Response to Carol Krumhansl

Responses are made to the major points discussed in KrumhansPs comment, "Tonal Hierarchies and Rare Intervals in Music Cognition."

[1]  D. Butler,et al.  Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry , 1989 .

[2]  C. Krumhansl,et al.  Perceived harmonic structure of chords in three related musical keys. , 1982, Journal of experimental psychology. Human perception and performance.

[3]  D. Butler,et al.  Tonal Structure versus Function: Studies of the Recognition of Harmonic Motion , 1984 .

[4]  A Study of Event Hierarchies in Tonal and Post-Tonal Music , 1990 .

[5]  C. Krumhansl,et al.  Tonal hierarchies in the music of north India. , 1984, Journal of experimental psychology. General.

[6]  Helen Brown,et al.  The Interplay of Set Content and Temporal Context in a Functional Theory of Tonality Perception , 1988 .

[7]  C. Krumhansl,et al.  Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982 .

[8]  J. Youngblood.  Style as Information , 1958 .

[9]  L. Cuddy,et al.  Recovery of the tonal hierarchy: Some comparisons across age and levels of musical experience , 1987, Perception & psychophysics.

[10]  C. Krumhansl.  The psychological representation of musical pitch in a tonal context , 1979, Cognitive Psychology.

[11]  R. Shepard,et al.  Quantification of the hierarchy of tonal functions within a diatonic context. , 1979, Journal of experimental psychology. Human perception and performance.

[12]  Heinrich Schenker,et al.  Readings in Schenker Analysis and Other Approaches , 1977 .