Possession and access : consumer desires and value perceptions regarding contemporary art collection and exhibit visits
暂无分享,去创建一个
[1] Traugott König. Sartre, Jean-Paul , 2004 .
[2] R. Belk,et al. The Fire of Desire: A Multisited Inquiry into Consumer Passion , 2003 .
[3] John F. Sherry,et al. Speaking of Art as Embodied Imagination: A Multisensory Approach to Understanding Aesthetic Experience , 2003 .
[4] Yves Évrard,et al. Extension du domaine de l'expérience , 2002 .
[5] O. Chanel. Nathalie Moureau, Analyse économique de la valeur des biens d'art: La peinture contemporaine , 2002 .
[6] M. Holbrook,et al. On the conceptual link between mass customisation and experiential consumption: an explosion of subjectivity , 2001 .
[7] Edward L. Queen,et al. Philanthropy in the World's Traditions , 2000, The Journal of Asian Studies.
[8] N. Heinich. Pour en finir avec la querelle de l'art contemporain , 1999 .
[9] Janet Wagner. Aesthetic value: beauty in art and fashion , 1999 .
[10] M. Holbrook. Consumer Value: A Framework for Analysis and Research , 1999 .
[11] Craig J Thompson. Interpreting Consumers: A Hermeneutical Framework for Deriving Marketing Insights from the Texts of Consumers’ Consumption Stories , 1997 .
[12] P. Aurier,et al. Identification and validation of the components of the person-object relationship , 1996 .
[13] Robert E. Kleine,et al. How Is a Possession “Me” or “Not Me”? Characterizing Types and an Antecedent of Material Possession Attachment , 1995 .
[14] D. Holt. How Consumers Consume: A Typology of Consumption Practices , 1995 .
[15] Susan Spiggle. Analysis and Interpretation of Qualitative Data in Consumer Research , 1994 .
[16] Marsha L. Richins. Special Possessions and the Expression of Material Values , 1994 .
[17] Marsha L. Richins. Valuing Things: The Public and Private Meanings of Possessions , 1994 .
[18] Howard Kamler. Identification and Character: A Book on Psychological Development , 1994 .
[19] R. Oliver,et al. Assessing the Dimensionality and Structure of the Consumption Experience: Evaluation, Feeling, and Satisfaction , 1993 .
[20] Linda L. Price,et al. River Magic: Extraordinary Experience and the Extended Service Encounter , 1993 .
[21] M. Csíkszentmihályi. Flow: The Psychology of Optimal Experience , 1990 .
[22] R. Belk. Possessions and the Extended Self , 1988 .
[23] Paulette M. McManus. It's the company you keep …: The social determination of learning‐related behaviour in a science museum , 1987 .
[24] J. Maquet. The Aesthetic Experience: An Anthropologist Looks at the Visual Arts , 1986 .
[25] Elizabeth C. Hirschman,et al. Aesthetics, Ideologies and the Limits of the Marketing Concept , 1983 .
[26] E. Hirschman,et al. The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun , 1982 .
[27] M. Csíkszentmihályi,et al. The meaning of things: Coding categories and definitions , 1981 .
[28] Erich Fromm,et al. To Have or to Be , 1976 .
[29] Daniel J. Boorstin,et al. The Americans: The Democratic Experience , 1974 .
[30] F. Herrmann. The English as collectors;: A documentary chrestomathy, , 1972 .
[31] T. Benton. An Artist in America , 1968 .
[32] R. Rodriguez. Pierre Bourdieu et Alain Darbel, L'Amour de l'Art : les musées et leur public, Paris, Éditions de Minuit, 1966 , 1967 .
[33] J. Sartre,et al. L'être et le néant : essai d'ontologie phénoménologique , 1953 .
[34] Edward Bullough,et al. ‘PSYCHICAL DISTANCE’ AS A FACTOR IN ART AND AN AESTHETIC PRINCIPLE , 1912 .