Towards computational morphological description of sound

A method and system for recording information on a document surface to accommodate the automatic processing of documents is provided, which requires neither ink jet nor impact printing. A photosensitive material, such as a dye, is applied as a continuous coat over a field of the document surface. Selected locations within the field thereafter are irradiated with a light beam. The light beam is of an intensity and wavelength to effect a change in the light emitting properties of the photosensitive material at the selected locations. Either alphanumeric or bar encoded information may be recorded thereby on a document surface for subsequent detection by an optical reader.

[1]  David Wessel,et al.  Timbre Space as a Musical Control Structure , 1979 .

[2]  Pedro Cano,et al.  Fundamental Frequency Estimation in the SMS analysis , 1998 .

[3]  R. Meddis,et al.  A unitary model of pitch perception. , 1997, The Journal of the Acoustical Society of America.

[4]  Stephen Handel,et al.  Sound Source Identification: The Possible Role of Timbre Transformations , 2004 .

[5]  Xavier Rodet,et al.  Fundamental frequency estimation and tracking using maximum likelihood harmonic matching and HMMs , 1993, 1993 IEEE International Conference on Acoustics, Speech, and Signal Processing.

[6]  Keith D. Martin,et al.  A Blackboard System for Automatic Transcription of Simple Polyphonic Music , 1996 .

[7]  C.-C. Jay Kuo,et al.  Classification and retrieval of sound effects in audiovisual data management , 1999, Conference Record of the Thirty-Third Asilomar Conference on Signals, Systems, and Computers (Cat. No.CH37020).

[8]  Daniel Pressnitzer Perception de rugosite psychoacoustique : d'un attribut elementaire de l'audition a l'ecoute musicale , 1998 .

[9]  Perfecto Herrera,et al.  Towards computational morphological sound description , 2003 .

[10]  Anne Faure Des sons aux mots, comment parle-t-on du timbre musical ? , 2000 .

[11]  Densil Cabrera,et al.  ' PSYSOUND' : A COMPUTER PROGRAM FOR PSYCHOACOUSTICAL ANALYSIS , 1999 .

[12]  Davide Rocchesso,et al.  The Sounding Object , 2002 .

[13]  Judith C. Brown Musical fundamental frequency tracking using a pattern recognition method , 1992 .

[14]  Nils J. Nilsson,et al.  Artificial Intelligence , 1974, IFIP Congress.

[15]  S. Lakatos A common perceptual space for harmonic and percussive timbres , 2000, Perception & psychophysics.

[16]  Steven Greenberg,et al.  Computational Models of Auditory Function , 2001 .

[17]  Judith C. Brown,et al.  Musical frequency tracking using the methods of conventional and , 1991 .

[18]  Stephen McAdams,et al.  Caractérisation du timbre des sons complexes.I. Analyse multidimensionnelle , 1994 .

[19]  Stephen McAdams,et al.  Instrument Description in the Context of MPEG-7 , 2000 .

[20]  Jessika Eichel,et al.  FUNDAMENTALS OF HEARING: AN INTRODUCTION , 1978, The Ulster Medical Journal.

[21]  George Tzanetakis,et al.  Manipulation, analysis and retrieval systems for audio signals , 2002 .

[22]  Jonathan Foote,et al.  Automatic audio segmentation using a measure of audio novelty , 2000, 2000 IEEE International Conference on Multimedia and Expo. ICME2000. Proceedings. Latest Advances in the Fast Changing World of Multimedia (Cat. No.00TH8532).

[23]  David A. Krubsack,et al.  A spectral autocorrelation method for measurement of the fundamental frequency of noise-corrupted speech , 1987, IEEE Trans. Acoust. Speech Signal Process..

[24]  Perfecto Herrera,et al.  Morphological Sound Description: Computational Model and Usability Evaluation , 2004 .

[25]  Òscar Celma,et al.  Tools for Content-based Retrieval and Transformation of Audio using MPEG-7: The SPOffline and the MDTools , 2004 .

[26]  J. Cyriax,et al.  Manipulation , 2018, Encyclopedia of Evolutionary Psychological Science.

[27]  C.-C. Jay Kuo,et al.  Audio content analysis for online audiovisual data segmentation and classification , 2001, IEEE Trans. Speech Audio Process..

[28]  Anssi Klapuri,et al.  Sound onset detection by applying psychoacoustic knowledge , 1999, 1999 IEEE International Conference on Acoustics, Speech, and Signal Processing. Proceedings. ICASSP99 (Cat. No.99CH36258).

[29]  William M. Hartmann,et al.  Psychoacoustics: Facts and Models , 2001 .

[30]  Paul Masri,et al.  Imroved Modelling of Attack Transients in Music Analysis-Resynthesis , 1996, ICMC.

[31]  Mark B. Sandler,et al.  Phase-based note onset detection for music signals , 2003, 2003 IEEE International Conference on Acoustics, Speech, and Signal Processing, 2003. Proceedings. (ICASSP '03)..

[32]  E. B. Newman,et al.  A Scale for the Measurement of the Psychological Magnitude Pitch , 1937 .

[33]  Anssi Klapuri,et al.  Signal Processing Methods for the Automatic Transcription of Music , 2004 .

[34]  Stéphane Rossignol,et al.  Segmentation et indexation des signaux sonores musicaux , 2000 .

[35]  George Tzanetakis,et al.  Multifeature audio segmentation for browsing and annotation , 1999, Proceedings of the 1999 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics. WASPAA'99 (Cat. No.99TH8452).

[36]  Ning Hu,et al.  Pattern Discovery Techniques for Music Audio , 2002, ISMIR.

[37]  Ernst Mach,et al.  Sensations of tone. , 1897 .

[38]  E. A. Bjork The perceived quality of natural sounds , 1985 .

[39]  Terri L. Bonebright Perceptual structure of everyday sounds: A multidimensional scaling approach , 2001 .

[40]  Nicolas Misdariis,et al.  Perceptual-based retrieval in large musical sound databases , 1999 .

[41]  Jens-E. Appell,et al.  Loudness models for rehabilitative audiology , 2002 .

[42]  J. H. Howard,et al.  Psychophysical structure of eight complex underwater sounds. , 1977, The Journal of the Acoustical Society of America.

[43]  W. A. Mvnso,et al.  Loudness , Its Definition , Measurement and Calculation , 2004 .

[44]  Emilia Gómez,et al.  Using and enhancing the current MPEG-7 standard for a music content processing tool , 2003 .

[45]  Brian Gygi,et al.  Factors in the Identification of Environmental Sounds , 2001 .

[46]  Pierre Schaeffer Traité des objets musicaux , 1966 .

[47]  Perfecto Herrera-Boyer,et al.  Automatic Classification of Musical Instrument Sounds , 2003 .

[48]  J. Grey Multidimensional perceptual scaling of musical timbres. , 1977, The Journal of the Acoustical Society of America.

[49]  Yann Geslin,et al.  Ecrins: an audio-content description environment for sound samples , 2002, ICMC.

[50]  B. Moore,et al.  Suggested formulae for calculating auditory-filter bandwidths and excitation patterns. , 1983, The Journal of the Acoustical Society of America.

[51]  Tetsuya Shimamura,et al.  Robust method of measurement of fundamental frequency by ACLOS: autocorrelation of log spectrum , 1996, 1996 IEEE International Conference on Acoustics, Speech, and Signal Processing Conference Proceedings.

[52]  S. McAdams,et al.  Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) , 1993 .

[53]  K. Berger Some Factors in the Recognition of Timbre , 1964 .

[54]  M. Davies,et al.  Complex domain onset detection for musical signals , 2003 .

[55]  Bee-Suan Ong,et al.  Computing Structural Descriptions of Music through the Identification of Representative Excerpts from Audio Files , 2004 .

[56]  Michael A. Casey,et al.  Auditory group theory with applications to statistical basis methods for structured audio , 1998 .

[57]  Stephen McAdams,et al.  Caractérisation du timbre des sons complexes.II. Analyses acoustiques et quantification psychophysique , 1994 .

[58]  E. Macpherson A Review of Auditory Perceptual Theories and the Prospects for an Ecological Account , 1995 .

[59]  Peter B. L. Meijer,et al.  An experimental system for auditory image representations , 1992, IEEE Transactions on Biomedical Engineering.

[60]  Fabien Gouyon,et al.  Towards Rhythmic Content Processing of Musical Signals: Fostering Complementary Approaches , 2003 .

[61]  William W. Gaver What in the World Do We Hear? An Ecological Approach to Auditory Event Perception , 1993 .

[62]  J. Beauchamp,et al.  Fundamental frequency estimation of musical signals using a two‐way mismatch procedure , 1994 .

[63]  Xavier Serra,et al.  Sound transformations based on the SMS high level attributes , 1998 .

[64]  S. Handel Listening As Introduction to the Perception of Auditory Events , 1989 .

[65]  Thomas Baer,et al.  A model for the prediction of thresholds, loudness, and partial loudness , 1997 .

[66]  Christian Spevak,et al.  SOUNDSPOTTER – A PROTOTYPE SYSTEM FOR CONTENT-BASED AUDIO RETRIEVAL , 2002 .

[67]  B. Moore,et al.  A revision of Zwicker's loudness model , 1996 .

[68]  David Talkin,et al.  A Robust Algorithm for Pitch Tracking ( RAPT ) , 2005 .

[69]  I. Nelken Demonstrations of Auditory Scene Analysis: The Perceptual Organization of Sound by Albert S. Bregman and Pierre A. Ahad, MIT Press, 1996. £15.95 CD , 1997, Trends in Neurosciences.

[70]  Douglas Keislar,et al.  Content-Based Classification, Search, and Retrieval of Audio , 1996, IEEE Multim..

[71]  G. Soete,et al.  Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes , 1995, Psychological research.