Early tone categorization in absolute pitch musicians is subserved by the right-sided perisylvian brain

[1]  Mariapaola D'Imperio,et al.  Professional Music Training and Novel Word Learning: From Faster Semantic Encoding to Longer-lasting Word Representations , 2016, Journal of Cognitive Neuroscience.

[2]  Andreas Büchner,et al.  On the relationship between auditory cognition and speech intelligibility in cochlear implant users: An ERP study , 2016, Neuropsychologia.

[3]  Thomas R. Knösche,et al.  Intracortical myelination in musicians with absolute pitch: Quantitative morphometry using 7‐T MRI , 2016, Human brain mapping.

[4]  D. Tucker,et al.  EEG source localization: Sensor density and head surface coverage , 2015, Journal of Neuroscience Methods.

[5]  J. Rauschecker Auditory and visual cortex of primates: a comparison of two sensory systems , 2015, The European journal of neuroscience.

[6]  L. Jäncke,et al.  Bridging the Gap between Perceptual and Cognitive Perspectives on Absolute Pitch , 2015, The Journal of Neuroscience.

[7]  A. Heinecke,et al.  Increased volume and function of right auditory cortex as a marker for absolute pitch. , 2014, Cerebral cortex.

[8]  C. Larson,et al.  Left-hemisphere activation is associated with enhanced vocal pitch error detection in musicians with absolute pitch , 2014, Brain and Cognition.

[9]  Lutz Jäncke,et al.  An Empirical Reevaluation of Absolute Pitch: Behavioral and Electrophysiological Measurements , 2013, Journal of Cognitive Neuroscience.

[10]  S. Koelsch,et al.  Auditory stroop and absolute pitch: An fMRI study , 2013, Human brain mapping.

[11]  Psyche Loui,et al.  Enhanced functional networks in absolute pitch , 2012, NeuroImage.

[12]  Lutz Jäncke,et al.  Diminished Whole-brain but Enhanced Peri-sylvian Connectivity in Absolute Pitch Musicians , 2012, Journal of Cognitive Neuroscience.

[13]  David Poeppel,et al.  Cortical oscillations and speech processing: emerging computational principles and operations , 2012, Nature Neuroscience.

[14]  Mari Tervaniemi,et al.  Music Training Enhances Rapid Neural Plasticity of N1 and P2 Source Activation for Unattended Sounds , 2012, Front. Hum. Neurosci..

[15]  Richard M. Leahy,et al.  Brainstorm: A User-Friendly Application for MEG/EEG Analysis , 2011, Comput. Intell. Neurosci..

[16]  Robert J. Zatorre,et al.  A role for the right superior temporal sulcus in categorical perception of musical chords , 2011, Neuropsychologia.

[17]  H. C. Li,et al.  Enhanced Cortical Connectivity in Absolute Pitch Musicians: A Model for Local Hyperconnectivity , 2011, Journal of Cognitive Neuroscience.

[18]  S. Koelsch,et al.  Neural correlates of strategy use during auditory working memory in musicians and non‐musicians , 2011, The European journal of neuroscience.

[19]  Robert Oostenveld,et al.  FieldTrip: Open Source Software for Advanced Analysis of MEG, EEG, and Invasive Electrophysiological Data , 2010, Comput. Intell. Neurosci..

[20]  Théodore Papadopoulo,et al.  OpenMEEG: opensource software for quasistatic bioelectromagnetics , 2010, Biomedical engineering online.

[21]  Robert J Zatorre,et al.  The absolute pitch mind continues to reveal itself , 2009, Journal of biology.

[22]  Gottfried Schlaug,et al.  Perceiving pitch absolutely: Comparing absolute and relative pitch possessors in a pitch memory task , 2009, BMC Neuroscience.

[23]  Mathias S. Oechslin,et al.  Absolute Pitch—Functional Evidence of Speech-Relevant Auditory Acuity , 2009, Cerebral cortex.

[24]  Alan C. Evans,et al.  Neuroanatomical correlates of musicianship as revealed by cortical thickness and voxel-based morphometry. , 2009, Cerebral cortex.

[25]  D. Deutsch,et al.  Absolute pitch among students in an American music conservatory: association with tone language fluency. , 2009, The Journal of the Acoustical Society of America.

[26]  Lutz Jäncke,et al.  Enhancement of Auditory-evoked Potentials in Musicians Reflects an Influence of Expertise but not Selective Attention , 2008, Journal of Cognitive Neuroscience.

[27]  Lutz Jäncke,et al.  The multiple synaesthete E.S. — Neuroanatomical basis of interval-taste and tone-colour synaesthesia , 2008, NeuroImage.

[28]  V. Lim,et al.  The neural networks involved in pitch labeling of absolute pitch musicians , 2008, Neuroreport.

[29]  D. W. Wheeler,et al.  Behavioral performance modulates spike field coherence in monkey prefrontal cortex , 2008, Neuroreport.

[30]  Richard S. J. Frackowiak,et al.  Endogenous Cortical Rhythms Determine Cerebral Specialization for Speech Perception and Production , 2007, Neuron.

[31]  D. Poeppel,et al.  The cortical organization of speech processing , 2007, Nature Reviews Neuroscience.

[32]  Gottfried Schlaug,et al.  Neural correlates of absolute pitch differ between blind and sighted musicians , 2006, Neuroreport.

[33]  Anders M. Dale,et al.  An automated labeling system for subdividing the human cerebral cortex on MRI scans into gyral based regions of interest , 2006, NeuroImage.

[34]  Lutz Jäncke,et al.  Neural control of playing a reversed piano: empirical evidence for an unusual cortical organization of musical functions , 2006, Neuroreport.

[35]  Yanda Li,et al.  Automatic removal of the eye blink artifact from EEG using an ICA-based template matching approach , 2006, Physiological measurement.

[36]  D. Deutsch,et al.  Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period. , 2006, The Journal of the Acoustical Society of America.

[37]  Robert J Zatorre,et al.  Differences in Gray Matter between Musicians and Nonmusicians , 2005, Annals of the New York Academy of Sciences.

[38]  Y. Sakakihara,et al.  Increased right auditory cortex activity in absolute pitch possessors , 2005, Neuroreport.

[39]  Antoine J. Shahin,et al.  Modulation of P2 auditory-evoked responses by the spectral complexity of musical sounds , 2005, Neuroreport.

[40]  S. Luck An Introduction to the Event-Related Potential Technique , 2005 .

[41]  Tsutomu Nakada,et al.  Electrophysiological correlates of absolute pitch and relative pitch. , 2005, Cerebral cortex.

[42]  Susan E. Rogers,et al.  Absolute pitch: perception, coding, and controversies , 2005, Trends in Cognitive Sciences.

[43]  Olivier D. Faugeras,et al.  A common formalism for the Integral formulations of the forward EEG problem , 2005, IEEE Transactions on Medical Imaging.

[44]  T Wüstenberg,et al.  Evidence for rapid auditory perception as the foundation of speech processing: a sparse temporal sampling fMRI study , 2004, The European journal of neuroscience.

[45]  Y. Sakakihara,et al.  N100m in adults possessing absolute pitch , 2004, Neuroreport.

[46]  Arnaud Delorme,et al.  EEGLAB: an open source toolbox for analysis of single-trial EEG dynamics including independent component analysis , 2004, Journal of Neuroscience Methods.

[47]  D. Deutsch,et al.  Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework , 2004 .

[48]  David Poeppel,et al.  The analysis of speech in different temporal integration windows: cerebral lateralization as 'asymmetric sampling in time' , 2003, Speech Commun..

[49]  Antoine J. Shahin,et al.  Enhancement of Neuroplastic P2 and N1c Auditory Evoked Potentials in Musicians , 2003, The Journal of Neuroscience.

[50]  R. Zatorre Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function , 2003, Nature Neuroscience.

[51]  H. Pratt,et al.  High-resolution time course of hemispheric dominance revealed by low-resolution electromagnetic tomography , 2003, Clinical Neurophysiology.

[52]  Y. Sakakihara,et al.  N100m in children possessing absolute pitch , 2003, Neuroreport.

[53]  S. Hillyard,et al.  Delayed Striate Cortical Activation during Spatial Attention , 2002, Neuron.

[54]  R. Zatorre,et al.  Structure and function of auditory cortex: music and speech , 2002, Trends in Cognitive Sciences.

[55]  G. Schlaug,et al.  Absolute Pitch and Planum Temporale , 2001, NeuroImage.

[56]  T Wüstenberg,et al.  Short-term functional plasticity in the human auditory cortex: an fMRI study. , 2001, Brain research. Cognitive brain research.

[57]  Colin M. Brown,et al.  Electrophysiological Evidence for Early Contextual Influences during Spoken-Word Recognition: N200 Versus N400 Effects , 2001, Journal of Cognitive Neuroscience.

[58]  R. Zatorre,et al.  Spectral and temporal processing in human auditory cortex. , 2001, Cerebral cortex.

[59]  L. Jäncke,et al.  Focused and Nonfocused Attention in Verbal and Emotional Dichotic Listening: An FMRI Study , 2001, Brain and Language.

[60]  T. Ohnishi,et al.  Functional anatomy of musical perception in musicians , 2001, NeuroImage.

[61]  C. Ponton,et al.  Central Auditory Plasticity: Changes in the N1-P2 Complex after Speech-Sound Training , 2001, Ear and hearing.

[62]  T. Sejnowski,et al.  Removing electroencephalographic artifacts by blind source separation. , 2000, Psychophysiology.

[63]  Lutz Jäncke,et al.  Attention modulates activity in the primary and the secondary auditory cortex: a functional magnetic resonance imaging study in human subjects , 1999, Neuroscience Letters.

[64]  S Kuriki,et al.  Musicians with absolute pitch show distinct neural activities in the auditory cortex. , 1999, Neuroreport.

[65]  L. Jäncke,et al.  Attention Modulates the Blood Oxygen Level Dependent Response in the Primary Visual Cortex measured with Functional Magnetic Resonance Imaging , 1999, Naturwissenschaften.

[66]  Thomas F Münte,et al.  Temporal dynamics of early perceptual processing , 1998, Current Opinion in Neurobiology.

[67]  R. Oostenveld,et al.  Increased auditory cortical representation in musicians , 1998, Nature.

[68]  Alan C. Evans,et al.  Functional anatomy of musical processing in listeners with absolute pitch and relative pitch. , 1998, Proceedings of the National Academy of Sciences of the United States of America.

[69]  R N Vigário,et al.  Extraction of ocular artefacts from EEG using independent component analysis. , 1997, Electroencephalography and clinical neurophysiology.

[70]  G. Schlaug,et al.  In vivo evidence of structural brain asymmetry in musicians , 1995, Science.

[71]  D. Levitin Absolute memory for musical pitch: Evidence from the production of learned melodies , 1994, Perception & psychophysics.

[72]  M Besson,et al.  The many facets of repetition: a cued-recall and event-related potential analysis of repeating words in same versus different sentence contexts. , 1993, Journal of experimental psychology. Learning, memory, and cognition.

[73]  K. Miyazaki Absolute Pitch Identification: Effects of Timbre and Pitch Region , 1989 .

[74]  M. Kutas,et al.  Reading senseless sentences: brain potentials reflect semantic incongruity. , 1980, Science.

[75]  M. Bryden Measuring handedness with questionnaires , 1977, Neuropsychologia.

[76]  M. Annett A classification of hand preference by association analysis. , 1970, British journal of psychology.

[77]  W. Ritter,et al.  The sources of auditory evoked responses recorded from the human scalp. , 1970, Electroencephalography and clinical neurophysiology.

[78]  A. Bachem,et al.  Various Types of Absolute Pitch , 1937 .

[79]  G. Schlaug,et al.  Absolute Pitch and Synesthesia: Two Sides of the Same Coin? Shared and Distinct Neural Substrates of Music Listening. , 2012, ICMPC : Proceedings. International Conference on Music Perception and Cognition.

[80]  Kara D. Federmeier,et al.  Thirty years and counting: finding meaning in the N400 component of the event-related brain potential (ERP). , 2011, Annual review of psychology.

[81]  Wolfgang Skrandies,et al.  Data reduction of multichannel fields: Global field power and Principal Component Analysis , 2005, Brain Topography.

[82]  M. Scherg,et al.  Structural and functional asymmetry of lateral Heschl's gyrus reflects pitch perception preference , 2005, Nature Neuroscience.

[83]  T. Elbert,et al.  Specific tonotopic organizations of different areas of the human auditory cortex revealed by simultaneous magnetic and electric recordings. , 1995, Electroencephalography and clinical neurophysiology.

[84]  A. H. Takeuchi,et al.  Absolute pitch. , 1993, Psychological bulletin.