Rater fairness in music performance assessment: Evaluating model-data fit and differential rater functioning
暂无分享,去创建一个
[1] Raymond B. Cattell,et al. The measurement of personality and behavior disorders by the I. P. A. T. Music Preference Test. , 1953 .
[2] Rater-Rater Reliabilities in Judging Musical Performances , 1962 .
[3] L. V. Jones,et al. The measurement and prediction of judgment and choice. , 1970 .
[4] Richard J. Colwell. The evaluation of music teaching and learning , 1970 .
[5] G. Duerksen. Some Effects of Expectation on Evaluation of Recorded Musical Performance , 1972 .
[6] B. Wright,et al. Best test design , 1979 .
[7] R. Downey,et al. Rating the ratings: Assessing the psychometric quality of rating data , 1980 .
[8] D. Charney,et al. The Validity of Using Holistic Scoring to Evaluate Writing: A Critical Overview , 1984, Research in the Teaching of English.
[9] James R. Austin. The Effect of Music Contest Format on Self-Concept, Motivation, Achievement, and Attitude of Elementary Band Students , 1988 .
[10] B. Huot,et al. Reliability, Validity, and Holistic Scoring: What We Know and What We Need to Know , 1990 .
[11] Mary E. Lunz,et al. Judge Consistency and Severity Across Grading Periods , 1990 .
[12] Walter M. Houston,et al. Correcting Performance-Rating Errors in Oral Examinations , 1991, Evaluation & the health professions.
[13] Janet Mills. Assessing Musical Performance Musically , 1991 .
[14] Program Evaluation for Secondary School Music Programs , 1992 .
[15] George Engelhard,et al. The Measurement of Writing Ability With a Many-Faceted Rasch Model , 1992 .
[16] W. H. Angoff,et al. Perspectives on differential item functioning methodology. , 1993 .
[17] J. Davidson. Visual Perception of Performance Manner in the Movements of Solo Musicians , 1993 .
[18] Gillian Wigglesworth. Exploring bias analysis as a tool for improving rater consistency in assessing oral interaction , 1993 .
[19] Patterns of rater behaviour in the assessment of an oral interaction test , 1994 .
[20] George Engelhard,et al. Examining Rater Errors in the Assessment of Written Composition With a Many-Faceted Rasch Model , 1994 .
[21] Craig Willmore Hurst. A Nationwide Investigation of High School Band Directors' Reasons for Participating in Music Competitions , 1994 .
[22] Guy W. Forbes. Evaluative Music Festivals and Contests—Are They Fair? , 1994 .
[23] Jane W. Davidson,et al. What Does the Visual Information Contained in Music Performances Offer the Observer? Some Preliminary Thoughts , 1995 .
[24] George Engelhard,et al. Evaluating Rater Accuracy in Performance Assessments. , 1996 .
[25] Victor Ginsburgh,et al. The Queen Elisabeth Musical Competition: how fair is the final ranking , 1996 .
[26] George Engelhard. Clarification to “Examining Rater Errors in the Assessment of Written Composition With a Many‐Faceted Rasch Model” , 1996 .
[27] Grant Henning. Accounting for nonsystematic error in performance ratings , 1996 .
[28] J. Wapnick,et al. Effects of Physical Attractiveness on Evaluation of Vocal Performance , 1997 .
[29] Carolyn Siivola,et al. Effect of Audience on Music Performance Anxiety , 1997 .
[30] G Engelhard. Constructing rater and task banks for performance assessments. , 1997, Journal of outcome measurement.
[31] William Forde Thompson,et al. Assessing Music Performance: Issues and Influences , 1998 .
[32] J. Wapnick,et al. Effects of Performer Attractiveness, Stage Behavior, and Dress on Violin Performance Evaluation , 1998 .
[33] Educational Evaluation. Standards for Educational and Psychological Testing , 1999 .
[34] J. Wapnick,et al. Effects of Performer Attractiveness, Stage Behavior, and Dress on Evaluation of Children's Piano Performances , 2000 .
[35] Gudrun A. Bermingham. Effects of Performers' External Characteristics on Performance Evaluations , 2000 .
[36] S. Sireci. Book Review: The New Rules of Measurement: What Every Psychologist and Educator Should Know , 2000 .
[37] Jane W. Davidson,et al. The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox , 2001 .
[38] Investigating Performance Evaluation by Assessors of Singers in a Music College Setting , 2001 .
[39] B. Wright,et al. Construction of measures from many-facet data. , 2002, Journal of applied measurement.
[40] John M Linacre,et al. Optimizing rating scale category effectiveness. , 2002, Journal of applied measurement.
[41] Kimi Kondo-Brown,et al. A FACETS analysis of rater bias in measuring Japanese second language writing performance , 2002 .
[42] Ron Brooker,et al. Examiner Perceptions of Using Criteria in Music Performance Assessment , 2002 .
[43] T. Lumley. Assessment criteria in a large-scale writing test: what do they really mean to the raters? , 2002 .
[44] George Engelhard,et al. MONITORING FACULTY CONSULTANT PERFORMANCE IN THE ADVANCED PLACEMENT ENGLISH LITERATURE AND COMPOSITION PROGRAM WITH A MANY-FACETED RASCH MODEL , 2003 .
[45] Aaron Williamon,et al. Evaluating Evaluation: Musical Performance Assessment as a Research Tool , 2003 .
[46] Edward W Wolfe,et al. Detecting and measuring rater effects using many-facet Rasch measurement: part I. , 2003, Journal of applied measurement.
[47] Martin J. Bergee. Faculty Interjudge Reliability of Music Performance Evaluation , 2003 .
[48] Richard R. Sudweeks,et al. A comparison of generalizability theory and many-facet Rasch measurement in an analysis of college sophomore writing , 2004 .
[49] Edward W Wolfe,et al. Detecting and measuring rater effects using many-facet Rasch measurement: Part II. , 2004, Journal of applied measurement.
[50] M. R. Espejo. Applying the Rasch Model: Fundamental Measurement in the Human Sciences , 2004 .
[51] Mark Wilson,et al. Constructing Measures: An Item Response Modeling Approach , 2004 .
[52] Thomas P. Rohrer. The science and psychology of music performance: creative strategies for teaching and learning , 2004 .
[53] Everett V. Smith,et al. Introduction to Rasch measurement : theory, models and applications , 2004 .
[54] A. Williamon. Measuring performance enhancement in music , 2004 .
[55] Tom Lumley,et al. Assessing second language writing : the rater's perspective , 2005 .
[56] Lourinda S. Crochet. Repertoire selection practices of band directors as a function of teaching experience, training, instructional level, and degree of success , 2006 .
[57] Timothy D. Brakel. Inter-Judge Reliability of the Indiana State School Music Association High School Instrumental Festival , 2006 .
[58] Charles E. Norris,et al. An Examination of the Reliabilities of Two Choral Festival Adjudication Forms , 2007 .
[59] Robert L. Johnson,et al. Assessing Performance: Designing, Scoring, and Validating Performance Tasks , 2008 .
[60] B. Silvey. The Effects of Band Labels on Evaluators’ Judgments of Musical Performance , 2009 .
[61] George Engelhard,et al. Using Item Response Theory and Model—Data Fit to Conceptualize Differential Item and Person Functioning for Students With Disabilities , 2009 .
[63] Ž. Pedišić,et al. Handbook for Quantitative Methods , 2010 .
[64] Friedrich Platz,et al. When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance , 2012 .
[65] George Engelhard,et al. Invariant Measurement: Using Rasch Models in the Social, Behavioral, and Health Sciences , 2012 .
[66] Christian Tarnai,et al. What Do Music Preferences Reveal About Personality? A Cross-Cultural Replication Using Self-Ratings and Ratings of Music Samples , 2012 .
[67] Yi Du,et al. DIFFERENTIAL FACET FUNCTIONING DETECTION IN DIRECT WRITING ASSESSMENT , 2012 .
[68] Phillip M. Hash. An Analysis of the Ratings and Interrater Reliability of High School Band Contests , 2012 .
[69] Stefanie A. Wind,et al. Rating Quality Studies Using Rasch Measurement Theory , 2013 .
[70] Rating Quality Studies Using Rasch Measurement Theory. Research Report 2013-3. , 2013 .
[71] N. Srinivasan,et al. Role of affect in decision making. , 2013, Progress in brain research.
[72] Brian C. Wesolowski. Documenting Student Learning in Music Performance , 2014 .
[73] Juliane Hahn,et al. Foundations Of Music Education , 2016 .
[74] Tobias Bachmeier. Architectural Acoustics Blending Sound Sources Sound Fields And Listeners , 2016 .
[75] Brian C. Wesolowski,et al. Assessing jazz big band performance: The development, validation, and application of a facet-factorial rating scale , 2016 .