The Contribution of Stimulus Attributes of Three-Dimensional Solid Forms and Level of Discrimination to the Visual and Haptic Percept of Balance
暂无分享,去创建一个
P Locher | K Overbeeke | P. Locher | K. Overbeeke | G Smets | G. Smets
[1] R. Klatzky,et al. Toward a Computational Model of Constraint-Driven Exploration and Haptic Object Identification , 1993, Perception.
[2] E. Howe,et al. Dimensionality of judgments of visual patterns varying in amount of symmetry and formal similarity , 1984 .
[3] R. Klatzky,et al. Constraints on Haptic Integration of Spatially Shared Object Dimensions , 1993, Perception.
[4] P J Locher,et al. Role of Extended Perceptual Experience upon Haptic Perception of Nonrepresentational Shapes , 1979, Perceptual and motor skills.
[5] Gerald C. Cupchik,et al. The evaluation of high art and popular art by naive and experienced viewers. , 1992 .
[6] Adam S. Wilkins. But is it science? , 1995, Nature.
[7] M. Lindauer. Seeing and touching aesthetic objects. II: Descriptions , 1986 .
[8] I H Bernstein,et al. Visual and haptic perception of three-dimensional solid forms , 1984, Perception & psychophysics.
[9] E. Krupinski,et al. The Role of Formal Art Training on Perception and Aesthetic Judgment of Art Compositions , 2017 .
[10] J Wilson,et al. Spatial Frequency and Selective Attention to Local and Global Information , 1987, Perception.
[11] C P Garbin,et al. Visual-haptic perceptual nonequivalence for shape information and its impact upon cross-modal performance. , 1988, Journal of experimental psychology. Human perception and performance.
[12] Perceptual Aspects of Art for the Blind , 1990 .
[13] Forrest W. Young,et al. Introduction to Multidimensional Scaling: Theory, Methods, and Applications , 1981 .