Dance to your own drum: Identification of musical genre and individual dancer from motion capture using machine learning
暂无分享,去创建一个
Petri Toiviainen | Birgitta Burger | Pasi Saari | Emily Carlson | Birgitta Burger | P. Toiviainen | Emily Carlson | Pasi Saari
[1] G. Johansson. Visual perception of biological motion and a model for its analysis , 1973 .
[2] J. Cutting,et al. Recognizing friends by their walk: Gait perception without familiarity cues , 1977 .
[3] W. Straw. "Characterizing Rock Music Cultures: The Case of Heavy Metal" , 1984 .
[4] Bethany Bryson,et al. Anything but heavy metal : Symbolic exclusion and musical dislikes , 1996 .
[5] H. Spring. Swing and the Lindy Hop: Dance, Venue, Media, and Tradition , 1997 .
[6] G. Lakoff. Philosophy in the flesh , 1999 .
[7] Matti Karjalainen,et al. A computationally efficient multipitch analysis model , 2000, IEEE Trans. Speech Audio Process..
[8] Guodong Guo,et al. Face recognition by support vector machines , 2000, Proceedings Fourth IEEE International Conference on Automatic Face and Gesture Recognition (Cat. No. PR00580).
[9] Bruno Nettl. An ethnomusicologist contemplates universals in musical sound and musical culture , 2000 .
[10] Martine Villeneuve,et al. Heavy Metal Music and Adolescent Suicidal Risk , 2001 .
[11] T. Monaghan. Why Study the Lindy Hop? , 2001, Dance Research Journal.
[12] Lucy Johnston,et al. Victim Selection and Kinematics: A Point-Light Investigation of Vulnerability to Attack , 2002 .
[13] George Tzanetakis,et al. Musical genre classification of audio signals , 2002, IEEE Trans. Speech Audio Process..
[14] Robert Tibshirani,et al. 1-norm Support Vector Machines , 2003, NIPS.
[15] Antonio Camurri,et al. Recognizing emotion from dance movement: comparison of spectator recognition and automated techniques , 2003, Int. J. Hum. Comput. Stud..
[16] François Pachet,et al. Representing Musical Genre: A State of the Art , 2003 .
[17] A. Ng. Feature selection, L1 vs. L2 regularization, and rotational invariance , 2004, Twenty-first international conference on Machine learning - ICML '04.
[18] N. Troje,et al. Person identification from biological motion: Effects of structural and kinematic cues , 2005, Perception & psychophysics.
[19] N. Scaringella,et al. Automatic genre classification of music content: a survey , 2006, IEEE Signal Process. Mag..
[20] Adrian Hilton,et al. A survey of advances in vision-based human motion capture and analysis , 2006, Comput. Vis. Image Underst..
[21] M. Leman. Embodied Music Cognition and Mediation Technology , 2007 .
[22] Larry Shapiro. The Embodied Cognition Research Programme , 2007 .
[23] Cord Westhoff,et al. Kinematic cues for person identification from biological motion , 2007, Perception & psychophysics.
[24] Dave Snell,et al. Heavy Metal, identity and the social negotiation of a community of practice , 2007 .
[25] Weifeng Liu,et al. Correntropy: Properties and Applications in Non-Gaussian Signal Processing , 2007, IEEE Transactions on Signal Processing.
[26] Andreas Christmann,et al. Support vector machines , 2008, Data Mining and Knowledge Discovery Handbook.
[27] Yannis Stylianou,et al. Musical Genre Classification Using Nonnegative Matrix Factorization-Based Features , 2008, IEEE Transactions on Audio, Speech, and Language Processing.
[28] Jennifer C. Lena,et al. Classification as Culture: Types and Trajectories of Music Genres , 2008 .
[29] Mark Shevy,et al. Music genre as cognitive schema: extramusical associations with country and hip-hop music , 2008 .
[30] Fatih Murat Porikli,et al. Pedestrian Detection via Classification on Riemannian Manifolds , 2008, IEEE Transactions on Pattern Analysis and Machine Intelligence.
[31] Nello Cristianini,et al. Support vector machines , 2009 .
[32] Òscar Celma,et al. The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree? , 2008, ISMIR.
[33] Bernard De Baets,et al. How potential users of music search and retrieval systems describe the semantic quality of music , 2008, J. Assoc. Inf. Sci. Technol..
[34] Paul Lamere,et al. Social Tagging and Music Information Retrieval , 2008 .
[35] Øivind Skare,et al. Simultaneous estimation of effects of gender, age and walking speed on kinematic gait data. , 2009, Gait & posture.
[36] Tapio Elomaa,et al. A Walk from 2-Norm SVM to 1-Norm SVM , 2009, 2009 Ninth IEEE International Conference on Data Mining.
[37] Peter E Keller,et al. Self‐recognition in the Perception of Actions Performed in Synchrony with Music , 2009, Annals of the New York Academy of Sciences.
[38] Janusz Konrad,et al. Action Recognition in Video by Covariance Matching of Silhouette Tunnels , 2009, 2009 XXII Brazilian Symposium on Computer Graphics and Image Processing.
[39] N. Troje,et al. Embodiment of Sadness and Depression—Gait Patterns Associated With Dysphoric Mood , 2009, Psychosomatic medicine.
[40] Israel Cohen,et al. Musical genre classification of audio signals using geometric methods , 2010, 2010 18th European Signal Processing Conference.
[41] S. Demorest,et al. INFLUENCE OF MUSICAL FEATURES ON CHARACTERISTICS OF MUSIC-INDUCED MOVEMENTS , 2010 .
[42] Suvi Saarikallio,et al. Effects of the Big Five and musical genre on music-induced movement , 2010 .
[43] Ronald Poppe,et al. A survey on vision-based human action recognition , 2010, Image Vis. Comput..
[44] H. Erdjument-Bromage,et al. TLR signaling augments macrophage bactericidal activity through mitochondrial ROS , 2011, Nature.
[45] George A. Tsihrintzis,et al. Automatic Music Genre Classification Using Hybrid Genetic Algorithms , 2011 .
[46] Marc R. Thompson,et al. Learning and Synchronising Dance Movements in South African Songs - Cross-cultural Motion-capture Study , 2011 .
[47] Sofia Dahl,et al. Striking movements: A survey of motion analysis of percussionists , 2011 .
[48] David J. Teachout,et al. Genre identification of very brief musical excerpts , 2012 .
[49] Martin A. Riedmiller,et al. Unsupervised Learning of Local Features for Music Classification , 2012, ISMIR.
[50] Maggie Shiffrar,et al. People Watching: Social, Perceptual, and Neurophysiological Studies of Body Perception , 2012 .
[51] S. Mahadevan,et al. Learning Theory , 2001 .
[52] Hfd Chang,et al. Shape-Independent Processing of Biological Motion , 2013 .
[53] S. Trehub,et al. Culture and Evolution , 2013 .
[54] Petri Toiviainen,et al. MOCAP TOOLBOX - A MATLAB TOOLBOX FOR COMPUTATIONAL ANALYSIS OF MOVEMENT DATA , 2013 .
[55] Birgitta Burger,et al. Influences of Rhythm- and Timbre-Related Musical Features on Characteristics of Music-Induced Movement , 2013, Front. Psychol..
[56] Andrew D. Wilson,et al. Embodied Cognition is Not What you Think it is , 2013, Front. Psychology.
[57] D. Moelants,et al. The Impact of the Bass Drum on Human Dance Movement , 2013 .
[58] Robert L. Goldstone,et al. Similarity-Dissimilarity Competition in Disjunctive Classification Tasks , 2013, Front. Psychology.
[59] Marc Leman,et al. Expressing Induced Emotions Through Free Dance Movement , 2013 .
[60] Stephen S. Hudson. METAL MOVEMENTS: HEADBANGING AS A LEGACY OF AFRICAN AMERICAN DANCE , 2015 .
[61] Anne Danielsen,et al. Effects of instructed timing and tempo on snare drum sound in drum kit performance. , 2015, The Journal of the Acoustical Society of America.
[62] Benjamin Rosman,et al. Single-labelled music genre classification using content-based features , 2015, 2015 Pattern Recognition Association of South Africa and Robotics and Mechatronics International Conference (PRASA-RobMech).
[63] N. Morgan,et al. Exploring dress, identity and performance in contemporary dance music culture , 2015 .
[64] Justin London,et al. Conscientiousness and Extraversion relate to responsiveness to tempo in dance. , 2016, Human movement science.
[65] Mari Romarheim Haugen,et al. Exploring Sound-Motion Similarity in Musical Experience , 2016 .
[66] Soumen Bhowmik,et al. A Literature Survey on Human Identification by Gait , 2016 .
[67] Loris Nanni,et al. Combining visual and acoustic features for music genre classification , 2016, Expert Syst. Appl..
[68] Joachim Richter,et al. “It Don’t Mean a Thing if It Ain’t Got that Swing”– an Alternative Concept for Understanding the Evolution of Dance and Music in Human Beings , 2016, Front. Hum. Neurosci..
[69] Kemal Leblebicioglu,et al. Time series classification with feature covariance matrices , 2018, Knowledge and Information Systems.
[70] Birgitta Burger,et al. Personality and Musical Preference Using Social-Tagging in Excerpt-Selection , 2017 .
[71] P. Morris,et al. Evidence of Big Five and Aggressive Personalities in Gait Biomechanics , 2016, Journal of nonverbal behavior.
[72] A. Jensenius,et al. Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music , 2017 .
[73] Birgitta Burger,et al. Dance Like Someone is Watching , 2018 .
[74] Katsumi Watanabe,et al. Contribution of global and local biological motion information to speed perception and discrimination. , 2018, Journal of Vision.
[75] B. Bläsing,et al. My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays , 2018, Front. Psychol..
[76] Birgitta Burger,et al. Embodiment in Electronic Dance Music: Effects of musical content and structure on body movement , 2018, Musicae Scientiae.