The Cortical Topography of Tonal Structures Underlying Western Music
暂无分享,去创建一个
Marc Leman | Petr Janata | Barbara Tillmann | Jeffrey L Birk | John D Van Horn | Jamshed J Bharucha | Jeffrey L. Birk | P. Janata | J. V. Van Horn | M. Leman | B. Tillmann | J. Bharucha
[1] A. Friederici,et al. Musical syntax is processed in Broca's area: an MEG study , 2001, Nature Neuroscience.
[2] H. Barbas,et al. Medial Prefrontal Cortices Are Unified by Common Connections With Superior Temporal Cortices and Distinguished by Input From Memory‐Related Areas in the Rhesus Monkey , 1999, The Journal of comparative neurology.
[3] M. Leman. An auditory model of the role of short-term memory in probe-tone ratings. , 2000 .
[4] Fred Lerdahl,et al. Tonal Pitch Space , 2001 .
[5] Aniruddh D. Patel,et al. Processing Syntactic Relations in Language and Music: An Event-Related Potential Study , 1998, Journal of Cognitive Neuroscience.
[6] Barbara Tillmann,et al. Implicit learning of tonality: A self-organizing approach , 2000 .
[7] Alan C. Evans,et al. Neural mechanisms underlying melodic perception and memory for pitch , 1994, The Journal of neuroscience : the official journal of the Society for Neuroscience.
[8] Alan C. Evans,et al. Lateralization of phonetic and pitch discrimination in speech processing. , 1992, Science.
[9] C. Krumhansl. Cognitive Foundations of Musical Pitch , 1990 .
[10] I. Peretz,et al. Cortical deafness to dissonance. , 2001, Brain : a journal of neurology.
[11] Petr Janata,et al. ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music , 1995, Journal of Cognitive Neuroscience.
[12] J. Eggermont. Is There a Neural Code? , 1998, Neuroscience & Biobehavioral Reviews.
[13] 波多野 誼余夫. 心理音楽学(psychomusicology)の構想 , 1973 .
[14] Shintaro Funahashi,et al. Neuronal mechanisms of executive control by the prefrontal cortex , 2001, Neuroscience Research.
[15] A. Damasio. Time-locked multiregional retroactivation: A systems-level proposal for the neural substrates of recall and recognition , 1989, Cognition.
[16] R. Shepard. Geometrical approximations to the structure of musical pitch. , 1982, Psychological review.
[17] A. Friederici,et al. Brain Indices of Music Processing: Nonmusicians are Musical , 2000, Journal of Cognitive Neuroscience.
[18] J. Bharucha,et al. Music Perception and Cognition Following Bilateral Lesions of Auditory Cortex , 1990, Journal of Cognitive Neuroscience.
[19] A. Mccarthy. Development , 1996, Current Opinion in Neurobiology.
[20] C. Krumhansl,et al. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982 .
[21] Leonard B. Meyer. Emotion and Meaning in Music , 1957 .
[22] L. Cuddy,et al. Responsiveness of Western adults to pitch-distributional information in melodic sequences , 1995, Psychological research.
[23] Alan C. Evans,et al. Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions , 1999, Nature Neuroscience.
[24] H. Barbas. Connections underlying the synthesis of cognition, memory, and emotion in primate prefrontal cortices , 2000, Brain Research Bulletin.
[25] J. Bharucha,et al. Reaction time and musical expectancy: priming of chords. , 1986, Journal of experimental psychology. Human perception and performance.
[26] A. Ishai,et al. Distributed and Overlapping Representations of Faces and Objects in Ventral Temporal Cortex , 2001, Science.
[27] Richard Parncutt,et al. AN IMPROVED MODEL OF TONALITY PERCEPTION INCORPORATING PITCH SALIENCE AND ECHOIC MEMORY , 1993 .