중국과 한국의 유상곡수(流觴曲水) 유배거(流盃渠) 특성에 관한 연구

The Goksugeo(曲水渠: Curve-Stream banquet place) in China was mostly built on the rocks, showing an intensively artificial atmosphere. Since Nanjeong by Wang Xizhi, Goksu(Curve-Stream) banquet place was intended to be created inside a building. However, numerous paintings with the subject or motif of the Goksu banquet attribute the fundamental icon or text to its non-geometric form, which relates to scholars drinking liquid with sublime mountains and natural streams and forests in the background also seen in Nanjeonggi(蘭亭記) by Wang Xizhi. As a result, despite its being a restored facility, the Goksu banquet remains are regarded as a turning point of the culture of the Goksu banquet, and a garden facility. In Korea, the culture of enjoying the Goksu banquet had been passed down without ceasing from the Three Kingdom Period to Goryeo Dynasty, Joseon Dynasty and into modern times. When Goksugeo, for the first time, was introduced from China, it was formal and artificial, but the shape of Goksuro(Curved-Waterway), as time passed, became more suitable for the environment and sentiment in of Korea. In particular, a wider range of waterways were developed. The waterway in the shape of abalone, was built on the bedrock so as to bring in the natural stream water for the utmost enjoyment of the Goksu banquet. The shape was also available in a carved oval, as well as a puddle to make the water swirled. On top of that, is it appears in the curved form by using natural stones such as yin-yang stones(陰陽石) and other scenic stones(景石). Today, it is well understood that in order to restore the culture of enjoying the Goksu banquet, the relevant landscape architecture and aesthetics needed to have been handed down ceaselessly. We hope that the culture contents of the 'Goksu banquet' will provide recreation facilities as well asa place to revive traditional landscaping.