Neural substrates of processing syntax and semantics in music

[1]  A. Fernald,et al.  Intonation and communicative intent in mothers' speech to infants: is the melody the message? , 1989, Child development.

[2]  C. Krumhansl,et al.  Pitch and rhythmic patterns affecting infants' sensitivity to musical phrase structure. , 1993, Journal of experimental psychology. Human perception and performance.

[3]  Petr Janata,et al.  ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music , 1995, Journal of Cognitive Neuroscience.

[4]  M. Besson,et al.  AN EVENT-RELATED POTENTIAL (ERP) STUDY OF MUSICAL EXPECTANCY : COMPARISON OF MUSICIANS WITH NONMUSICIANS , 1995 .

[5]  Aniruddh D. Patel,et al.  Processing Syntactic Relations in Language and Music: An Event-Related Potential Study , 1998, Journal of Cognitive Neuroscience.

[6]  Angela D. Friederici,et al.  Brain potentials indicate immediate use of prosodic cues in natural speech processing , 1999, Nature Neuroscience.

[7]  S. Pinker How the Mind Works , 1999, Philosophy after Darwin.

[8]  Kara D. Federmeier,et al.  Electrophysiology reveals semantic memory use in language comprehension , 2000, Trends in Cognitive Sciences.

[9]  A. Friederici,et al.  Brain Indices of Music Processing: Nonmusicians are Musical , 2000, Journal of Cognitive Neuroscience.

[10]  Barbara Tillmann,et al.  Implicit learning of tonality: A self-organizing approach , 2000 .

[11]  B. Tillmann,et al.  Implicit learning of tonality: a self-organizing approach. , 2000, Psychological review.

[12]  A. Friederici,et al.  Localization of early syntactic processes in frontal and temporal cortical areas: A magnetoencephalographic study , 2000, Human brain mapping.

[13]  Selmer Bringsjord,et al.  Are we evolved computers?: A critical review of Steven Pinker's How the mind works , 2001 .

[14]  A. Friederici,et al.  Musical syntax is processed in Broca's area: an MEG study , 2001, Nature Neuroscience.

[15]  Morten H. Christiansen,et al.  Sequential learning in non-human primates , 2001, Trends in Cognitive Sciences.

[16]  M. Besson,et al.  Different Brain Mechanisms Mediate Sensitivity to Sensory Consonance and Harmonic Context: Evidence from Auditory Event-Related Brain Potentials , 2001, Journal of Cognitive Neuroscience.

[17]  Stefan Koelsch,et al.  Bach Speaks: A Cortical “Language-Network” Serves the Processing of Music , 2002, NeuroImage.

[18]  Marc Leman,et al.  The Cortical Topography of Tonal Structures Underlying Western Music , 2002, Science.

[19]  A. Friederici Towards a neural basis of auditory sentence processing , 2002, Trends in Cognitive Sciences.

[20]  C. Büchel,et al.  Event-Related fMRI Reveals Cortical Sites Involved in Contextual Sentence Integration , 2002, NeuroImage.

[21]  R. Zatorre,et al.  Structure and function of auditory cortex: music and speech , 2002, Trends in Cognitive Sciences.

[22]  G. McCarthy,et al.  Perceiving patterns in random series: dynamic processing of sequence in prefrontal cortex , 2002, Nature Neuroscience.

[23]  D. V. Cramon,et al.  Predicting Perceptual Events Activates Corresponding Motor Schemes in Lateral Premotor Cortex: An fMRI Study , 2002, NeuroImage.

[24]  S. Koelsch,et al.  Effects of musical expertise on the early right anterior negativity: an event-related brain potential study. , 2002, Psychophysiology.

[25]  A. Friederici,et al.  Children Processing Music: Electric Brain Responses Reveal Musical Competence and Gender Differences , 2003, Journal of Cognitive Neuroscience.

[26]  Erich Schröger,et al.  Prefrontal cortex involvement in preattentive auditory deviance detection: neuroimaging and electrophysiological evidence , 2003, NeuroImage.

[27]  Scott T. Grafton,et al.  Swinging in the brain: shared neural substrates for behaviors related to sequencing and music , 2003, Nature Neuroscience.

[28]  I. Peretz,et al.  The Cognitive Neuroscience of Music , 2003 .

[29]  C. Fiebach,et al.  The role of left inferior frontal and superior temporal cortex in sentence comprehension: localizing syntactic and semantic processes. , 2003, Cerebral cortex.

[30]  Aniruddh D. Patel,et al.  Language, music, syntax and the brain , 2003, Nature Neuroscience.

[31]  G. Avanzini,et al.  The neurosciences and music , 2003 .

[32]  Lutz Jäncke,et al.  Functional anatomy of pitch memory—an fMRI study with sparse temporal sampling , 2003, NeuroImage.

[33]  P. Janata,et al.  Activation of the inferior frontal cortex in musical priming. , 2003, Annals of the New York Academy of Sciences.

[34]  S. Trehub The developmental origins of musicality , 2003, Nature Neuroscience.

[35]  T. Gunter,et al.  Sequential Effects of Increasing Propofol Sedation on Frontal and Temporal Cortices as Indexed by Auditory Event-related Potentials , 2004, Anesthesiology.

[36]  D. Schön,et al.  The music of speech: music training facilitates pitch processing in both music and language. , 2004, Psychophysiology.

[37]  A. Friederici,et al.  Music, language and meaning: brain signatures of semantic processing , 2004, Nature Neuroscience.

[38]  O. Witte,et al.  Perception of phrase structure in music , 2005, Human brain mapping.

[39]  Stefan Koelsch,et al.  Adults and children processing music: An fMRI study , 2005, NeuroImage.