Real-time Composition as Performance Ecosystem
暂无分享,去创建一个
[1] Mitchell Whitelaw,et al. Metacreation: Art and Artificial Life , 2004 .
[2] Joel Chadabe,et al. Interactive Composing: An Overview , 1984, ICMC.
[3] Jon McCormack,et al. Life's What You Make: Niche Construction and Evolutionary Art , 2009, EvoWorkshops.
[4] Alex Rae,et al. A Real-Time Genetic Algorithm in Humanrobot Musical Improvisation , 2008, ICMC.
[5] Christopher Small. Musicking: The Meanings of Performing and Listening , 1999 .
[6] W. Weaver. Science and complexity. , 1948, American scientist.
[7] Anna Laura Arpel. Joel Chadabe: Electric Sound: The Past and Promise of Electronic Music , 1997 .
[8] Christopher G. Langton,et al. Artificial Life , 2019, Philosophical Posthumanism.
[9] Sergi Jordà. Digital Lutherie Crafting musical computers for new musics' performance and improvisation , 2005 .
[10] Graeme Ritchie,et al. Some Empirical Criteria for Attributing Creativity to a Computer Program , 2007, Minds and Machines.
[11] Jon McCormack,et al. Eden: An Evolutionary Sonic Ecosystem , 2001, ECAL.
[12] Simon Waters. Performance Ecosystems: Ecological approaches to musical interaction , 2006 .
[13] Oliver Bown,et al. Continuous-Time Recurrent Neural Networks for Generative and Interactive Musical Performance , 2006, EvoWorkshops.
[14] Jon R Drummond,et al. Understanding Interactive Systems , 2009, Organised Sound.
[15] Arne Eigenfeldt,et al. The Evolution of Evolutionary Software: Intelligent Rhythm Generation in Kinetic Engine , 2009, EvoWorkshops.
[16] D. Schwarz,et al. Corpus-Based Concatenative Synthesis , 2007, IEEE Signal Processing Magazine.
[17] George E. Lewis. Too Many Notes: Computers, Complexity and Culture in Voyager , 2000, Leonardo Music Journal.
[18] Garth Paine,et al. Interactivity, where to from here? , 2002, Organised Sound.
[19] Arne Eigenfeldt,et al. Hierarchical Sequential Memory for Music: A Cognitive Model , 2009, ISMIR.
[20] Michael Luck,et al. Proceedings of the First International Conference on Multi-Agent Systems , 1995 .
[21] Bob L. Sturm,et al. Proceedings of the International Computer Music Conference , 2011 .
[22] Bruce Ellis Benson,et al. The Improvisation of Musical Dialogue: Index , 2003 .
[23] François Pachet,et al. The Continuator: Musical Interaction With Style , 2003, ICMC.
[24] Arne Eigenfeldt,et al. Emergent Rhythms through Multi-agency in Max/MSP , 2008, CMMR.
[25] Bruce Ellis Benson. The Improvisation of Musical Dialogue by Bruce Ellis Benson , 2003 .
[26] Michael Wooldridge,et al. Introduction to multiagent systems , 2001 .
[27] Agostino Di Scipio. ‘Sound is the interface’: from interactive to ecosystemic signal processing , 2003 .
[28] Wolfgang Banzhaf,et al. Advances in Artificial Life , 2003, Lecture Notes in Computer Science.
[29] Ian Whalley,et al. Software Agents in Music and Sound Art Research/Creative Work: current state and a possible direction , 2009, Organised Sound.