Copyright law and the supply of creative work: Evidence from the movies
暂无分享,去创建一个
[1] Lars Wächter,et al. Akerlof, George A. , 2020, Ökonomen auf einen Blick.
[2] Lawrence Lessig,et al. The future of ideas - the fate of the commons in a connected world , 2002 .
[3] E. Duflo,et al. How Much Should We Trust Differences-in-Differences Estimates? , 2001 .
[4] B. Khan,et al. Does Copyright Piracy Pay? The Effects of U.S. International Copyright Laws on the Market for Books, 1790-1920 , 2004 .
[5] Brendan M. Cunningham,et al. Court Decisions and Equity Markets: Estimating the Value of Copyright Protection* , 2006, The Journal of Law and Economics.
[6] John Sedgwick,et al. Warner Bros in the inter-war years: strategic responses to the risk environment of filmmaking , 2004 .
[7] Richard A. Posner,et al. The Economic Structure of Intellectual Property Law , 2003 .
[8] Ivan P. L. Png,et al. Copyright: A Plea for Empirical Research , 2006 .
[9] Rufus Pollock,et al. Forever Minus a Day? Theory and Empirics of Optimal Copyright Term , 2008 .
[10] Charles C. Moul. A Concise Handbook of Movie Industry Economics , 2005 .
[11] Lewis Kurlantzick,et al. Copyright Duration: Duration, Term Extension, the European Union and the Making of Copyright Policy , 1998 .
[12] S. Scotchmer,et al. Standing on the Shoulders of Giants: Cumulative Research and the Patent Law , 1991 .
[13] Stephen E. Margolis,et al. Seventeen Famous Economists Weigh in on Copyright: The Role of Theory, Empirics, and Network Effects , 2003 .
[14] J. Wasko. Understanding Disney: The Manufacture of Fantasy , 2001 .
[15] Stan J. Liebowitz. WHAT ARE THE CONSEQUENCES OF THE EUROPEAN UNION EXTENDING COPYRIGHT LENGTH FOR SOUND RECORDINGS , 2007 .
[16] André Lange,et al. Public funding for film and audiovisual works in Europe : a comparative approach , 2004 .
[17] Kai Lung Hui,et al. On the Supply of Creative Work: Evidence from the Movies , 2002 .
[18] I. C. Kilbey. Copyright duration? Too long! , 2003 .
[19] Ruth Towse,et al. Partly for the Money: Rewards and Incentives to Artists , 2001 .
[20] V. Caron,et al. United states. , 2018, Nursing standard (Royal College of Nursing (Great Britain) : 1987).
[21] M. Friedman. The Use of Ranks to Avoid the Assumption of Normality Implicit in the Analysis of Variance , 1937 .
[22] Harold L. Vogel. Entertainment Industry Economics , 2020 .
[23] David M. Drukker,et al. Testing for Serial Correlation in Linear Panel-data Models , 2003 .
[24] D. Quah. Almost efficient innovation by pricing ideas , 2002 .
[25] Debra J. O'Connor,et al. Moral rights protection for the visual arts , 2010 .
[26] R. Posner,et al. An Economic Analysis of Copyright Law , 1989, The Journal of Legal Studies.
[27] Ray Corrigan,et al. Economics of Copyright , 2019, A Textbook of Cultural Economics.
[28] Michele Boldrin,et al. Perfectly Competitive Innovation , 2002 .
[29] Brendan M. Cunningham,et al. Law and Innovation in Copyright Industries , 2009 .
[30] E. Rappaport,et al. Copyright Term Extension: Estimating the Economic Values , 1998 .
[31] Suzanne Scotchmer,et al. Intellectual Property: When Is It the Best Incentive System? , 2002, Innovation Policy and the Economy.
[32] Chandra Shah,et al. Exact Interpretation of Dummy Variables in Semilogarithmic Equations , 2002 .
[33] Peter E. Kennedy. Estimation with Correctly Interpreted Dummy Variables in Semilogarithmic Equations , 1981 .
[34] D. Levine,et al. The Case Against Intellectual Property , 2002 .
[35] Jeffrey M. Woodbridge. Econometric Analysis of Cross Section and Panel Data , 2002 .
[36] Avishalom Tor,et al. Incentives to Create Under a 'Lifetime-Plus-Years' Copyright Duration: Lessons from a Behavioral Economic Analysis for Eldred V. Ashcroft , 2008 .
[37] James A. Girola. THE LONG-TERM REAL INTEREST RATE FOR SOCIAL SECURITY , 2005 .