On music perception and cognition: Modularity, structure, and processing

The paper treats issues concerning the modular modelisation of musical mental processes. Some musical phenomena, like musical illusions, are explained in the framework of modularity and hypotheses are advanced in which the modular model seems very promising for the study of musical perception and cognition. In addition, arguments are proposed to distinguish between levels of abstraction and knowledge in musical cognitive processes.Moreover, some aspects about the theory of musical competence and the theory of musical processing are identified and the possibilities for the integration of varying theoretical assertions are considered in light of these distinctions.

[1]  Ray Jackendoff,et al.  An overview of hierarchical structure in music , 1983 .

[2]  Diana Deutsch,et al.  Grouping Mechanisms in Music , 1999 .

[3]  Jay L. Garfield,et al.  Modularity in Knowledge Representation and Natural-Language Understanding , 1987 .

[4]  R. Gjerdingen The Formation and Deformation of Classic/Romantic Phrase Schemata: A Theoretical Model and Historical Study , 1986 .

[5]  S. Trehub The perception of musical patterns by human infants: The provision of similar patterns by their parents. , 1990 .

[6]  Ray Jackendoff,et al.  Musical Parsing and Musical Affect , 1991 .

[7]  R. Jackendoff Consciousness and the Computational Mind , 1987 .

[8]  R. Jackendoff,et al.  A Generative Theory of Tonal Music , 1985 .

[9]  L. Camilleri Music, Mind and Programs , 1986 .

[10]  Stephen W. Smoliar,et al.  Musical Grammars and Computer Analysis , 1986 .

[11]  Lelio Camilleri,et al.  An expert system prototype for the study of musical segmentation , 1990 .

[12]  Michael K. Tanenhaus,et al.  Context effects in lexical processing: A connectionist approach to modularity. , 1987 .

[13]  Marc Leman Emergent properties of tonality functions by self‐organization , 1990 .

[14]  K. Thompson Cognitive and Analytical Psychology Howard Gardner .Frames of Mind: The Theory of Multiple Intelligences. New York, Basic Books, 1983. , 1985 .

[15]  L. Hudson Frames of Mind , 1970 .

[16]  D. Butler,et al.  Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry , 1989 .

[17]  Eytan Agmon,et al.  Music Theory As Cognitive Science: Some Conceptual and Methodological Issues , 1990 .

[18]  Eugene Narmour,et al.  The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model , 1990 .

[19]  William P. Alston,et al.  Knowledge and the Flow of Information , 1985 .

[20]  Fred Lerdahl,et al.  Tonal Pitch Space , 2001 .

[21]  J. Fodor The Modularity of mind. An essay on faculty psychology , 1986 .

[22]  John A. Sloboda,et al.  The musical mind , 1986 .

[23]  Jerry A. Fodor,et al.  Observation Reconsidered , 1984, Philosophy of Science.

[24]  Lelio Camilleri,et al.  A modular approach to music cognition , 1989 .

[25]  H. Gardner,et al.  Frames of Mind: The Theory of Multiple Intelligences , 1983 .

[26]  Alex M. Andrew,et al.  Computation and Cognition: Towards A Foundation for Cognitive Science, by Zenon W. Pylyshyn, MIT Press, Cambridge, Mass., xxiii + 292 pp., £26.15 , 1985, Robotica.