Complexity through combination: an account of knitwear design
暂无分享,去创建一个
[1] Claudia Eckert,et al. Sources of inspiration: a language of design , 2000 .
[2] Rivka Oxman,et al. Prior knowledge in design: a dynamic knowledge-based model of design and creativity , 1990 .
[3] Ann Heylighen,et al. Close encounters of the architectural kind , 2003 .
[4] David J. Gilmore,et al. Programming Plans and Programming Expertise , 1988 .
[5] Philip Steadman,et al. The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts - revised edition (first published 1979) with new ‘Afterword’ , 2008 .
[6] Charles Cole,et al. Information and information seeking of novice versus expert lawyers: how experts add value , 2000 .
[7] Claudia Eckert,et al. AN ARCHITECTURE FOR THE INTELLIGENT SUPPORT OF KNITWEAR DESIGN , 1996 .
[8] Keith Billings,et al. A study of ideologies and methods in contemporary architectural design teaching: part 1: ideology , 1992 .
[9] Linden J. Ball,et al. Putting ethnography to work: the case for a cognitive ethnography of design , 2000, Int. J. Hum. Comput. Stud..
[10] Ömer Akin,et al. Frames of reference in architectural design: analysing the hyperacclamation (A-h-a-!) , 1996 .
[11] Robert H. Logie,et al. Characteristics of visual short-term memory , 1989 .
[12] Ömer Akin,et al. How do Architects Design , 1978 .
[13] Bryan Lawson,et al. How Designers Think , 1980 .
[14] Susan Wiedenbeck,et al. Empirical studies of programmers, seventh workshop : papers presented at the seventh Workshop on Empirical Studies of Programmers, October 24-26, 1997, Alexandria, VA. , 1997 .
[15] Donald A. Schön,et al. Kinds of seeing and their functions in designing , 1992 .
[16] Jean-Claude Latombe,et al. Artificial intelligence and pattern recognition in computer aided design : proceedings of the IFIP Working Conference, organized by Working Group 5.2, Computer Aided Design, Grenoble, France, March 17-19, 1978 , 1978 .
[17] Claudia M. Eckert,et al. CAD Systems and the Division of Labour in Knitwear Design , 1994, Woman, Work and Computerization.
[18] Eileen Green,et al. Women, work and computerization: Breaking old boundaries - Building new forms , 1994 .
[19] Janet L. Kolodner,et al. Powers of observation in creative design , 1996 .
[20] Michael Tovey,et al. Thinking styles and modelling systems , 1986 .
[21] Nigel Cross,et al. Engineering design methods , 1989 .
[22] Jeffrey Johnson,et al. Fundamental Structures for the Design of Machine Vision Systems , 2001 .
[23] Herbert A. Simon,et al. The Structure of Ill Structured Problems , 1973, Artif. Intell..
[24] E. Edmonds,et al. The cognitive basis of emergence: implications for design support , 1996 .
[25] David G. Ullman,et al. Fundamental Processes of Mechanical Designers Based on Empirical Data , 1991 .
[26] Rita E. Anderson,et al. Visual discovery in mind and on paper , 1993, Memory & cognition.
[27] John S. Gero,et al. Creativity, emergence and evolution in design , 1996, Knowl. Based Syst..
[28] Terry Dartnall,et al. Artificial Intelligence and Creativity , 1994 .
[29] Claudia Eckert,et al. Intelligent Support for Knitwear Design , 1997 .
[30] Nigel Cross,et al. Descriptive models of creative design: application to an example , 1997 .
[31] John S. Gero,et al. Modeling Creativity and Knowledge-Based Creative Design , 1993 .
[32] John S. Gero,et al. Computational Models of Creative Design Processes , 1994 .
[33] B. Lawson. Schemata, gambits and precedent: some factors in design expertise , 2004 .
[34] John S. Gero,et al. Computational models of creative design IV , 1999 .