Lead soaps in paintings: Friends or foes?
暂无分享,去创建一个
Koen Janssens | Manfred Burghammer | Jean Susini | Philippe Walter | Marine Cotte | Yoko Taniguchi | Emilie Checroun | Murielle Salomé | M. Burghammer | J. Susini | M. Cotte | P. Walter | Y. Taniguchi | L. de Viguerie | C. Rivard | K. Janssens | Camille Rivard | W. De Nolf | Wout De Nolf | Laurence De Viguerie | E. Checroun | M. Salomé | W. de Nolf
[1] A. Burnstock,et al. Notes on Metal Soap Extenders in Modern Oil Paints: History, Use, Degradation, and Analysis , 2019, Metal Soaps in Art.
[2] A. Loon,et al. Analysis of old master paintings by direct temperature-resolved time-of-flight mass spectrometry: Some recent developments , 2016 .
[3] M. Cotte,et al. The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds , 2016 .
[4] M. Menu,et al. Composition and microstructure of the lead white pigment in Masters paintings using HR Synchrotron XRD , 2016 .
[5] M. Cotte,et al. Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium , 2016 .
[6] S. Elliott,et al. A chemometric study of ageing in lead-based paints. , 2015, Talanta.
[7] Piet D. Iedema,et al. An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings , 2015 .
[8] Koen Janssens,et al. Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting. , 2015, Angewandte Chemie.
[9] J. Lopes,et al. Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art , 2014 .
[10] D. Scott,et al. Green-copper containing waxy paint on two Egyptian polychrome artifacts: A technical study , 2014 .
[11] C. Dybowski,et al. 207Pb and 119Sn solid-state NMR and relativistic density functional theory studies of the historic pigment lead-tin yellow type I and its reactivity in oil paintings. , 2014, The journal of physical chemistry. A.
[12] M. Cotte,et al. Preparation of thin-sections of painting fragments: classical and innovative strategies. , 2014, Analytica chimica acta.
[13] Koen Janssens,et al. Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range. , 2014, The Analyst.
[14] U. Eggenberger,et al. Derivatization Technique to Increase the Spectral Selectivity of Two-Dimensional Fourier Transform Infrared Focal Plane Array Imaging: Analysis of Binder Composition in Aged Oil and Tempera Paint , 2014, Applied spectroscopy.
[15] C. Dybowski,et al. Nuclear Magnetic Resonance Spectra and 207Pb Chemical-Shift Tensors of Lead Carboxylates Relevant to Soap Formation in Oil Paintings , 2014, Applied spectroscopy.
[16] R. Pereira,et al. The interaction of long chain sodium carboxylates and sodium dodecylsulfate with lead(II) ions in aqueous solutions. , 2014, Journal of colloid and interface science.
[17] J. Boon,et al. Metal Soaps and Visual Changes in a Painting by René Magritte – The Menaced Assassin , 1927 , 2014 .
[18] J. Boon,et al. Investigating Fluidizing Dripping Pink Commercial Paint on Van Hemert’s Seven-Series Works from 1990–1995 , 2014 .
[19] Gillian Osmond,et al. Zinc white and the influence of paint composition for stability in oil based media , 2014 .
[20] F. Casadio,et al. Scientific Investigation of an Important Corpus of Picasso Paintings in Antibes: New Insights into Technique, Condition, and Chronological Sequence , 2013 .
[21] J. Boon,et al. Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of the Descente des vaches (1834–1835) painted by Théodore Rousseau , 2013 .
[22] Elena Pratali. Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes. Literary review, paint failure mechanisms and conditions of potential risk , 2013 .
[23] M. Colombini,et al. Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions. , 2013, Dalton transactions.
[24] Maria Perla Colombini,et al. New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study , 2012, PloS one.
[25] Jinping Wu,et al. Review of autoxidation and driers , 2012 .
[26] J. Devesa. Treatment of a nineteenth century male portrait in oil including the characterisation of materials, technique and a study of the lead soap aggregation in the paint composite , 2012 .
[27] Frank Friedrich,et al. Protrusions in a painting by Max Beckmann examined with confocal μ-XRF , 2011 .
[28] J. Boon,et al. SEM Backscattered-Electron Images of Paint Cross Sections as Information Source for the Presence of the Lead White Pigment and Lead-Related Degradation and Migration Phenomena in Oil Paintings , 2011, Microscopy and Microanalysis.
[29] M. Colombini,et al. A multi-analytical approach to studying binding media in oil paintings , 2011, Journal of Thermal Analysis and Calorimetry.
[30] F. Marone,et al. Xray Tomographic Microscopic Studies a Resin Embedded Paint Sample from a Mechanical Failing Area in the Floor Tiles of The Art of Painting by Johannes Vermeer (1632-1675) , 2010 .
[31] Paul Dumas,et al. Recent applications and current trends in Cultural Heritage Science using synchrotron-based Fourier transform infrared micro-spectroscopy , 2009 .
[32] H. Emerich,et al. Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR. , 2009, Talanta.
[33] Marco Stampanoni,et al. 3D synchrotron x-ray microtomography of paint samples , 2009, Optical Metrology.
[34] C. Higgitt,et al. Evaluation of the added value of SIMS: A mass spectrometric and spectroscopic study of an unusual , 2009 .
[35] Vincent Mazel,et al. COMBINATION OF FTIR AND X-RAYS SYNCHROTRON-BASED MICRO-IMAGING TECHNIQUES FOR THE STUDY OF ANCIENT PAINTINGS. A PRACTICAL POINT OF VIEW , 2009 .
[36] M. Cotte,et al. New insights on the glaze technique through reconstruction of old glaze medium formulations , 2008 .
[37] Jean Susini,et al. Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings , 2008 .
[38] S. Prati,et al. Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films , 2008, Analytical and bioanalytical chemistry.
[39] Marika Spring,et al. ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London , 2008, Analytical and bioanalytical chemistry.
[40] J. Townsend. Preparation for painting : the artist's choice and its consequences , 2008 .
[41] A Note on a Modern Lead White, also Known as 'Synthetic Plumbonacrite' , 2007 .
[42] S. Daniele,et al. Metal 2-ethylhexanoates and related compounds as useful precursors in materials science. , 2007, Chemical Society reviews.
[43] P. Bleuet,et al. Classification of lead white pigments using synchrotron radiation micro X-ray diffraction , 2007 .
[44] Jean Susini,et al. Micro-analytical study of interactions between oil and lead compounds in paintings , 2007 .
[45] J. Susini,et al. Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums. , 2006, Talanta.
[46] J. Boon,et al. Chemical characterisation of thin intermediate layers : case study of a sample from the 15th century painting "The Descent from the Cross" by Rogier van der Weyden , 2006 .
[47] Paul Dumas,et al. New insight on ancient cosmetic preparation by synchrotron-based infrared microscopy , 2005 .
[48] Marion F. Mecklenburg,et al. The influence of lead ions on the drying of oils , 2005 .
[49] Marion F. Mecklenburg,et al. Long-Term Chemical and Physical Processes in Oil Paint Films , 2005 .
[50] Emmanuel Pantos,et al. Advantages of the use of SR-FT-IR microspectroscopy: applications to cultural heritage. , 2005, Analytical chemistry.
[51] Jaap J. Boon,et al. Chemical changes in old master paintings II: darkening due to increased transparency as a result of metal soap formation , 2005 .
[52] Jaap J. Boon,et al. Characterization and localization of the oil-binding medium in paint cross-sections using imaging secondary ion mass spectrometry , 2005 .
[53] Katrien Keune,et al. Binding medium, pigments and metal soaps characterised and localised in paint cross-sections , 2005 .
[54] R. Heeren,et al. Preparation Methods and Accessories for the Infrared Spectroscopic Analysis of Multi-Layer Paint Films , 2004 .
[55] M. Cotte,et al. Synchrotron FT-IR microscopic study of chemical enhancers in transdermal drug delivery: example of fatty acids. , 2004, Journal of controlled release : official journal of the Controlled Release Society.
[56] Katrien Keune,et al. Imaging secondary ion mass spectrometry of a paint cross section taken from an early Netherlandish painting by Rogier van der Weyden. , 2004, Analytical chemistry.
[57] M. Cotte. Développement de la microscopie infrarouge avec rayonnement synchrotron pour l'étude de pratiques pharmaceutiques anciennes : exemple des emplâtres de plomb et des tissus humains , 2004 .
[58] C. Higgitt,et al. Old masters in the spotlight , 2004 .
[59] Laurianne Robinet,et al. The Characterization of Metal Soaps , 2003 .
[60] P. Walter,et al. Unveiling the Structure of Ancient Lead Pigments Example of “Lead White” , 2003 .
[61] L. Robinet,et al. X-ray powder diffraction data for selected metal soaps , 2002, Powder Diffraction.
[62] R. M. A. Heeren,et al. Fourier Transform Infrared Microscopic Imaging of an Embedded Paint Cross-Section , 2002 .
[63] Charles S. Tumosa,et al. A Brief History of Aluminum Stearate as a Component of Paint , 2001 .
[64] M. Mecklenburg,et al. Traditional Oil Paints: The Effects of Long-Term Chemical and Mechanical Properties on Restoration Efforts , 2001 .
[65] Lucia Toniolo,et al. The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations , 2001 .
[66] Jacques Lemaire,et al. Drier influence on the curing of linseed oil , 2000 .
[67] L. Carlyle. Paint Driers Discussed in 19th-Century British Oil Painting Manuals , 1999 .
[68] M. Merrifield,et al. Medieval and Renaissance treatises on the arts of painting : original texts with English translations , 1999 .
[69] Jaap J. Boon,et al. Integrating imaging FTIR and secondary ion mass spectrometry for the analysis of embedded paint cross-sections , 1999 .
[70] Jaap J. Boon,et al. Chemical changes in curing and ageing oil paints , 1999 .
[71] R. Corkery. Artificial biomineralisation and metallic soaps , 1998 .
[72] J. Twilley,et al. Clarifying the haze : Efflorescence on works of art , 1997 .
[73] M. Schilling,et al. Gas chromatographic determination of the fatty acid and glycerol content of lipids: I. The effects of pigments and aging on the composition of oil paints , 1996 .
[74] A. Duval. LES PREPARATIONS COLOREES DES TABLEAUX DE L'ECOLE FRANCAISE DES DIX-SEPTIEME ET DIX-HUITIEME SIECLES , 1992 .
[75] Arthur Steinberg,et al. Analysis of aged paint binders by FTIR spectroscopy , 1990 .
[76] Peter Taylor,et al. Infrared and Raman spectra and X-ray diffraction studies of solid lead(II) carbonates , 1983 .
[77] S. Bergeon,et al. Restauration des peintures : catalogue , 1980 .
[78] J. Skalsky. Preparation and application of drying agents in paints , 1976 .
[79] Raymond White,et al. THE GAS-CHROMATOGRAPHIC EXAMINATION OF PAINT MEDIA. PART II. SOME EXAMPLES OF MEDIUM IDENTIFICATION IN PAINTINGS BY FATTY ACID ANALYSIS. , 1972 .
[80] M. Kastens,et al. DRIER SOAP MANUFACTURE , 1949 .
[81] James S. Watrous,et al. The Secret Formulas and Techniques of the Masters , 1948 .
[82] A. E. Jacobsen,et al. Zinc Soaps in Paints. Zinc Oleates , 1941 .
[83] A. H. Gill. The Industrial and Artistic Technology of Paint and Varnish , 1904 .
[84] Jean-François-Léonor Mérimée. De la peinture à l'huile , 1830 .