The neuroaesthetics of music.

Abstractsof HBM10, 16th Annual Meeting of the Organization for Human BrainMapping, Barcelona, June 6–10, 2010 .Brattico, E., Alluri, V., Bogert, B., Jacobsen, T., Vartiainen, N., Nieminen,S.,...Tervaniemi, M. (2011). A functional MRI study of happy and sademotions in music with and without lyrics. Frontiers in Psychology, 2, 308. doi: 10.3389/fpsyg.2011.00308Brattico, E., Brattico, P., & Jacobsen, T. (2009–2010). The origins of theaestheticenjoymentofmusic-Areviewoftheliterature. MusicaeScientiae,Special issue 2009–2010, 15–31. doi:10.1177/1029864909013002031Brattico, E., Bogert, B., & Jacobsen, T. (in press). Towards a neuralchronometry for the aesthetic experience of music. Frontiers in Psychol-ogy .Brattico, E., Jacobsen, T., De Baene, W., Glerean, E., & Tervaniemi, M.(2010). Cognitive vs. affective listening modes and judgments of music:An ERP study. Biological Psychology, 85, 393–409. doi:10.1016/j.biopsycho.2010.08.014Brattico, E., Naatanen, R., Verma, T., Valimaki, V., & Tervaniemi, M.(2000, August).

[1]  R. Ilmoniemi,et al.  Superior formation of cortical memory traces for melodic patterns in musicians. , 2001, Learning & memory.

[2]  M. Zentner,et al.  Mapping Aesthetic Musical Emotions in the Brain , 2011, Cerebral cortex.

[3]  K. Scherer,et al.  Music evoked emotions are different–more often aesthetic than utilitarian , 2008 .

[4]  Geraint A. Wiggins,et al.  EXPECTATION IN MELODY: THE INFLUENCE OF CONTEXT AND LEARNING , 2006 .

[5]  N. Kraus,et al.  Music training for the development of auditory skills , 2010, Nature Reviews Neuroscience.

[6]  A. Friederici,et al.  Music, language and meaning: brain signatures of semantic processing , 2004, Nature Neuroscience.

[7]  Peter Kivy,et al.  Introduction to a philosophy of music , 2002 .

[8]  D. Levitin,et al.  Current Advances in the Cognitive Neuroscience of Music , 2009, Annals of the New York Academy of Sciences.

[9]  Steven C. R. Williams,et al.  A functional MRI study of happy and sad affective states induced by classical music , 2007, Human brain mapping.

[10]  Robert R. McCrae,et al.  Aesthetic Chills as a Universal Marker of Openness to Experience , 2007 .

[11]  Noël Carroll,et al.  The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Music, and Visual Arts , 2012 .

[12]  Peter Cariani,et al.  Neurobiology of Harmony Perception , 2012 .

[13]  R. Knight,et al.  A Generalized Mechanism for Perception of Pitch Patterns , 2009, The Journal of Neuroscience.

[14]  Elvira Brattico,et al.  Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study , 2009, Journal of Cognitive Neuroscience.

[15]  R. Plomp,et al.  Tonal consonance and critical bandwidth. , 1965, The Journal of the Acoustical Society of America.

[16]  Jin Fan,et al.  The activation of attentional networks , 2005, NeuroImage.

[17]  George A. Miller,et al.  Psychology : the science of mental life , 1962 .

[18]  Hermann L. F. Helmholtz,et al.  On the Sensations of Tone as a Physiological Basis for the Theory of Music , 2005 .

[19]  P. Vitz.  Affect as a function of stimulus variation. , 1966, Journal of experimental psychology.

[20]  J. Russell.  A circumplex model of affect. , 1980 .

[21]  S. Koelsch,et al.  Music in the treatment of affective disorders: An exploratory investigation of a new method for music-therapeutic research , 2010 .

[22]  John A. Sloboda,et al.  Empirical studies of emotional response to music. , 1992 .

[23]  H. Leder,et al.  A model of aesthetic appreciation and aesthetic judgments. , 2004, British journal of psychology.

[24]  M. Budd.  Music and the Emotions: The Philosophical Theories , 2002 .

[25]  M. Woldorff,et al.  Effects of attention on the neural processing of harmonic syntax in Western music. , 2005, Brain research. Cognitive brain research.

[26]  D. Västfjäll,et al.  Emotional responses to music: the need to consider underlying mechanisms. , 2008, The Behavioral and brain sciences.

[27]  Jenefer Robinson.  Deeper than reason : emotion and its role in literature, music, and art , 2005 .

[28]  I. Peretz,et al.  Impaired recognition of scary music following unilateral temporal lobe excision. , 2005, Brain : a journal of neurology.

[29]  M. Tervaniemi,et al.  ‘I love Rock ‘n’ Roll’—Music genre preference modulates brain responses to music , 2013, Biological Psychology.

[30]  Stefan Koelsch,et al.  Effects of Selective Attention on Syntax Processing in Music and Language , 2011, Journal of Cognitive Neuroscience.

[31]  J. Hutsler,et al.  FUNDAMENTAL ISSUES IN THE EVOLUTIONARY PSYCHOLOGY OF MUSIC: Assessing Innateness and Domain Specificity , 2005 .

[32]  W. Thompson,et al.  A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect , 2006 .

[33]  Marcos Nadal,et al.  Towards a framework for the study of the neural correlates of aesthetic preference. , 2008, Spatial vision.

[34]  D. Sutoo,et al.  Music improves dopaminergic neurotransmission: demonstration based on the effect of music on blood pressure regulation , 2004, Brain Research.

[35]  I. Peretz,et al.  Musical scale properties are automatically processed in the human auditory cortex , 2006, Brain Research.

[36]  J. Bhattacharya,et al.  Crossmodal transfer of emotion by music , 2009, Neuroscience Letters.

[37]  M. Tervaniemi,et al.  Individual music therapy for depression: randomised controlled trial , 2011, British Journal of Psychiatry.

[38]  Daniel Västfjäll,et al.  How does music evoke emotions? Exploring the underlying mechanisms. , 2010 .

[39]  J. Bharucha.  Music Cognition and Perceptual Facilitation: A Connectionist Framework , 1987 .

[40]  Michael C. Barris,et al.  Inner Vision: An Exploration of Art and the Brain. , 2000 .

[41]  George A. Miller,et al.  Psychology: The science of mental life, 2nd ed. , 1973 .

[42]  P. McGuire,et al.  Functional atlas of emotional faces processing: a voxel-based meta-analysis of 105 functional magnetic resonance imaging studies. , 2009, Journal of psychiatry & neuroscience : JPN.

[43]  E. Altenmüller,et al.  Hits to the left, flops to the right: different emotions during listening to music are reflected in cortical lateralisation patterns , 2002, Neuropsychologia.

[44]  Stefan Koelsch,et al.  Can out-of-context musical sounds convey meaning? An ERP study on the processing of meaning in music. , 2011, Psychophysiology.

[45]  Marcus T. Pearce,et al.  The Copenhagen Neuroaesthetics conference: Prospects and pitfalls for an emerging field , 2011, Brain and Cognition.

[46]  I. Peretz,et al.  Happy, sad, scary and peaceful musical excerpts for research on emotions , 2008 .

[47]  R. Zajonc.  Attitudinal effects of mere exposure. , 1968 .

[48]  Peter Kivy,et al.  Sound Sentiment: An Essay on the Musical Emotions, including the complete text of The Corded Shell , 1989 .

[49]  J. Gibson.  The Ecological Approach to Visual Perception , 1979 .

[50]  L. Cuddy,et al.  Responsiveness of Western adults to pitch-distributional information in melodic sequences , 1995, Psychological research.

[51]  Abraham Z. Snyder,et al.  A default mode of brain function: A brief history of an evolving idea , 2007, NeuroImage.

[52]  J. Panksepp.  The emotional sources of "chills" induced by music. , 1995 .

[53]  I. Cross.  Music, Cognition, Culture, and Evolution , 2001, Annals of the New York Academy of Sciences.

[54]  J. Russell.  Core affect and the psychological construction of emotion. , 2003, Psychological review.

[55]  M. Barris.  Vision and Art: The Biology of Seeing , 2005 .

[56]  Christian Gold,et al.  The effect of improvisational music therapy on the treatment of depression: protocol for a randomised controlled trial , 2008, BMC psychiatry.

[57]  G. N. Cantor,et al.  Children's "like-dislike" ratings of familiarized and nonfamiliarized visual stimuli. , 1968 .

[58]  I. Peretz,et al.  The Cognitive Neuroscience of Music , 2003 .

[59]  M. Tervaniemi,et al.  The development of aesthetic responses to music and their underlying neural and psychological mechanisms , 2011, Cortex.

[60]  A. Grob,et al.  Dimensional models of core affect: a quantitative comparison by means of structural equation modeling , 2000 .

[61]  S. Koelsch.  Towards a neural basis of music-evoked emotions , 2010, Trends in Cognitive Sciences.

[62]  W. McD.,et al.  Grundzüge der physiologischen Psychologie Principles of Physiological Psychology , 1905, Nature.

[63]  E. Brattico,et al.  Emotion Processing of Major, Minor, and Dissonant Chords , 2005, Annals of the New York Academy of Sciences.

[64]  I. Peretz,et al.  Music listening enhances cognitive recovery and mood after middle cerebral artery stroke. , 2008, Brain : a journal of neurology.

[65]  K. Scherer,et al.  Emotions evoked by the sound of music: characterization, classification, and measurement. , 2008, Emotion.

[66]  Daniel J. Levitin,et al.  The rewards of music listening: Response and physiological connectivity of the mesolimbic system , 2005, NeuroImage.

[67]  S. Zeki,et al.  Toward A Brain-Based Theory of Beauty , 2011, PloS one.

[68]  María Herrojo Ruiz,et al.  Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation , 2010, NeuroImage.

[69]  Emery Schubert.  Enjoyment of Negative Emotions in Music: An Associative Network Explanation , 1996 .

[70]  I. Peretz,et al.  Evidence of lateralized anteromedial temporal structures involvement in musical emotion processing , 2008, Neuropsychologia.

[71]  Leonard B. Meyer.  Meaning in music and information theory. , 1957 .

[72]  A. North,et al.  Experimental aesthetics and liking for music , 2010 .

[73]  A. Kameoka,et al.  Consonance theory part I: consonance of dyads. , 1969, The Journal of the Acoustical Society of America.

[74]  Aesthetics , 2012, The Classical Review.

[75]  Ronald G. Heyduk.  Rated preference for musical compositions as it relates to complexity and exposure frequency , 1975 .

[76]  Kaisu I. Krohn,et al.  Aesthetic responses to music: A questionnaire study , 2009 .

[77]  K Takeda,et al.  Positron-emission tomography of brain regions activated by recognition of familiar music. , 2006, AJNR. American journal of neuroradiology.

[78]  Emery Schubert,et al.  Affective, evaluative, and collative responses to hated and loved music. , 2010 .

[79]  T. Jacobsen,et al.  Aesthetic judgments of music in experts and laypersons--an ERP study. , 2010, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.

[80]  T. Eerola,et al.  A comparison of the discrete and dimensional models of emotion in music , 2011 .

[81]  Thomas Jacobsen,et al.  Electrophysiological indices of processing aesthetics: Spontaneous or intentional processes? , 2007, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.

[82]  Barbara Tillmann,et al.  The feeling of familiarity of music and odors: the same neural signature? , 2007, Cerebral cortex.

[83]  S. Khalfa,et al.  Event-related skin conductance responses to musical emotions in humans , 2002, Neuroscience Letters.

[84]  R. Zatorre,et al.  Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion , 2001, Proceedings of the National Academy of Sciences of the United States of America.

[85]  M. Tervaniemi,et al.  A Functional MRI Study of Happy and Sad Emotions in Music with and without Lyrics , 2011, Front. Psychology.

[86]  Peter Vuust,et al.  Music in minor activates limbic structures: a relationship with dissonance? , 2008, Neuroreport.

[87]  M. Kringelbach.  The human orbitofrontal cortex: linking reward to hedonic experience , 2005, Nature Reviews Neuroscience.

[88]  Dean Keith Simonton,et al.  Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. , 1980 .

[89]  W. Dowling.  Emotion and Meaning in Music , 2008 .

[90]  Mikko Sams,et al.  Large-scale brain networks emerge from dynamic processing of musical timbre, key and rhythm , 2012, NeuroImage.

[91]  Stefan Koelsch,et al.  Adults and children processing music: An fMRI study , 2005, NeuroImage.

[92]  Reinhard Kopiez,et al.  The Chill Parameter: Goose Bumps and Shivers as Promising Measures in Emotion Research , 2009 .

[93]  E. Hiebert.  Sensations of Tone as the Physiological Basis for the Theory of Music , 2014 .

[94]  R. Zatorre,et al.  Anatomically distinct dopamine release during anticipation and experience of peak emotion to music , 2011, Nature Neuroscience.

[95]  Alan C. Evans,et al.  Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions , 1999, Nature Neuroscience.

[96]  G. Schlaug,et al.  Amygdala activity can be modulated by unexpected chord functions during music listening , 2008, Neuroreport.

[97]  Erich Schröger,et al.  The Primacy of Beauty in Judging the Aesthetics of Objects , 2004, Psychological reports.

[98]  Stefan Koelsch,et al.  The Role of Harmonic Expectancy Violations in Musical Emotions: Evidence from Subjective, Physiological, and Neural Responses , 2006, Journal of Cognitive Neuroscience.

[99]  Anjan Chatterjee,et al.  Neuroaesthetics: A Coming of Age Story , 2011, Journal of Cognitive Neuroscience.

[100]  T. Dalgleish.  Basic Emotions , 2004 .

[101]  A. North,et al.  Liking, arousal potential, and the emotions expressed by music. , 1997, Scandinavian journal of psychology.

[102]  S. Zeki,et al.  Neural correlates of beauty. , 2004, Journal of neurophysiology.

[103]  R. Thayer,et al.  Self-regulation of mood: strategies for changing a bad mood, raising energy, and reducing tension. , 1994, Journal of personality and social psychology.

[104]  D. Huron,et al.  Is Music an Evolutionary Adaptation? , 2001, Annals of the New York Academy of Sciences.

[105]  R. Adolphs,et al.  Amygdala damage impairs emotion recognition from music , 2007, Neuropsychologia.

[106]  C. Krumhansl.  An exploratory study of musical emotions and psychophysiology. , 1997, Canadian journal of experimental psychology = Revue canadienne de psychologie experimentale.

[107]  P. Laukka,et al.  Uses of music and psychological well-being among the elderly , 2007 .

[108]  Isabelle Peretz,et al.  Towards a Neurobiology of Musical Emotions , 1993 .

[109]  A. Goldstein.  Thrills in response to music and other stimuli , 1980 .

[110]  C. Liégeois-Chauvel,et al.  Brain regions involved in the recognition of happiness and sadness in music , 2005, Neuroreport.

[111]  P. Janata.  The Neural Architecture of Music-Evoked Autobiographical Memories , 2009, Cerebral cortex.

[112]  P. Laukka,et al.  Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening , 2004 .

[113]  R. Adolphs,et al.  Emotional responses to unpleasant music correlates with damage to the parahippocampal cortex. , 2006, Brain : a journal of neurology.

[114]  D. Simonton.  Musical Aesthetics and Creativity in Beethoven: A Computer Analysis of 105 Compositions , 1987 .

[115]  D. Berlyne,et al.  Aesthetics and Psychobiology , 1975 .

[116]  P. Silvia,et al.  Shivers and Timbres , 2011 .

[117]  L. Stewart,et al.  USES AND FUNCTIONS OF MUSIC IN CONGENITAL AMUSIA , 2008 .

[118]  T. Jacobsen.  9. On the psychophysiology of aesthetics: Automatic and controlled processes of aesthetic appreciation , 2010 .

[119]  Tuomas Eerola,et al.  Measuring music-induced emotion , 2011 .

[120]  D. Yves von Cramon,et al.  Brain correlates of aesthetic judgment of beauty , 2006, NeuroImage.

[121]  Martin Wiesmann,et al.  Expertise reduces neural cost but does not modulate repetition suppression , 2010, Cognitive neuroscience.

[122]  B. Tillmann,et al.  Implicit learning of tonality: a self-organizing approach. , 2000, Psychological review.

[123]  T. Theorell.  Music in Treatment , 2014 .

[124]  Emery Schubert.  The influence of emotion, locus of emotion and familiarity upon preference in music , 2007 .

[125]  Alf Gabrielsson,et al.  Strong Experiences with Music , 2011 .

[126]  C. Stevens,et al.  Sweet Anticipation: Music and the Psychology of Expectation, by David Huron . Cambridge, Massachusetts: MIT Press, 2006 , 2007 .

[127]  L. Trainor,et al.  Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions , 2001 .

[128]  A. Damasio.  The somatic marker hypothesis and the possible functions of the prefrontal cortex. , 1996, Philosophical transactions of the Royal Society of London. Series B, Biological sciences.

[129]  R. Tallis.  The limitations of a neurological approach to art John Onians , 2008, The Lancet.

[130]  Stefan Koelsch,et al.  Comparing the Processing of Music and Language Meaning Using EEG and fMRI Provides Evidence for Similar and Distinct Neural Representations , 2008, PloS one.

[131]  Rolf Reber,et al.  Exploring “fringe” consciousness: The subjective experience of perceptual fluency and its objective bases , 2004, Consciousness and Cognition.

[132]  D. Ariely,et al.  Beautiful Faces Have Variable Reward Value fMRI and Behavioral Evidence , 2001, Neuron.

[133]  Elvira Brattico,et al.  The origins of the aesthetic enjoyment of music — A review of the literature , 2009 .

[134]  D Yves von Cramon,et al.  Tuning‐in to the beat: Aesthetic appreciation of musical rhythms correlates with a premotor activity boost , 2009, Human brain mapping.

[135]  S. Koelsch,et al.  Effects of musical expertise on the early right anterior negativity: an event-related brain potential study. , 2002, Psychophysiology.

[136]  L. Trainor,et al.  Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions , 2001 .

[137]  A. Friederici,et al.  Investigating emotion with music: An fMRI study , 2006, Human brain mapping.

[138]  Martin Braun.  Auditory midbrain laminar structure appears adapted to f 0 extraction: further evidence and implications of the double critical bandwidth , 1999, Hearing Research.

[139]  Seung-Goo Kim,et al.  The Effect of Conditional Probability of Chord Progression on Brain Response: An MEG Study , 2011, PloS one.

[140]  S. Koelsch,et al.  Effects of Unexpected Chords and of Performer's Expression on Brain Responses and Electrodermal Activity , 2008, PloS one.

[141]  E. Altenmüller,et al.  Emotions over time: synchronicity and development of subjective, physiological, and facial affective reactions to music. , 2007, Emotion.

[142]  John A. Sloboda,et al.  Music in everyday life: The role of emotions. , 2010 .

[143]  M Steinschneider,et al.  Consonance and dissonance of musical chords: neural correlates in auditory cortex of monkeys and humans. , 2001, Journal of neurophysiology.

[144]  Joseph Margolis,et al.  Feeling and Form; a Theory of Art Developed from Philosphy in a New Key , 1955 .

[145]  B. Calvo-Merino,et al.  Dance as a subject for empirical aesthetics. , 2013 .

[146]  Suzanne N. Haber,et al.  Anatomy and connectivity of the reward circuit , 2009 .

[147]  Eric Clarke,et al.  Ways of Listening: An Ecological Approach to the Perception of Musical Meaning , 2005 .

[148]  F. Barrios,et al.  Metabolic and electric brain patterns during pleasant and unpleasant emotions induced by music masterpieces. , 2007, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.

[149]  Christine Tappolet,et al.  Musical Meaning and Expression , 1996 .

[150]  Mireille Besson,et al.  SENSORY CONSONANCE: An ERP Study , 2005 .

[151]  E. Brattico,et al.  Music and Emotions in the Brain: Familiarity Matters , 2011, PloS one.

[152]  I. Peretz,et al.  Music Lexical Networks , 2009, Annals of the New York Academy of Sciences.

[153]  S. Baron,et al.  Origins of music , 2011 .

[154]  Wouter De Baene,et al.  Cognitive vs. affective listening modes and judgments of music – An ERP study , 2010, Biological Psychology.

[155]  E. Brattico,et al.  Cognitive Control in Auditory Working Memory Is Enhanced in Musicians , 2010, PloS one.

[156]  Martin Skov,et al.  Brain correlates of aesthetic expertise: A parametric fMRI study , 2009, Brain and Cognition.

[157]  T. Jacobsen,et al.  Toward a Neural Chronometry for the Aesthetic Experience of Music , 2013, Front. Psychol..

[158]  Margaret A. Madigan,et al.  Do dopaminergic gene polymorphisms affect mesolimbic reward activation of music listening response? Therapeutic impact on Reward Deficiency Syndrome (RDS). , 2010, Medical hypotheses.

[159]  Yousuke Kawachi,et al.  Discrete cortical regions associated with the musical beauty of major and minor chords , 2008, Cognitive, affective & behavioral neuroscience.

[160]  Ulrich Schimmack,et al.  Mixed affective responses to music with conflicting cues , 2008 .

[161]  J. Sloboda.  Music Structure and Emotional Response: Some Empirical Findings , 1991 .

[162]  Stefan Koelsch,et al.  Neuroarchitecture of verbal and tonal working memory in nonmusicians and musicians , 2011, Human brain mapping.