The Doppler effect is not what you think it is: Dramatic pitch change due to dynamic intensity change

Historically, auditory pitch has been considered to be a function of acoustic frequency, with only a small effect being due to absolute intensity. Yet we found that when tones are Doppler shifted so that frequency drops, the pitch dramatically rises and falls, closely following the pattern of dynamic intensity change. We show that continuous intensity change can produce pitch variation comparable to a frequency change approaching an octave. This effect opposes and is an order of magnitude larger than the well-known effect of discrete intensity change in the frequency range employed. We propose that the perceptual interaction of continuous changes in pitch and loudness reflects a natural correlation between changes in frequency and intensity that is neurally encoded to facilitate the parsing and processing of meaningful acoustic patterns.

[1]  Jeremy Bernstein,et al.  Cranks, Quarks, And The Cosmos , 1993 .

[2]  W. R. Garner The Processing of Information and Structure , 1974 .

[3]  Kourosh Saberi,et al.  A common neural code for frequency- and amplitude-modulated sounds , 1995, Nature.

[4]  John G. Neuhoff,et al.  Dynamic frequency change influences loudness perception: a central, analytic process. , 1999, Journal of experimental psychology. Human perception and performance.

[5]  Anne Cutler,et al.  Word boundary cues in clear speech: A supplementary report , 1991, Speech Commun..

[6]  A S Bregman,et al.  Cumulation of the tendency to segregate auditory streams: Resetting by changes in location and loudness , 1998, Perception & psychophysics.

[7]  W M Hartmann,et al.  Pitch, periodicity, and auditory organization. , 1996, The Journal of the Acoustical Society of America.

[8]  Lawrence E. Marks,et al.  Early-holistic processing or dimensional similarity? , 1993 .

[9]  J. Simmons,et al.  Steering by echolocation: a paradigm of ecological acoustics , 1995, Journal of Comparative Physiology A.

[10]  John G. Neuhoff,et al.  The Doppler illusion: the influence of dynamic intensity change on perceived pitch. , 1996, Journal of experimental psychology. Human perception and performance.

[11]  W. Hartmann Pitch Perception and the Segregation and Integration of Auditory Entities , 1988 .

[12]  Edward Carney,et al.  Course notes and workbook for introduction to sound : acoustics for the hearing and speech sciences , 1992 .

[13]  C. Doppler,et al.  Ueber das farbige licht der doppelsterne und einiger anderer gestirne des himmels. , 1903 .

[14]  J. Grey Multidimensional perceptual scaling of musical timbres. , 1977, The Journal of the Acoustical Society of America.

[15]  C. Fisher,et al.  The Given-New Contract in Speech to Infants , 1995 .

[16]  L. Kaufman,et al.  Handbook of perception and human performance , 1986 .

[17]  C Alain The relation among fundamental frequency, intensity, and duration varies with accentuation. , 1993, The Journal of the Acoustical Society of America.

[18]  David N. Lee,et al.  Common principle of guidance by echolocation and vision , 1992, Journal of Comparative Physiology A.

[19]  R. Zelick,et al.  Differential response to frequency modulation rate and direction by the Neotropical frog, Physalaemus pustulosus , 1991, Animal Behaviour.

[20]  S. S. Stevens The Relation of Pitch to Intensity , 1935 .

[21]  Lawrence D. Rosenblum,et al.  Echolocating Distance by Moving and Stationary Listeners , 2000 .

[22]  Hasan Gürkan Tekman Effects of Melodic Accents on Perception of Intensity , 1998 .

[23]  Ajm Adrian Houtsma,et al.  Loudness, pitch, localization, aural distortion, pathology , 1986 .

[24]  R. Lutfi,et al.  Correlational analysis of acoustic cues for the discrimination of auditory motion. , 1996, The Journal of the Acoustical Society of America.

[25]  M. Boltz,et al.  Tempo discrimination of musical patterns: Effects due to pitch and rhythmic structure , 1998, Perception & psychophysics.

[26]  R. S. McGowan,et al.  An Acoustic Variable Specifying Time-to-Contact , 1991 .

[27]  H. Helmholtz,et al.  On the Sensations of Tone as a Physiological Basis for the Theory of Music , 2005 .

[28]  J W Grau,et al.  The distinction between integral and separable dimensions: evidence for the integrality of pitch and loudness. , 1988, Journal of experimental psychology. General.

[29]  L. Rosenblum,et al.  Relative Effectiveness of Three Stimulus Variables for Locating a Moving Sound Source , 1987, Perception.

[30]  J. B. Pittenger,et al.  Human Echolocation as a Basic Form of Perception and Action , 1995 .

[31]  John G. Neuhoff,et al.  An Adaptive Bias in the Perception of Looming Auditory Motion , 2001 .

[32]  Walter Lawrence Gulick,et al.  Hearing: Physiology and Psychophysics , 1971 .

[33]  Michael K. Russell Auditory Perception of Unimpeded Passage , 1999 .

[34]  D H Ashmead,et al.  Contribution of listeners' approaching motion to auditory distance perception. , 1995, Journal of experimental psychology. Human perception and performance.

[35]  B H Repp,et al.  Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance , 1995, Perception & psychophysics.

[36]  Ernst Terhardt,et al.  Pitch of Pure Tones: Its Relation to Intensity , 1974 .

[37]  John G. Neuhoff,et al.  Perceptual bias for rising tones , 1998, Nature.

[38]  E T Doherty,et al.  Speech measures indicating workload demand. , 1994, Aviation, space, and environmental medicine.

[39]  Hasan Gürkan Tekman,et al.  Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences , 1997 .

[40]  J. Neuhoff,et al.  Overcoming naïve mental models in explaining the Doppler shift: An illusion creates confusion , 1997 .

[41]  W. Snow Change of Pitch with Loudness at Low Frequencies , 1936 .

[42]  Albert S. Bregman,et al.  The Auditory Scene. (Book Reviews: Auditory Scene Analysis. The Perceptual Organization of Sound.) , 1990 .

[43]  G. Jansson,et al.  The Detection and Localization of Objects by the Blind with the Aid of Long-Cane Tapping Sounds , 1986 .

[44]  Perception of the Frequency Characteristics of Distress Calls By Mallard Ducklings (Anas Platyrhynchos) , 1989 .

[45]  H. Helmholtz,et al.  Book Reviews: On the Sensations of Tone as a Physiological Basis for the Theory of Music , 1954 .

[46]  J. L. Goldstein An optimum processor theory for the central formation of the pitch of complex tones. , 1973, The Journal of the Acoustical Society of America.

[47]  Rick L. Jenison,et al.  Auditory Spatial Layout , 1995 .