Engaging constable: revealing art with new technology
暂无分享,去创建一个
Jon Hindmarsh | Christian Heath | Dirk vom Lehn | Paul Luff | C. Heath | P. Luff | J. Hindmarsh | D. Lehn
[1] E. Goffman,et al. Forms of talk , 1982 .
[2] C. Heath,et al. Technology in Action: ‘Interaction’ with computers in architecture , 2000 .
[3] Margaret Pezalla-Granlund. THE VIRTUAL AND THE REAL: MEDIA IN THE MUSEUM: Edited by Selma Thomas and Ann Mintz , 1999 .
[4] Christian Heath,et al. Technology in Action: The collaborative production of computer commands , 2000 .
[5] Steve Benford,et al. Orchestrating a mixed reality performance , 2001, CHI.
[6] Allison Woodruff,et al. Sotto voce: exploring the interplay of conversation and mobile audio spaces , 2002, CHI.
[7] Matthew Chalmers,et al. Tourism and Mobile Technology , 2003, ECSCW.
[8] Jason Cleverly,et al. Creating Assemblies in Public Environments: Social Interaction, Interactive Exhibits and CSCW , 2005, Computer Supported Cooperative Work (CSCW).
[9] Steve Benford,et al. Designing the spectator experience , 2005, CHI.
[10] Austin Henderson,et al. Making sense of sensing systems: five questions for designers and researchers , 2002, CHI.
[11] C. Heath,et al. Crafting participation: designing ecologies, configuring experience , 2002 .
[12] C. Heath,et al. Configuring Reception , 2004 .
[13] Matthew Chalmers,et al. Production of pace as collaborative activity , 2004, CHI EA '04.
[14] Lucy Suchman. Plans and situated actions: the problem of human-machine communication , 1987 .
[15] Mirjana Spasojevic,et al. A Study of an Augmented Museum Experience , 2001 .
[16] David Phillips. Evaluating time‐lapse video evaluation , 1995 .
[17] W. Keith Edwards,et al. At Home with Ubiquitous Computing: Seven Challenges , 2001, UbiComp.
[18] Paul Dourish,et al. From Interaction to Participation: Configuring Space Through Embodied Interaction , 2005, UbiComp.
[19] L. Suchman. Plans and situated actions , 1987 .
[20] H. Garfinkel. Studies in Ethnomethodology , 1968 .
[21] Harvey Sacks,et al. Lectures on Conversation , 1995 .
[22] Geri Gay,et al. Imprints of place: creative expressions of the museum experience , 2005, CHI Extended Abstracts.