Examining How Musicians Create Augmented Musical Instruments
暂无分享,去创建一个
[1] Atau Tanaka,et al. Musical Performance Practice on Sensor-based Instruments , 2000 .
[2] Perry R. Cook,et al. Principles for Designing Computer Music Controllers , 2001, NIME.
[3] Caroline Traube,et al. On making and playing an electronically-augmented saxophone , 2006, NIME.
[4] Marcelo M. Wanderley,et al. INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS , 2009 .
[5] Mark T. Marshall,et al. The augmentalist: enabling musicians to develop augmented musical instruments , 2011, Tangible and Embedded Interaction.
[6] Alexander Refsum Jensenius,et al. Proceedings of the International Conference on New Interfaces for Musical Expression , 2011 .
[7] Saul Greenberg,et al. Phidgets: easy development of physical interfaces through physical widgets , 2001, UIST '01.
[8] Marcelo M. Wanderley,et al. Quantitative Analysis of Non-obvious Performer Gestures , 2001, Gesture Workshop.
[9] Karon E. MacLean,et al. Manipulating music: multimodal interaction for DJs , 2004, CHI '04.
[10] Marcelo M. Wanderley,et al. Gestural control of sound synthesis , 2004, Proceedings of the IEEE.
[11] Matthew Wright,et al. Problems and prospects for intimate musical control of computers , 2001 .
[12] Donna Hewitt,et al. E-mic: Extended Mic-stand Interface Controller , 2003, NIME.