The Communication of Meaningful Emotional Information for Children Interacting with Virtual Actors

In a virtual environment where users can interact with agents, the way in which the agent displays its internal emotional state and what the user infers from this display is central to effective affective communication. Given the reliance on visual expression of emotion in current VR Systems, any differences between children and adults in the way such information is utilised and perceived raises interesting design issues in relation to the experience and age of the user. Here we discuss some of these issues in relation to the PUPPET project, where the goal is to provide a virtual play environment, using a theatre metaphor, to enable young children's (4-8 years old) story construction. This paper first presents a summary of previous research that demonstrates the special meaning that young children place on facial expressions when gathering information about emotion. Three empirical studies are presented that explore these issues using prototypes of our system. Some design solutions are suggested in conjunction with directions for future empirical work.

[1]  L. Camras,et al.  Children's understanding of emotional facial expressions and verbal labels , 1985 .

[2]  Ronald J. Iannotti,et al.  Effect of role-taking experiences on role taking, empathy, altruism, and aggression. , 1978 .

[3]  Penelope G. Vinden Children's Understanding of Mind and Emotion: A Multi-culture Study , 1999 .

[4]  J. Gnepp,et al.  Children's social sensitivity: Inferring emotions from conflicting cues. , 1983 .

[5]  Glyn W. Humphreys,et al.  Expression is computed separately from facial identity, and it is computed separately for moving and static faces: Neuropsychological evidence , 1993, Neuropsychologia.

[6]  T. K. Pitcairn ORIGINS AND PROCESSING OF FACIAL EXPRESSIONS , 1989 .

[7]  P. Ekman,et al.  Facial action coding system: a technique for the measurement of facial movement , 1978 .

[8]  P. Ekman Pictures of Facial Affect , 1976 .

[9]  J. Cole About face , 1998, Nature.

[10]  T. Valentine The Quarterly Journal of Experimental Psychology Section A: Human Experimental Psychology a Unified Account of the Effects of Distinctiveness, Inversion, and Race in Face Recognition , 2022 .

[11]  Bill Fleming,et al.  Animating Facial Features & Expressions , 1998 .

[12]  Lei Wang,et al.  Recognition of Emotion by Chinese and Australian Children , 1996 .

[13]  Philip J. Benson,et al.  Categorical Perception of Facial Expressions: Categories and their Internal Structure , 1997 .

[14]  G. Hole,et al.  Factors Influencing the Accuracy of Age Estimates of Unfamiliar Faces , 1995, Perception.

[15]  J. Harrigan,et al.  The effects of task order on children's identification of facial expressions , 1984 .

[16]  Jerome L. Singer Toys, Play, and Child Development: Imaginative play and adaptive development , 1994 .

[17]  J. C. Masters,et al.  Children's use of expressive and contextual cues in judgments of emotion. , 1983 .

[18]  G. Hole,et al.  Recognising the Ageing Face: The Role of Age in Face Processing , 1998, Perception.

[19]  Graham J Hole,et al.  Factors influencing young children’s ability to discriminate unfamiliar faces by age , 2000 .

[20]  Clark Elliott Research problems in the use of a shallow artificial intelligence model of personality and emotion , 1994, AAAI 1994.

[21]  R. Markham,et al.  The effect of type of task on children's identification of facial expressions , 1992 .

[22]  F. Doré,et al.  The Recognition of Adults' and Children's Facial Expressions of Emotions , 1987 .

[23]  M. Lewis,et al.  What Do Children Know about Emotions and When Do They Know It , 1985 .

[24]  A. Leslie Pretense and representation: The origins of "theory of mind." , 1987 .