Verbal Art as Performance
暂无分享,去创建一个
[1] D. Gregory. Nigger: An Autobiography , 1964 .
[2] D. Ben-Amos. TOWARD A DEFINITION OF FOLKLORE IN CONTEXT , 2020, Folklore Concepts.
[3] R. Jakobson. Linguistics and poetics , 1960 .
[4] W. D'azevedo. A Structural Approach to Esthetics: Toward a Definition of Art in Anthropology1 , 1958 .
[5] B. Uspensky. Structural isomorphism of verbal and visual art , 1972 .
[6] G. Gossen. Chamula Genres of Verbal Behavior , 1971 .
[7] R. Bauman,et al. Sense and Nonsense in St. Vincent: Speech Behavior and Decorum in a Caribbean Community1 , 1971 .
[8] S. Fish. How Ordinary Is Ordinary Language , 1973 .
[9] R. Abrahams. Introductory Remarks to a Rhetorical Theory of Folklore , 1968 .
[10] Roman Jakobson,et al. Grammatical Parallelism and Its Russian Facet , 1966 .
[11] R. Ohmann. Speech, Literature, and the Space between , 1972 .
[12] S. Kraemer. Steps to an Ecology of Mind: Gregory Bateson , 1993, British Journal of Psychiatry.
[13] R. Abrahams,et al. A Performance-Centred Approach to Gossip , 1970 .
[14] Albert B. Friedman. The Formulaic Improvisation Theory of Ballad Tradition: A Counterstatement , 1961 .
[15] R. Bauman,et al. Areal Studies and Culture History: Language as a Key to the Historical Study of Culture Contact , 1972, Southwestern Journal of Anthropology.
[16] Barre Toelken. 8. The "Pretty Languages" of Yellowman: Genre, Mode, and Texture in Navaho Coyote Narratives , 1976, Folklore Genres.
[17] R. Abrahams. Folklore and Literature as Performance , 1972 .
[18] R. A. Georges. Toward an Understanding of Storytelling Events , 1969 .
[19] S. Messinger,et al. Life as theater: Some notes on the dramaturgic approach to social reality. , 1962 .
[20] Peter McHugh. Defining the situation , 1968 .
[21] M. Rosaldo. I have nothing to hide: The language of Ilongot oratory , 1973, Language in Society.
[22] R. Bauman. Aspects of 17th century Quaker rhetoric , 1970 .
[23] D. Hymes. An Ethnographic Perspective , 1973 .
[24] R. Bauman. The La Have Island General Store: Sociability and Verbal Art in a Nova Scotia Community , 1972 .
[25] M. Singer. The Great Tradition in a Metropolitan Center: Madras , 1958 .
[26] Mridula Adenwala Durbin,et al. Transformational Models Applied to Musical Analysis: Theoretical Possibilities , 1971 .
[27] I. Fónagy. Form and Function of Poetic Language , 1965 .
[28] A. Dundes. Metafolklore and Oral Literary Criticism , 1966 .
[29] D. Tedlock. On the Translation of Style in Oral Narrative , 1971 .