How people look at pictures before, during, and after scene capture: Buswell revisited

A wearable eye tracker was used to record photographers' eye movements while they took digital photographs of person, sculpture, and interior scenes. Eye movement sequences were also recorded as the participants selected and cropped their images on a computer. Preliminary analysis revealed that during image capture people spend approximately the same amount of time looking at the camera regardless of the scene being photographed. The time spent looking at either the primary object or the surround differed significantly across the three scenes. Results from the editing phase support previous reports that observers fixate on semantic-rich regions in the image, which, in this task, were important in the final cropping decision. However, the spread of fixations, edit time, and number of crop windows did not differ significantly across the three image classes. This suggests that, unlike image capture, the cropping task was highly regular and less influenced by image content.

[1]  Richard A. Abrams,et al.  Planning and Producing Saccadic Eye Movements , 1992 .

[2]  D. Mackay,et al.  The psychology of seeing. , 1973, Transactions of the ophthalmological societies of the United Kingdom.

[3]  D. Noton,et al.  Eye movements and visual perception. , 1971, Scientific American.

[4]  J. Henderson,et al.  The effects of semantic consistency on eye movements during complex scene viewing , 1999 .

[5]  N. Mackworth,et al.  The gaze selects informative details within pictures , 1967 .

[6]  Andrew Hollingworth,et al.  Eye Movements During Scene Viewing: An Overview , 1998 .

[7]  K. Rayner Eye movements and visual cognition : scene perception and reading , 1992 .

[8]  L. Stark,et al.  Scanpaths in saccadic eye movements while viewing and recognizing patterns. , 1971, Vision research.

[9]  Jeff B. Pelz,et al.  Portable eyetracking: a study of natural eye movements , 2000, Electronic Imaging.

[10]  M. Pickering,et al.  Eye guidance in reading and scene perception , 1998 .

[11]  R. C. Langford How People Look at Pictures, A Study of the Psychology of Perception in Art. , 1936 .

[12]  S. Liversedge,et al.  Saccadic eye movements and cognition , 2000, Trends in Cognitive Sciences.

[13]  François Molnar,et al.  About the Role of Visual Exploration in Aesthetics , 1981 .

[14]  E. Krupinski,et al.  The Role of Formal Art Training on Perception and Aesthetic Judgment of Art Compositions , 2017 .

[15]  J. Antes The time course of picture viewing. , 1974, Journal of experimental psychology.

[16]  N. Mackworth,et al.  Cognitive determinants of fixation location during picture viewing. , 1978, Journal of experimental psychology. Human perception and performance.