Low-complexity and robust coding mode decision in the EVS coder

Several state-of-the-art switched audio codecs employ the closed-loop mode decision to select the best coding mode at every frame. The closed-loop mode selection is known to have good performance but also high complexity. The new approach we propose in this paper is a low-complexity version of the closed-loop approach, based on similar decisions which compute the coding distortion of each mode and select the one with the lowest distortion. Our approach differs mainly in the way the coding distortions are calculated. We are able to notably reduce the complexity by only estimating the distortions without encoding and decoding the input for each mode. The new approach was implemented in the EVS codec standard and evaluated both objectively and subjectively. Compared to the closed-loop approach, it yields similar performance and lower complexity.

[1]  Pasi Ojala,et al.  Low Complex Audio Encoding for Mobile, Multimedia , 2006, 2006 IEEE 63rd Vehicular Technology Conference.

[2]  Bernd Edler,et al.  Improved low-delay MDCT-based coding of both stationary and transient audio signals , 2014, 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).

[3]  V. T. Ruoppila,et al.  Combined speech and audio coding by discrimination , 2000, 2000 IEEE Workshop on Speech Coding. Proceedings. Meeting the Challenges of the New Millennium (Cat. No.00EX421).

[4]  Schuyler Quackenbush,et al.  The ISO/MPEG Unified Speech and Audio Coding Standard—Consistent High Quality for All Content Types and at All Bit Rates , 2013 .

[5]  Pasi Ojala,et al.  AMR-WB+: a new audio coding standard for 3rd generation mobile audio services , 2005, Proceedings. (ICASSP '05). IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005..

[6]  Nam Soo Kim,et al.  Improved Frame Mode Selection for AMR-WB+ Based on Decision Tree , 2008, IEICE Trans. Inf. Syst..

[7]  METHODS FOR SUBJECTIVE DETERMINATION OF TRANSMISSION QUALITY Summary , 2022 .