).

[25]  Joe Kilian,et al.  A Note on the Limits of Collusion-Resistant Watermarks , 1999, EUROCRYPT.

[26]  Alfred Menezes,et al.  Handbook of Applied Cryptography , 2018 .