Visual feedback in performer-machine interaction for musical improvisation
暂无分享,去创建一个
[1] William Walker,et al. Applying ImprovisationBuilder to Interactive Composition with MIDI Piano , 1996, ICMC.
[2] Carla Scaletti,et al. ImprovisationBuilder: improvisation as conversation , 1992 .
[3] Elaine Chew,et al. An Architectural Framework for Interactive Music Systems , 2006, NIME.
[4] Belinda Thom,et al. Interactive Improvisational Music Companionship: A User-Modeling Approach , 2003, User Modeling and User-Adapted Interaction.
[5] George E. Lewis. Too Many Notes: Computers, Complexity and Culture in Voyager , 2000, Leonardo Music Journal.
[6] François Pachet,et al. The Continuator: Musical Interaction With Style , 2003, ICMC.
[7] Colin Potts,et al. Design of Everyday Things , 1988 .
[8] Belinda Thom,et al. BoB: an interactive improvisational music companion , 2000, AGENTS '00.
[9] Shlomo Dubnov,et al. Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience , 2005 .
[10] William F. Walker,et al. A computer participant in musical improvisation , 1997, CHI.
[11] Camilo Rueda,et al. Computer Assisted Composition at Ircam , 1999 .
[12] Gil Weinberg,et al. Robot-human interaction with an anthropomorphic percussionist , 2006, CHI.
[13] Shlomo Dubnov,et al. OMax brothers: a dynamic yopology of agents for improvization learning , 2006, AMCMM '06.
[14] Miller S. Puckette. A divide between 'compositional' and 'performative' aspects of Pd ⁄ , 2004 .
[15] Carlos Agon,et al. OpenMusic 5: A Cross-Platform Release of the Computer-Assisted Composition Environment , 2005 .
[16] William Walker,et al. Improvisational Builder: Improvisation as Conversation , 1992, ICMC.
[17] Shlomo Dubnov,et al. Using Factor Oracles for Machine Improvisation , 2004, Soft Comput..
[18] Alexandre R. J. François,et al. A hybrid architectural style for distributed parallel processing of generic data streams , 2004, Proceedings. 26th International Conference on Software Engineering.