Acoustic evaluation of the cathedral of Seville as a concert hall and proposals for improving the acoustic quality perceived by listeners
暂无分享,去创建一个
Juan J. Sendra | Teófilo Zamarreño | Rafael Suárez | J. J. Sendra | Alicia Alonso | R. Suárez | T. Zamarreño | A. Alonso
[1] Francesco Martellotta. Identifying acoustical coupling by measurements and prediction-models for St. Peter's Basilica in Rome. , 2009, The Journal of the Acoustical Society of America.
[2] Luis Valdeón,et al. Caracterización petrofísica y alterabilidad de las piedras de la Catedral de Sevilla , 1988 .
[3] Francesco Martellotta,et al. On site validation of sound absorption measurements of occupied pews , 2011 .
[4] J. S. Anderson,et al. Some acoustical properties of St Paul's Cathedral, London , 1984 .
[5] Juan J. Sendra,et al. La acústica del crucero de la Catedral de Sevilla en las grandes celebraciones , 2012 .
[6] Michael Barron,et al. Energy relations in concert auditoriums. I , 1988 .
[7] Teófilo Zamarreño García,et al. Acústica virtual de la Iglesia de San Lorenzo de Sevilla , 2009 .
[8] Lidia Alvarez,et al. Initial acoustic model to simulatte the sound field of the Cathedral of Seville , 2011 .
[9] Umberto Berardi. A Double Synthetic Index to Evaluate the Acoustics of Churches , 2012 .
[10] F. Martellotta. Subjective study of preferred listening conditions in Italian Catholic churches , 2008 .
[11] Anne Schnoebelen,et al. Performance Practices at San Petronio in the Baroque , 1969 .
[12] I. Bork. Report on the 3rd round robin on room acoustical computer simulation - : Part I: Measurements , 2005 .
[13] Murray Hodgson,et al. Comparison of Predicted, Measured and Auralized Sound Fields with Respect to Speech Intelligibility in Classrooms Using CATT-Acoustic and ODEON , 2008 .
[14] Michael Forsyth,et al. Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day , 1987 .
[15] Sara Girón,et al. Acoustic simulations of Mudejar-Gothic churches. , 2009, The Journal of the Acoustical Society of America.
[16] I. Bork. Report on the 3rd round robin on room acoustical computer simulation - : Part II: Calculations , 2005 .
[17] Umberto Berardi,et al. Simulation of acoustical parameters in rectangular churches , 2014 .
[18] Martin Anderson. London, St Paul's Cathedral: Tallis Scholars' 40th Anniversary Concert: Jackson, Whitacre and Walker , 2013, Tempo.
[19] António P. O. Carvalho,et al. Relationships between subjective and objective acoustical measures in churches , 1996 .
[20] J. Summers,et al. Adapting a randomized beam-axis-tracing algorithm to modeling of coupled rooms via late-part ray tracing , 2005 .
[21] Anders Gade,et al. Acoustics in Halls for Speech and Music , 2014 .
[22] Juan J. Sendra,et al. The Western Latin church as a place for music and preaching : An acoustic assessment , 2009 .
[23] Ardeshir Mahdavi,et al. Measurements and predictions of room acoustics in atria , 2008 .
[24] Francesco Martellotta,et al. Acoustical reconstruction of San Petronio Basilica in Bologna during the Baroque period: the effect of festive decorations , 2008 .
[25] Ccjm Constant Hak,et al. Measuring room impulse responses : impact of the decay range on derived room acoustic parameters , 2012 .
[26] Diego Ortiz de Zúñiga,et al. Anales eclesiásticos y seculares : de la muy noble y muy leal ciudad de Sevilla, metrópoli de la Andalucía , 1988 .
[27] F Martellotta,et al. The just noticeable difference of center time and clarity index in large reverberant spaces. , 2010, The Journal of the Acoustical Society of America.
[28] R. S. Shankland,et al. Acoustics of St. Peter's and Patriarchal Basilicas in Rome , 1971 .
[29] Umberto Berardi,et al. A comparative analysis of acoustic energy models for churches. , 2009, The Journal of the Acoustical Society of America.
[30] Pedro Navascués Palacio. La catedral en España: arquitectura y liturgia , 2004 .