Combined perception and control for timing in robotic music performances

[1]  A Lyons,et al.  International Computer Music Conference , 2013 .

[2]  Ali Taylan Cemgil,et al.  Combined perception and control for timing in robotic music performances , 2012, EURASIP Journal on Audio, Speech, and Music Processing.

[3]  Ali Taylan Cemgil,et al.  Probabilistic Models for Real-time Acoustic Event Detection with Application to Pitch Tracking , 2011 .

[4]  Cumhur Erkut,et al.  Real-Time Recognition of Percussive Sounds by a Model-Based Method , 2011, EURASIP J. Adv. Signal Process..

[5]  Tetsuya Ogata,et al.  Real-Time Audio-to-Score Alignment Using Particle Filter for Coplayer Music Robots , 2011, EURASIP J. Adv. Signal Process..

[6]  Jun-Ho Oh,et al.  Interactive musical participation with humanoid robots through the use of novel musical tempo and beat tracking techniques in the absence of auditory cues , 2010, 2010 10th IEEE-RAS International Conference on Humanoid Robots.

[7]  David Barber,et al.  Graphical Models for Time-Series , 2010, IEEE Signal Processing Magazine.

[8]  Mats Liljedahl,et al.  Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound , 2010 .

[9]  Jakob Abeßer,et al.  Automatic genre classification of Latin American music using characteristic rhythmic patterns , 2010, Audio Mostly Conference.

[10]  Christopher Raphael,et al.  Music Plus One and Machine Learning , 2010, ICML.

[11]  Umut Şimşekli,et al.  A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING , 2010 .

[12]  Umut Ssekli,et al.  BAYESIAN METHODS FOR REAL-TIME PITCH TRACKING , 2010 .

[13]  Alyssa M. Batula,et al.  Developing Humanoids For Musical Interaction , 2010 .

[14]  Ali Taylan Cemgil,et al.  Nonnegative matrix factorizations as probabilistic inference in composite models , 2009, 2009 17th European Signal Processing Conference.

[15]  BertinNancy,et al.  Nonnegative matrix factorization with the itakura-saito divergence , 2009 .

[16]  Nancy Bertin,et al.  Nonnegative Matrix Factorization with the Itakura-Saito Divergence: With Application to Music Analysis , 2009, Neural Computation.

[17]  Thomas Arildsen,et al.  Proceedings of the 17th European Signal Processing Conference (EUSIPCO-2009) , 2009 .

[18]  Kazuyoshi Yoshii,et al.  A robot uses its own microphone to synchronize its steps to musical beats while scatting and singing , 2008, 2008 IEEE/RSJ International Conference on Intelligent Robots and Systems.

[19]  Emmanuel Vincent,et al.  Harmonic and inharmonic Nonnegative Matrix Factorization for Polyphonic Pitch transcription , 2008, 2008 IEEE International Conference on Acoustics, Speech and Signal Processing.

[20]  George Tzanetakis,et al.  Analyzing Afro-Cuban Rhythms using Rotation-Aware Clave Template Matching with Dynamic Programming , 2008, ISMIR.

[21]  Simon J. Godsill,et al.  Sequential Inference of Rhythmic Structure in Musical Audio , 2007, 2007 IEEE International Conference on Acoustics, Speech and Signal Processing - ICASSP '07.

[22]  Simon J. Godsill,et al.  Bayesian Modelling of Temporal Structure in Musical Audio , 2006, ISMIR.

[23]  Eric Moulines,et al.  Inference in Hidden Markov Models (Springer Series in Statistics) , 2005 .

[24]  Ajay Kapur,et al.  A History of robotic Musical Instruments , 2005, ICMC.

[25]  Stefania Serafin,et al.  International Computer Music Conference (ICMC) , 2005 .

[26]  Ethem Alpaydin,et al.  Introduction to Machine Learning (Adaptive Computation and Machine Learning) , 2004 .

[27]  Ali Taylan Cemgil,et al.  Monte Carlo Methods for Tempo Tracking and Rhythm Quantization , 2011, J. Artif. Intell. Res..

[28]  Alyn P. Rockwood,et al.  ACM SIGGRAPH 2003 Papers , 2003, SIGGRAPH 2003.

[29]  Sung Yong Shin,et al.  Rhythmic-motion synthesis based on motion-beat analysis , 2003, ACM Trans. Graph..

[30]  Floriana Esposito,et al.  Proceedings of the 7th Congress of the Italian Association for Artificial Intelligence on Advances in Artificial Intelligence , 2001 .

[31]  Nicola Orio,et al.  An Automatic Accompanist Based on Hidden Markov Models , 2001, AI*IA.

[32]  Roger W. Johnson,et al.  An Introduction to the Bootstrap , 2001 .

[33]  Yoichi Muraoka,et al.  Real-time beat tracking for drumless audio signals: Chord change detection for musical decisions , 1999, Speech Commun..

[34]  Masataka Goto,et al.  Ijcai-97 Workshop on Computational Auditory Scene Analysis Real-time Rhythm Tracking for Drumless Audio Signals | Chord Change Detection for Musical Decisions | , 1997 .

[35]  Dimitri P. Bertsekas,et al.  Dynamic Programming and Optimal Control, Two Volume Set , 1995 .

[36]  Roger B. Dannenberg,et al.  An On-Line Algorithm for Real-Time Accompaniment , 1984, ICMC.