To musicians, the message is in the meter: Pre-attentive neuronal responses to incongruent rhythm are left-lateralized in musicians

Musicians exchange non-verbal cues as messages when they play together. This is particularly true in music with a sketchy outline. Jazz musicians receive and interpret the cues when performance parts from a regular pattern of rhythm, suggesting that they enjoy a highly developed sensitivity to subtle deviations of rhythm. We demonstrate that pre-attentive brain responses recorded with magnetoencephalography to rhythmic incongruence are left-lateralized in expert jazz musicians and right-lateralized in musically inept non-musicians. The left-lateralization of the pre-attentive responses suggests functional adaptation of the brain to a task of communication, which is much like that of language.

[1]  S. Palva,et al.  Discrimination of Speech and of Complex Nonspeech Sounds of Different Temporal Structure in the Left and Right Cerebral Hemispheres , 2000, NeuroImage.

[2]  O Bertrand,et al.  Analysis of speech sounds is left-hemisphere predominant at 100-150ms after sound onset. , 1999, Neuroreport.

[3]  B. Kernfeld,et al.  The New Grove Dictionary of Jazz , 2001 .

[4]  A. Kertesz,et al.  Music and Language in Degenerative Disease of the Brain , 1993, Brain and Cognition.

[5]  E. W.,et al.  The New Grove Dictionary of Jazz , 1989 .

[6]  Robert J Zatorre,et al.  Deficits of musical timbre perception after unilateral temporal-lobe lesion revealed with multidimensional scaling. , 2002, Brain : a journal of neurology.

[7]  M. Baulac,et al.  Cerebral Substrates for Musical Temporal Processes , 2001, Annals of the New York Academy of Sciences.

[8]  I. Peretz,et al.  Contribution of different cortical areas in the temporal lobes to music processing. , 1998, Brain : a journal of neurology.

[9]  I. Peretz,et al.  Patterns of music agnosia associated with middle cerebral artery infarcts. , 2000, Brain : a journal of neurology.

[10]  R. Keith Sawyer,et al.  Creating Conversations: Improvisation in Everyday Discourse , 2001 .

[11]  R. Ilmoniemi,et al.  Superior formation of cortical memory traces for melodic patterns in musicians. , 2001, Learning & memory.

[12]  D. Huron,et al.  Is Music an Evolutionary Adaptation? , 2001, Annals of the New York Academy of Sciences.

[13]  R. Ilmoniemi,et al.  Functional Specialization of the Human Auditory Cortex in Processing Phonetic and Musical Sounds: A Magnetoencephalographic (MEG) Study , 1999, NeuroImage.

[14]  Risto Näätänen,et al.  Plastic cortical changes induced by learning to communicate with non-speech sounds , 2003, Neuroreport.

[15]  R. C. Oldfield The assessment and analysis of handedness: the Edinburgh inventory. , 1971, Neuropsychologia.

[16]  C Hublet,et al.  Functional dissociations following bilateral lesions of auditory cortex. , 1994, Brain : a journal of neurology.

[17]  David Huron,et al.  MUSIC-ENGENDERED LAUGHTER: AN ANALYSIS OF HUMOR DEVICES IN PDQ BACH , 2004 .

[18]  R. Zatorre,et al.  Pitch perception of complex tones and human temporal-lobe function. , 1988, The Journal of the Acoustical Society of America.

[19]  I. Johnsrude,et al.  Spectral and temporal processing in human auditory cortex. , 2002, Cerebral cortex.

[20]  Mark Lindley,et al.  The New Grove Dictionary of Music and Musicians , 2001 .

[21]  T. Münte,et al.  Receptive amusia: evidence for cross-hemispheric neural networks underlying music processing strategies. , 2000, Brain : a journal of neurology.

[22]  Andrew J. Saykin,et al.  Acute effect of anterior temporal lobectomy on musical processing , 1991, Neuropsychologia.

[23]  M. Tervaniemi,et al.  Lateralization of auditory-cortex functions , 2003, Brain Research Reviews.

[24]  Isabelle Peretz,et al.  Congenital Amusia A Disorder of Fine-Grained Pitch Discrimination , 2002, Neuron.

[25]  A. Friederici,et al.  Musical syntax is processed in Broca's area: an MEG study , 2001, Nature Neuroscience.

[26]  Ingrid T. Monson Saying Something: Jazz Improvisation and Interaction , 1997 .

[27]  R. Ilmoniemi,et al.  Language-specific phoneme representations revealed by electric and magnetic brain responses , 1997, Nature.

[28]  M. Coltheart,et al.  Modularity of music processing , 2003, Nature Neuroscience.

[29]  Mario F. Mendez,et al.  Generalized Auditory Agnosia with Spared Music Recognition in a Left-Hander. Analysis of a Case with a Right Temporal Stroke , 2001, Cortex.

[30]  柴田 南雄,et al.  ニューグローヴ世界音楽大事典 = The new Grove dictionary of music and musicians , 1879 .

[31]  R. Zatorre,et al.  Structure and function of auditory cortex: music and speech , 2002, Trends in Cognitive Sciences.

[32]  P. Berliner Thinking in Jazz: The Infinite Art of Improvisation , 1995 .