Visual Analysis for the Compositional Process of Composers in Spectral School
暂无分享,去创建一个
Issei Fujishiro | Masanori Nakayama | Yuriko Takakura | I. Fujishiro | Masanori Nakayama | Y. Takakura
[1] Niloy J. Mitra,et al. 3D Timeline: Reverse engineering of a part‐based provenance from consecutive 3D models , 2014, Comput. Graph. Forum.
[2] Krzysztof Z. Gajos,et al. Evaluation of Filesystem Provenance Visualization Tools , 2013, IEEE Transactions on Visualization and Computer Graphics.
[3] Brad A. Myers,et al. Visualization of fine-grained code change history , 2013, 2013 IEEE Symposium on Visual Languages and Human Centric Computing.
[4] Devarshi Ghoshal,et al. Visualization of network data provenance , 2012, 2012 19th International Conference on High Performance Computing.
[5] Cláudio T. Silva,et al. Provenance for Visualizations: Reproducibility and Beyond , 2007, Computing in Science & Engineering.
[6] Karrie Karahalios,et al. Isochords: visualizing structure in music , 2007, GI '07.
[7] Martin Wattenberg,et al. Arc diagrams: visualizing structure in strings , 2002, IEEE Symposium on Information Visualization, 2002. INFOVIS 2002..
[8] Joshua Fineberg,et al. Guide to the basic concepts and techniques of spectral music , 2000 .
[9] Ben Shneiderman,et al. The eyes have it: a task by data type taxonomy for information visualizations , 1996, Proceedings 1996 IEEE Symposium on Visual Languages.
[10] Steven K. Feiner,et al. Editable graphical histories , 1988, [Proceedings] 1988 IEEE Workshop on Visual Languages.
[11] Huamin Qu,et al. Visualizing the Semantic Structure in Classical Music Works , 2010, IEEE Transactions on Visualization and Computer Graphics.