Bilevel Sparse Models for Polyphonic Music Transcription
暂无分享,去创建一个
Guillermo Sapiro | Alexander M. Bronstein | Tal Ben Yakar | Pablo Sprechmann | Roee Litman | A. Bronstein | G. Sapiro | P. Sprechmann | R. Litman
[1] Markus Schedl,et al. Polyphonic piano note transcription with recurrent neural networks , 2012, 2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[2] Léon Bottou,et al. Large-Scale Machine Learning with Stochastic Gradient Descent , 2010, COMPSTAT.
[3] Jean Ponce,et al. Task-Driven Dictionary Learning , 2010, IEEE Transactions on Pattern Analysis and Machine Intelligence.
[4] Simon Dixon,et al. Polyphonic music transcription using note onset and offset detection , 2011, 2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[5] Juhan Nam,et al. A Classification-Based Polyphonic Piano Transcription Approach Using Learned Feature Representations , 2011, ISMIR.
[6] Mark D. Plumbley,et al. Polyphonic music transcription by non-negative sparse coding of power spectra , 2004 .
[7] Daniel P. W. Ellis,et al. A Discriminative Model for Polyphonic Piano Transcription , 2007, EURASIP J. Adv. Signal Process..
[8] Guillermo Sapiro,et al. Real-time Online Singing Voice Separation from Monaural Recordings Using Robust Low-rank Modeling , 2012, ISMIR.
[9] Bhiksha Raj,et al. A Probabilistic Latent Variable Model for Acoustic Modeling , 2006 .
[10] Emmanuel Vincent,et al. Enforcing Harmonicity and Smoothness in Bayesian Non-Negative Matrix Factorization Applied to Polyphonic Music Transcription , 2010, IEEE Transactions on Audio, Speech, and Language Processing.
[11] Lawrence R. Rabiner,et al. A tutorial on hidden Markov models and selected applications in speech recognition , 1989, Proc. IEEE.
[12] Judith C. Brown. Calculation of a constant Q spectral transform , 1991 .
[13] Matija Marolt,et al. A connectionist approach to automatic transcription of polyphonic piano music , 2004, IEEE Transactions on Multimedia.
[14] P. Smaragdis,et al. Non-negative matrix factorization for polyphonic music transcription , 2003, 2003 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (IEEE Cat. No.03TH8684).
[15] Yann LeCun,et al. Learning Fast Approximations of Sparse Coding , 2010, ICML.
[16] Anssi Klapuri,et al. Multipitch Analysis of Polyphonic Music and Speech Signals Using an Auditory Model , 2008, IEEE Transactions on Audio, Speech, and Language Processing.
[17] Emmanuel Vincent,et al. Adaptive Harmonic Spectral Decomposition for Multiple Pitch Estimation , 2010, IEEE Transactions on Audio, Speech, and Language Processing.
[18] I. Daubechies,et al. An iterative thresholding algorithm for linear inverse problems with a sparsity constraint , 2003, math/0307152.
[19] Simon Dixon,et al. Multiple-instrument polyphonic music transcription using a convolutive probabilistic model , 2011 .
[20] H. Sebastian Seung,et al. Learning the parts of objects by non-negative matrix factorization , 1999, Nature.
[21] Roland Badeau,et al. Multipitch Estimation of Piano Sounds Using a New Probabilistic Spectral Smoothness Principle , 2010, IEEE Transactions on Audio, Speech, and Language Processing.
[22] Anssi Klapuri,et al. Automatic Music Transcription: Breaking the Glass Ceiling , 2012, ISMIR.