Artificial buzzing lips and brass instruments: experimental results.

Experimental results of a special artificial trombone player are presented: A mechanical device is a substitute for the musician. Wind instruments, and particularly the brass, are self-sustained oscillators. The oscillations are induced by a mechanical oscillator (the lips of the player) acting as a valve which modulates the flow. Measured mechanical parameters of the artificial buzzing lips for different "embouchures of the player" are presented, and analyzed in connection with the played frequencies obtained for the same "embouchures." The results are obtained with two resonator systems (a mouthpiece alone and a trombone with its mouthpiece).

[1]  Joël Gilbert,et al.  Etude des instruments de musique a anche simple : extension de la methode d'equilibrage harmonique, role de l'inharmonicite des resonances, mesure des grandeurs d'entree , 1991 .

[2]  Bruno Gazengel,et al.  CARACTERISATION OBJECTIVE DE LA QUALITE DE JUSTESSE, DE TIMBRE ET D'EMISSION DES INSTRUMENTS A VENT A ANCHE SIMPLE , 1994 .

[3]  A Avraham Hirschberg,et al.  Shock waves in trombones , 1996 .

[4]  Murray Campbell,et al.  The Musician's Guide to Acoustics , 1990 .

[5]  Daniel w. Martin,et al.  Lip Vibrations in a Cornet Mouthpiece , 1941 .

[6]  Neville H Fletcher,et al.  Excitation mechanisms in woodwind and brass instruments , 1979 .

[7]  Anil Kumar Singh,et al.  OPERATING MODES OF THE CLARINET , 1973 .

[8]  J. Saneyoshi,et al.  Feedback oscillations in reed woodwind and brasswind instruments , 1987 .

[9]  van Rr René Hassel,et al.  Theoretical and experimental study of quasisteady‐flow separation within the glottis during phonation. Application to a modified two‐mass model , 1994 .

[10]  Stephen J. Elliott,et al.  Input and transfer response of brass wind instruments , 1982 .

[11]  Masakazu Iwaki,et al.  Nonlinear vibrations in the air column of a clarinet artificially blown , 1993 .

[12]  René Causse,et al.  Physical Model of the Trombone Including Non-Linear Propagation Effects , 1997 .

[13]  J. M. Bowsher,et al.  Regeneration in brass wind instruments , 1982 .

[14]  Xavier Meynial Systèmes micro-intervalles pour instruments à vent à trous latéraux : oscillation d'une anche simple couplée à un résonateur de forme simple , 1987 .

[15]  John Backus,et al.  Input impedance curves for the brass instruments , 1976 .

[16]  William J. Strong,et al.  A stroboscopic study of lip vibrations in a trombone , 1996 .

[17]  James W. Beauchamp Analysis of Simultaneous Mouthpiece and Output Waveforms of Wind Instruments , 1980 .

[18]  Claude Depollier,et al.  SNORING: LINEAR STABILITY ANALYSIS ANDIN-VITROEXPERIMENTS , 1995 .

[19]  John Backus,et al.  Small‐Vibration Theory of the Clarinet , 1963 .

[20]  J. Flanagan,et al.  Synthesis of voiced sounds from a two-mass model of the vocal cords , 1972 .

[21]  René Causse,et al.  Input impedance of brass musical instruments—Comparison between experiment and numerical models , 1984 .

[22]  S. Yoshikawa,et al.  Acoustical behavior of brass player's lips. , 1995, The Journal of the Acoustical Society of America.

[23]  Xavier Rodet,et al.  Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements , 1996, ICMC.

[24]  S. Adachi,et al.  Trumpet sound simulation using a two‐dimensional lip vibration model , 1996 .

[25]  A. Ya. Gokhshtein Role of the airflow modulator in the excitation of sound in wind instruments , 1981 .

[26]  Jean-Pierre Dalmont,et al.  Some aspects of tuning and clean intonation in reed instruments , 1995 .

[27]  Jean-Pierre Dalmont,et al.  Acoustic impedance measurement: Plane‐wave mode and first helical mode contributions , 1992 .

[28]  G. Weinreich,et al.  Nature of the lip reed. , 1996, The Journal of the Acoustical Society of America.