Acoustic evaluation of the cathedral of Seville as a concert hall and proposals for improving the acoustic quality perceived by listeners

The acoustic evaluation of the cathedral of Seville as a concert hall is carried out through the simulation of acoustic models derived from the modification of the model of the current state and calibrated using the results of in situ measurement. These models reproduce the configurations adopted for major music concerts held there regularly. The results obtained led to the proposal of a new layout plan for an audience of 1500 people and other corrective measures in keeping with the history of the cathedral and compatible with its heritage value, improving subjectively perceived sound. This is assessed in terms of subjective reverberation, evaluated through early decay time, the perceived sound level and the uniformity of the sound field (measured with sound strength parameter), perceived clarity (assessed through clarity and central time parameters), and the spatial sensation (assessed through early lateral energy fraction).

[1]  Francesco Martellotta Identifying acoustical coupling by measurements and prediction-models for St. Peter's Basilica in Rome. , 2009, The Journal of the Acoustical Society of America.

[2]  Luis Valdeón,et al.  Caracterización petrofísica y alterabilidad de las piedras de la Catedral de Sevilla , 1988 .

[3]  Francesco Martellotta,et al.  On site validation of sound absorption measurements of occupied pews , 2011 .

[4]  J. S. Anderson,et al.  Some acoustical properties of St Paul's Cathedral, London , 1984 .

[5]  Juan J. Sendra,et al.  La acústica del crucero de la Catedral de Sevilla en las grandes celebraciones , 2012 .

[6]  Michael Barron,et al.  Energy relations in concert auditoriums. I , 1988 .

[7]  Teófilo Zamarreño García,et al.  Acústica virtual de la Iglesia de San Lorenzo de Sevilla , 2009 .

[8]  Lidia Alvarez,et al.  Initial acoustic model to simulatte the sound field of the Cathedral of Seville , 2011 .

[9]  Umberto Berardi A Double Synthetic Index to Evaluate the Acoustics of Churches , 2012 .

[10]  F. Martellotta Subjective study of preferred listening conditions in Italian Catholic churches , 2008 .

[11]  Anne Schnoebelen,et al.  Performance Practices at San Petronio in the Baroque , 1969 .

[12]  I. Bork Report on the 3rd round robin on room acoustical computer simulation - : Part I: Measurements , 2005 .

[13]  Murray Hodgson,et al.  Comparison of Predicted, Measured and Auralized Sound Fields with Respect to Speech Intelligibility in Classrooms Using CATT-Acoustic and ODEON , 2008 .

[14]  Michael Forsyth,et al.  Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day , 1987 .

[15]  Sara Girón,et al.  Acoustic simulations of Mudejar-Gothic churches. , 2009, The Journal of the Acoustical Society of America.

[16]  I. Bork Report on the 3rd round robin on room acoustical computer simulation - : Part II: Calculations , 2005 .

[17]  Umberto Berardi,et al.  Simulation of acoustical parameters in rectangular churches , 2014 .

[18]  Martin Anderson London, St Paul's Cathedral: Tallis Scholars' 40th Anniversary Concert: Jackson, Whitacre and Walker , 2013, Tempo.

[19]  António P. O. Carvalho,et al.  Relationships between subjective and objective acoustical measures in churches , 1996 .

[20]  J. Summers,et al.  Adapting a randomized beam-axis-tracing algorithm to modeling of coupled rooms via late-part ray tracing , 2005 .

[21]  Anders Gade,et al.  Acoustics in Halls for Speech and Music , 2014 .

[22]  Juan J. Sendra,et al.  The Western Latin church as a place for music and preaching : An acoustic assessment , 2009 .

[23]  Ardeshir Mahdavi,et al.  Measurements and predictions of room acoustics in atria , 2008 .

[24]  Francesco Martellotta,et al.  Acoustical reconstruction of San Petronio Basilica in Bologna during the Baroque period: the effect of festive decorations , 2008 .

[25]  Ccjm Constant Hak,et al.  Measuring room impulse responses : impact of the decay range on derived room acoustic parameters , 2012 .

[26]  Diego Ortiz de Zúñiga,et al.  Anales eclesiásticos y seculares : de la muy noble y muy leal ciudad de Sevilla, metrópoli de la Andalucía , 1988 .

[27]  F Martellotta,et al.  The just noticeable difference of center time and clarity index in large reverberant spaces. , 2010, The Journal of the Acoustical Society of America.

[28]  R. S. Shankland,et al.  Acoustics of St. Peter's and Patriarchal Basilicas in Rome , 1971 .

[29]  Umberto Berardi,et al.  A comparative analysis of acoustic energy models for churches. , 2009, The Journal of the Acoustical Society of America.

[30]  Pedro Navascués Palacio La catedral en España: arquitectura y liturgia , 2004 .