Reprezentacja muzyki w zagadnieniach computer generated music i analizy dzieła muzycznego
暂无分享,去创建一个
[1] Roger B. Dannenberg. A structure for efficient update, incremental redisplay and undo in graphical editors , 1990, Softw. Pract. Exp..
[2] Antonio Camurri,et al. HARP: a system for intelligent composer's assistance , 1991, Computer.
[3] Alexander R. Brinkman. A Data Structure for Computer Analysis of Musical Scores , 1984, ICMC.
[4] Holger H. Hoos,et al. SALIERI: A General, Interactive Computer Music System , 1998, ICMC.
[5] Gerald J. Balzano,et al. The group-theoretic description of 12-fold and microtonal pitch systems , 1980 .
[6] Mohan S. Kankanhalli,et al. Automatic music summarization based on music structure analysis , 2005, Proceedings. (ICASSP '05). IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005..
[7] Jeff A. Bilmes,et al. A novel representation for rhythmic structure , 1997 .
[8] William L. Martens. Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres , 1985, ICMC.
[9] Stephen Travis Pope. A Tool for Manipulating Expressive and Structural Hierarchies in Music , 1991, ICMC.
[10] Gareth Loy,et al. Composing with computers: a survey of some compositional formalisms and music programming languages , 1989 .
[11] Stephen Travis Pope. Producing Kombination XI: Using Modern Hardware and Software Systems for Composition , 1992 .
[12] Roger B. Dannenberg,et al. A Brief Survey of Music Representation Issues, Techniques, and Systems , 1993 .
[13] Miller S. Puckette,et al. Combining Event and Signal Processing in the MAX Graphical Programming Environment , 1991 .
[14] R. Jackendoff,et al. A Generative Theory of Tonal Music , 1985 .
[15] Max V. Mathews,et al. The Technology Of Computer Music , 1970 .