The Suitability of Genetic Algorithms for Musical Composition

This article is concerned with investigating some aspects of the usefulness of using genetic algorithms (GAs) for musical composition and to highlight some of their limitations. It also demonstrates the limited amount of work done so far in examining the output of GAs used in creative applications, rather than simply describing the architecture and functionality of such an algorithm, and the limited scope of work that has been undertaken. The article examines some approaches in musicology and composition that may help us to understand further how GAs could be applied to creative music tasks, and presents the IndagoSonus system as one possible application.

[1]  John A. Biles,et al.  GenJam: A Genetic Algorithm for Generating Jazz Solos , 1994, ICMC.

[2]  Tanya Vladimirova,et al.  Generation of Musical Sequences with Genetic Techniques , 1999, Computer Music Journal.

[3]  Eduardo Miranda,et al.  Composing Music with Computers , 2001 .

[4]  Somnuk Phon-Amnuaisuk,et al.  Evolutionary methods for musical composition , 1998 .

[5]  Andrew Gartland-Jones,et al.  MusicBlox: A Real-Time Algorithmic Composition System Incorporating a Distributed Interactive Genetic Algorithm , 2003, EvoWorkshops.

[6]  David E. Goldberg,et al.  The Design of Innovation , 2002, Genetic Algorithms and Evolutionary Computation.

[7]  Eduardo Reck Miranda On the Music of Emergent Behavior: What Can Evolutionary Computation Bring to the Musician? , 2003, Leonardo.

[8]  Harold Cohen A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs , 2002, Leonardo.

[9]  Dorothea Heiss-Czedik,et al.  An Introduction to Genetic Algorithms. , 1997, Artificial Life.

[10]  Karl Sims,et al.  Artificial evolution for computer graphics , 1991, SIGGRAPH.

[11]  David Ralley,et al.  Genetic Algorithms as a Tool for Melodic Development , 1995, ICMC.

[12]  Peter M. Todd,et al.  Frankensteinian methods for evolutionary music composition , 1999 .

[13]  David E. Goldberg,et al.  Genetic Algorithms and Computer-Assisted Music Composition , 1991, ICMC.

[14]  Melanie Mitchell,et al.  An introduction to genetic algorithms , 1996 .

[15]  Bruce Jacob,et al.  Algorithmic composition as a model of creativity , 1996, Organised Sound.

[16]  David Clarke,et al.  Essays on music , 2003 .

[17]  Daniel E. Goldberg The design of innovation: Lessons from genetic algorithms , 1998 .

[18]  Joseph N. Straus A Principle of Voice Leading in the Music of Stravinsky , 1982 .

[19]  Peter J. Bentley,et al.  Exploring Component-based Representations - The Secret of Creativity by Evolution? , 2000 .