Using dimensional descriptions to express the emotional content of music

Dimensional descriptions are used in computational research on music and emotion, but the approach has potentially much more power and subtlety than many applications use. Two main kinds of refinement are considered — description of moment-by-moment change, and the use of more than the two or three best known dimensions.

[1]  E. Altenmüller,et al.  Emotions over time: synchronicity and development of subjective, physiological, and facial affective reactions to music. , 2007, Emotion.

[2]  H. Schlosberg Three dimensions of emotion. , 1954, Psychological review.

[3]  Marc Leman,et al.  Prediction of Musical Affect Using a Combination of Acoustic Structural Cues , 2005 .

[4]  C. L. M.,et al.  Outlines of Psychology , 1891, Nature.

[5]  C. Osgood,et al.  The Measurement of Meaning , 1958 .

[6]  Andrew R. Brown,et al.  Playing with affect: Music performance with awareness of score and audience , 2005 .

[7]  R. Cowie Describing the forms of emotional colouring that pervade everyday life , 2009 .

[8]  Kostas Karpouzis,et al.  The HUMAINE Database: Addressing the Collection and Annotation of Naturalistic and Induced Emotional Data , 2007, ACII.

[9]  Roddy Cowie,et al.  Describing the emotional states that are expressed in speech , 2003, Speech Commun..

[10]  K. Scherer,et al.  Emotions evoked by the sound of music: characterization, classification, and measurement. , 2008, Emotion.

[11]  Anders Friberg,et al.  pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules , 2006, Computer Music Journal.

[12]  K. Scherer,et al.  The World of Emotions is not Two-Dimensional , 2007, Psychological science.

[13]  P. Ekman,et al.  Pan-Cultural Elements in Facial Displays of Emotion , 1969, Science.

[14]  J. Russell,et al.  Core affect, prototypical emotional episodes, and other things called emotion: dissecting the elephant. , 1999 .

[15]  J. Sloboda,et al.  Psychological perspectives on music and emotion , 2001 .

[16]  W. Thompson,et al.  A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues , 1999 .

[17]  Anders Friberg pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules , 2006 .

[18]  Emery Schubert Research in expressing continuous emotional response to music as a function of its psychoacoustic parameters : Current and future directions , 2004 .

[19]  J. Russell,et al.  Core affect, prototypical emotional episodes, and other things called emotion: dissecting the elephant. , 1999, Journal of personality and social psychology.

[20]  Miguel Molina-Solana,et al.  Inmamusys: Intelligent multiagent music system , 2009, Expert Syst. Appl..

[21]  D. Watson,et al.  Development and validation of brief measures of positive and negative affect: the PANAS scales. , 1988, Journal of personality and social psychology.

[22]  E. Campana,et al.  COMPUTER-GENERATING EMOTIONAL MUSIC : THE DESIGN OF AN AFFECTIVE MUSIC ALGORITHM , 2008 .