Summary and Discussion

This chapter presents the summary and the discussion of this book and database. In this book the UMA-Piano chord music Data Base is presented as well as an engineering point of view of harmony. This book ends with a discussion of the future improvements of the database presented.

[1]  Matija Marolt,et al.  A connectionist approach to automatic transcription of polyphonic piano music , 2004, IEEE Transactions on Multimedia.

[2]  Daniel P. W. Ellis,et al.  A Discriminative Model for Polyphonic Piano Transcription , 2007, EURASIP J. Adv. Signal Process..

[3]  Ana M. Barbancho,et al.  Polyphony Number Estimator for Piano Recordings Using Different Spectral Patterns , 2010 .

[4]  Anssi Klapuri,et al.  Signal Processing Methods for Music Transcription , 2006 .

[5]  Ana M. Barbancho,et al.  PIC Detector for Piano Chords , 2010, EURASIP J. Adv. Signal Process..

[6]  H. Helmholtz,et al.  Book Reviews: On the Sensations of Tone as a Physiological Basis for the Theory of Music , 1954 .

[7]  W. Apel.  Harvard Dictionary of music , 1956 .

[8]  Ana M. Barbancho,et al.  Transcription of piano recordings , 2004 .

[9]  Kristoffer Jensen,et al.  ENVELOPE MODEL OF ISOLATED MUSICAL SOUNDS , 1999 .

[10]  J. Barbour.  Tuning and Temperament: A Historical Survey , 2004 .

[11]  Andrés Ortiz,et al.  Unsupervised Classification of Audio Signals by Self-Organizing Maps and Bayesian Labeling , 2012, HAIS.

[12]  Tsutomu Nakada,et al.  Ear advantage and consonance of dichotic pitch intervals in absolute-pitch possessors , 2003, Brain and Cognition.

[13]  Ana M. Barbancho,et al.  Unsupervised and Neural Hybrid Techniques for Audio Signal Classification , 2012 .

[14]  Anssi Klapuri,et al.  Multiple fundamental frequency estimation based on harmonicity and spectral smoothness , 2003, IEEE Trans. Speech Audio Process..

[15]  Mark B. Sandler,et al.  Automatic Piano Transcription Using Frequency and Time-Domain Information , 2006, IEEE Transactions on Audio, Speech, and Language Processing.

[16]  Ana M. Barbancho,et al.  SIC receiver for polyphonic piano music , 2011, 2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).

[17]  Masataka Goto,et al.  Development of the RWC Music Database , 2004 .

[18]  J Vos,et al.  Thresholds for discrimination between pure and tempered intervals: the relevance of nearly coinciding harmonics. , 1985, The Journal of the Acoustical Society of America.