From Writing to Painting: A Kinect-Based Cross-Modal Chinese Painting Generation System
暂无分享,去创建一个
Kien A. Hua | Stephen Chi-fai Chan | Hong Va Leong | Jiajia Li | Alvin T. S. Chan | Grace Ngai | K. Hua | H. Leong | G. Ngai | S. Chan | A. Chan | Jiajia Li
[1] D. Maurer,et al. The shape of boubas: sound-shape correspondences in toddlers and adults. , 2006, Developmental science.
[2] Hiroshi Ishii,et al. I/O brush: drawing with everyday objects as ink , 2004, CHI.
[3] Andrew D. Wilson. Using a depth camera as a touch sensor , 2010, ITS '10.
[4] Guang Li,et al. ShadowStory: creative and collaborative digital storytelling inspired by cultural heritage , 2011, CHI.
[5] Kwan-Liu Ma,et al. A new form of traditional art: visual simulation of Chinese shadow play , 2003, SIGGRAPH '03.
[6] Daniel J. Wigdor,et al. Combining and measuring the benefits of bimanual pen and direct-touch interaction on horizontal interfaces , 2008, AVI '08.
[7] Qunsheng Peng,et al. Image-based synthesis of Chinese landscape painting , 2008, Journal of Computer Science and Technology.
[8] J. Dolinsky,et al. Synthesizing Handwritten Characters Using Naturalness Learning , 2007, 2007 IEEE International Conference on Computational Cybernetics.
[9] Kok-Lim Low,et al. SandCanvas: a multi-touch art medium inspired by sand animation , 2011, CHI.
[10] Marcelo M. Wanderley,et al. Gestural control of sound synthesis , 2004, Proceedings of the IEEE.
[11] Stephen Chi-fai Chan,et al. MelodicBrush: a novel system for cross-modal digital art creation linking calligraphy and music , 2012, DIS '12.
[12] Xiaojun Bi,et al. Acquiring and pointing: an empirical study of pen-tilt-based interaction , 2011, CHI.
[13] Xiang Cao,et al. Grips and gestures on a multi-touch pen , 2011, CHI.
[14] Jiri Matas,et al. Face-TLD: Tracking-Learning-Detection applied to faces , 2010, 2010 IEEE International Conference on Image Processing.
[15] Xiaojun Bi,et al. An exploration of pen rolling for pen-based interaction , 2008, UIST '08.
[16] Steve Strassmann,et al. Hairy brushes , 1986, SIGGRAPH.
[17] Hao Jiang,et al. An Intelligent System for Chinese Calligraphy , 2007, AAAI.
[18] Susan Bush,et al. Three Thousand Years of Chinese Painting , 1998 .
[19] Nelson Siu-Hang Chu,et al. Real-time painting with an expressive virtual Chinese brush , 2004, IEEE Computer Graphics and Applications.
[20] Xiang Cao,et al. Telling the whole story: anticipation, inspiration and reputation in a field deployment of TellTable , 2010, CSCW '10.
[21] Ryohei Nakatsu,et al. Cultural Computing with Context-Aware Application: ZENetic Computer , 2005, ICEC.
[22] Boris Müller,et al. Articulated paint: musical expression for non-musicians , 2007, NIME '07.
[23] Congfu Xu,et al. Virtual hairy brush for digital painting and calligraphy , 2005, Sci. China Ser. F Inf. Sci..
[24] Fumihisa Shibata,et al. MAI painting brush: an interactive device that realizes the feeling of real painting , 2010, UIST.
[25] Xiaofeng Mi,et al. Droplet: A virtual brush model to simulate Chinese calligraphy and painting , 2008, Journal of Computer Science and Technology.
[26] Laewoo Kang,et al. Hé: Calligraphy as a Musical Interface , 2010, NIME.
[27] Hiroshi Ishii,et al. Jabberstamp: embedding sound and voice in traditional drawings , 2007, SIGGRAPH '07.
[28] I-Fan Shen,et al. A new style of ancient culture: animated Chinese Dunhuang murals , 2004, SIGGRAPH '04.
[29] V. Ramachandran,et al. Synaesthesia? A window into perception, thought and language , 2001 .
[30] Steven Schkolne. Drawing with the Hand in Free Space: Creating 3D Shapes with Gesture in a Semi-Immersive Environment , 2002, Leonardo.
[31] Johannes Taelman,et al. FluidPaint: an interactive digital painting system using real wet brushes , 2009, ITS '09.
[32] Ruigang Yang,et al. TofCut: Towards Robust Real-time Foreground Extraction using Time-of-flight Camera , 2016 .
[33] Geri Gay,et al. Harmonic paper: interactive music interface for drawing , 2013, CHI Extended Abstracts.
[34] William V. Baxter,et al. DAB: Interactive Haptic Painting with 3D Virtual Brushes , 2001, SIGGRAPH Courses.
[35] Patricia Buckley Ebrey,et al. The Cambridge Illustrated History of China , 2022 .
[36] Pedro Lopes,et al. Combining bimanual manipulation and pen-based input for 3D modelling , 2011, SBIM '11.
[37] Kazuhiro Jo,et al. DrawSound: a drawing instrument for sound performance , 2008, TEI.
[38] Horace Ho-Shing Ip,et al. Virtual brush: a model-based synthesis of Chinese calligraphy , 2000, Comput. Graph..
[39] Takeo Igarashi,et al. Vignette: interactive texture design and manipulation with freeform gestures for pen-and-ink illustration , 2012, CHI.
[40] Qinglian Guo,et al. "Nijimi" rendering algorithm for creating quality black ink paintings , 2003, Proceedings Computer Graphics International 2003.