Quantifying Aesthetic Preference for Chaotic Patterns
暂无分享,去创建一个
[1] C. Pickover. Keys to Infinity , 1995 .
[2] Julien Clinton Sprott,et al. Automatic generation of iterated function systems , 1994, Comput. Graph..
[3] Robert C. Hilborn,et al. Chaos And Nonlinear Dynamics: An Introduction for Scientists and Engineers , 1994 .
[4] J. Sprott. Strange Attractors: Creating Patterns in Chaos , 1993 .
[5] Julien Clinton Sprott,et al. Automatic generation of strange attractors , 1993, Comput. Graph..
[6] K. Clayton,et al. The perception of natural contour. , 1993, Psychological review.
[7] Richard Lind. The Aesthetic Essence of Art , 1992 .
[8] L. Short. THE AESTHETIC VALUE OF FRACTAL IMAGES , 1991 .
[9] R. Devaney,et al. Chaos, Making a New Science , 1987 .
[10] 秦 浩起,et al. Characterization of Strange Attractor (カオスとその周辺(基研長期研究会報告)) , 1987 .
[11] J. Cutting,et al. Fractal curves and complexity , 1987, Perception & psychophysics.
[12] P. Costa,et al. Declines in divergent thinking with age: cross-sectional, longitudinal, and cross-sequential analyses. , 1987, Psychology and aging.
[13] Margaret A. Hagen,et al. Varieties of Realism: Geometries of Representational Art , 1986 .
[14] A. Wolf,et al. Determining Lyapunov exponents from a time series , 1985 .
[15] P. Grassberger,et al. Characterization of Strange Attractors , 1983 .
[16] E. Yodogawa. Symmetropy, an entropy-like measure of visual symmetry , 1982, Perception & psychophysics.
[17] J. Birren,et al. Variables affecting creative contributions across the adult life span. , 1977, Human development.
[18] W. R. Garner. Uncertainty and structure as psychological concepts , 1975 .
[19] A Note on Sex Differences in Adolescents' Divergent Thinking , 1972 .
[20] Hitesh Domadia,et al. IJESRT INTERNATIONAL JOURNA An Efficient Image Fusion Method For Fusion of Low Resolution Infrared And , 2012 .
[21] E. Leeuwenberg. A perceptual coding language for visual and auditory patterns. , 1971, The American journal of psychology.
[22] S. Wade. Adoleseents, Creativity, and Media , 1971 .
[23] G. Windholz. The relation of creativity and intelligence constellations to traits of temperament, interest, and value in college students. , 1968, The Journal of general psychology.
[24] W. R. Garner,et al. The structure of visual pattern associates and pattern goodness , 1966 .
[25] W. R. Garner,et al. Goodness of pattern and pattern uncertainty. , 1963 .
[26] J HOCHBERG,et al. The psychophysics of form: reversible-perspective drawings of spatial objects. , 1960, The American journal of psychology.
[27] D. Berlyne. The influence of complexity and novelty in visual figures on orienting responses. , 1958, Journal of experimental psychology.
[28] D. C. Beardslee,et al. Readings in perception , 1958 .
[29] R. Arnheim,et al. Art and Visual Perception: A Psychology of the Creative Eye. , 1956 .
[30] F. Barron,et al. The disposition toward originality. , 1955, Journal of abnormal psychology.
[31] F. Attneave. Symmetry, information, and memory for patterns. , 1955, The American journal of psychology.
[32] F. Attneave. Some informational aspects of visual perception. , 1954, Psychological review.
[33] J. Hochberg,et al. A quantitative approach to figural "goodness". , 1953, Journal of experimental psychology.
[34] H. J. Eysenck,et al. The experimental study of the 'good Gestalt'--a new approach. , 1942 .
[35] C. A. Garabedian. Birkhoff on Aesthetic Measure , 1934 .