Tactile feedback and timing accuracy in piano performance
暂无分享,去创建一个
[1] Caroline Palmer,et al. Movement amplitude and tempo change in piano performance , 2004 .
[2] J. F. Soechting,et al. Use of tactile afferent information in sequential finger movements , 2004, Experimental Brain Research.
[3] S. Wise,et al. The Acquisition of Motor Behavior in Vertebrates , 1996 .
[4] R. N. Lemon,et al. Digital nerve anaesthesia decreases EMG-EMG coherence in a human precision grip task , 2002, Experimental Brain Research.
[5] Caroline Palmer,et al. Incremental planning in sequence production. , 2003, Psychological review.
[6] C. Palmer,et al. Auditory feedback and memory for music performance: Sound evidence for an encoding effect , 2003, Memory & cognition.
[7] Erik V. Jansson,et al. From touch to string vibrations. I: Timing in the grand piano action , 1990 .
[8] Ivan Toni,et al. Tactile input of the hand and the control of reaching to grasp movements , 1997, Experimental Brain Research.
[9] Peter Q. Pfordresher,et al. Effects of delayed auditory feedback on timing of music performance , 2002, Psychological research.
[10] Roberto Bresin,et al. Measurement and reproduction accuracy of computer-controlled grand pianos. , 2003, The Journal of the Acoustical Society of America.
[11] William Braid White. THE HUMAN ELEMENT IN PIANO TONE PRODUCTION , 1930 .
[12] W Goebl,et al. Melody lead in piano performance: expressive device or artifact? , 2001, The Journal of the Acoustical Society of America.
[13] M. Billon,et al. The role of sensory information in the production of periodic finger-tapping sequences , 1996, Experimental Brain Research.
[14] P. Fraisse,et al. The sensorimotor synchronization of rhythms , 1966 .
[15] G Aschersleben,et al. Tapping with peripheral nerve block. a role for tactile feedback in the timing of movements. , 2001, Experimental brain research.
[16] Lynette A. Jones. Proprioception and Its Contribution to Manual Dexterity , 1996 .
[17] G. Aschersleben. Temporal Control of Movements in Sensorimotor Synchronization , 2002, Brain and Cognition.
[18] G Aschersleben,et al. Synchronizing actions with events: The role of sensory information , 1995, Perception & psychophysics.
[19] M. Wiesendanger,et al. Music, motor control and the brain , 2006 .
[20] Julius G. Báron. Physical Basis of Piano Touch , 1958 .
[21] G. Aschersleben,et al. The effect of sensory feedback on the timing of movements: Evidence from deafferented patients , 2006, Brain Research.
[22] M. Mon-Williams,et al. Motor Control and Learning , 2006 .
[23] H. Zelaznik,et al. Dissociation of explicit and implicit timing in repetitive tapping and drawing movements. , 2002 .
[24] Marco Santello,et al. Hand movements and musical performance , 2012 .
[25] Ramesh Balasubramaniam,et al. Trajectory Formation in Timed Repetitive Movements , 2006 .
[26] Gisa Aschersleben,et al. A psychophysical approach to action timing , 2004 .
[27] Nell P. McAngusTodd,et al. The dynamics of dynamics: A model of musical expression , 1992 .
[28] R. Johansson,et al. Hand Movements , 2001 .
[29] Andreas Daffertshofer,et al. Keeping with the beat: movement trajectories contribute to movement timing , 2004, Experimental Brain Research.
[30] Andrew M. Gordon,et al. Tactile feedback contributes to consistency of finger movements during typing , 2004, Experimental Brain Research.
[31] Erik V. Jansson,et al. On Vibration Sensation and Finger Touch in Stringed Instrument Playing , 1992 .
[32] Eckart Altenmüller,et al. Loudness control in pianists as exemplified in keystroke force measurements on different touches. , 2007, The Journal of the Acoustical Society of America.
[33] Roberto Bresin,et al. Touch and temporal behavior of grand piano actions. , 2005, The Journal of the Acoustical Society of America.
[34] Otto Ortmann. The Physical Basis of Piano Touch and Tone: An Experimental Investigation of the Effect of the Player's Touch upon the Tone of the Piano , 1925 .
[35] B. Silverman,et al. Functional Data Analysis , 1997 .
[36] R. Kirk. Experimental Design: Procedures for the Behavioral Sciences , 1970 .
[37] B. Repp. Sensorimotor synchronization: A review of the tapping literature , 2005, Psychonomic bulletin & review.
[38] Caroline Palmer,et al. Cognitive and biomechanical inXuences in pianists' Wnger tapping , 2007 .
[39] Peter Desain,et al. Does expressive timing in music performance scale proportionally with tempo? , 1994 .
[40] Caroline Palmer,et al. Cognitive and biomechanical influences in pianists’ finger tapping , 2007, Experimental Brain Research.
[41] C. Palmer. Mapping musical thought to musical performance. , 1989, Journal of experimental psychology. Human perception and performance.