Roughness perception in sounds: behavioral and ERP evidence
暂无分享,去创建一个
Marc Leman | Wouter De Baene | Andreas Widmann | André Vandierendonck | Mari Tervaniemi | Wouter De Baene | M. Tervaniemi | A. Widmann | M. Leman | A. Vandierendonck
[1] D. Pressnitzer,et al. Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness , 2000, Perception & psychophysics.
[2] R. C. Mathes,et al. Phase Effects in Monaural Perception , 1947 .
[3] H. Schröger. Response from Schröger , 1997, Trends in Cognitive Sciences.
[4] Marc Leman. Relevance of Neuromusicology for Music Research , 1999 .
[5] Mari Tervaniemi,et al. Musical Sound Processing in the Human Brain , 2001 .
[6] Timm Rosburg,et al. Left hemispheric dipole locations of the neuromagnetic mismatch negativity to frequency, intensity and duration deviants. , 2003, Brain research. Cognitive brain research.
[7] Mikko Sams,et al. Processing of changes in visual speech in the human auditory cortex. , 2002, Brain research. Cognitive brain research.
[8] R. Näätänen,et al. Auditory frequency discrimination and event-related potentials. , 1985, Electroencephalography and clinical neurophysiology.
[9] William M. Hartmann,et al. Psychoacoustics: Facts and Models , 2001 .
[10] Perceived roughness of amplitude-modulated tones and noise. , 1976, The Journal of the Acoustical Society of America.
[11] K. Reinikainen,et al. Mismatch negativity to change in spatial location of an auditory stimulus. , 1989, Electroencephalography and clinical neurophysiology.
[12] P. Deltenre,et al. Mismatch negativity evoked by the McGurk–MacDonald effect: a phonetic representation within short-term memory , 2002, Clinical Neurophysiology.
[13] M Huotilainen,et al. From objective to subjective: pitch representation in the human auditory cortex. , 1995, Neuroreport.
[14] R. Näätänen. Attention and brain function , 1992 .
[15] F. Lerdahl,et al. Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training , 1996, Perception & psychophysics.
[16] William Hutchinson,et al. The acoustic component of western consonance , 1978 .
[17] K. Reinikainen,et al. Attentive novelty detection in humans is governed by pre-attentive sensory memory , 1994, Nature.
[18] Mari Tervaniemi,et al. Methodologies of Brain Research in Cognitive Musicology , 1999 .
[19] Risto Näätänen,et al. Higher-order processes in auditory-change detection , 1997, Trends in Cognitive Sciences.
[20] R. Näätänen,et al. Early selective-attention effect on evoked potential reinterpreted. , 1978, Acta psychologica.
[21] E. Terhardt. On the perception of periodic sound fluctuations (roughness) , 1974 .
[22] F. Perrin,et al. Separate Representation of Stimulus Frequency, Intensity, and Duration in Auditory Sensory Memory: An Event-Related Potential and Dipole-Model Analysis , 1995, Journal of Cognitive Neuroscience.
[23] R. Plomp,et al. Experiments on tone perception , 1966 .
[24] Risto Näätänen,et al. Timbre Similarity: Convergence of Neural, Behavioral, and Computational Approaches , 1998 .
[25] C. Escera,et al. The accuracy of sound duration representation in the human brain determines the accuracy of behavioural perception , 2000, The European journal of neuroscience.
[26] R. Plomp,et al. Tonal consonance and critical bandwidth. , 1965, The Journal of the Acoustical Society of America.
[27] W. Aures,et al. Ein Berechnungsverfahren der Rauhigkeit , 1985 .
[28] I. Winkler,et al. Two separate codes for missing-fundamental pitch in the human auditory cortex. , 1997, The Journal of the Acoustical Society of America.
[29] D. Javitt,et al. The Mismatch Negativity of Event‐Related Potentials as a Probe of Transient Auditory Memory: A Review , 1995, Ear and hearing.
[30] R. Hari,et al. Seeing speech: visual information from lip movements modifies activity in the human auditory cortex , 1991, Neuroscience Letters.