Why do you like Arcimboldo’s portraits? Effect of perceptual style on aesthetic appreciation of ambiguous artworks
暂无分享,去创建一个
[1] O. Vartanian,et al. Neural correlates of viewing paintings: Evidence from a quantitative meta-analysis of functional magnetic resonance imaging data , 2014, Brain and Cognition.
[2] C. Urgesi,et al. Gender differences in the neural underpinning of perceiving and appreciating the beauty of the body , 2014, Behavioural Brain Research.
[3] Hans Supèr,et al. Difference in Visual Processing Assessed by Eye Vergence Movements , 2013, PloS one.
[4] Zhidong Deng,et al. Gender, facial attractiveness, and early and late event-related potential components. , 2012, Journal of integrative neuroscience.
[5] G. Fink,et al. Gestalt perception and the decline of global precedence in older subjects , 2011, Cortex.
[6] A. Little,et al. Facial attractiveness: evolutionary based research , 2011, Philosophical Transactions of the Royal Society B: Biological Sciences.
[7] Marcus T. Pearce,et al. The Copenhagen Neuroaesthetics conference: Prospects and pitfalls for an emerging field , 2011, Brain and Cognition.
[8] Joseph P. Huston,et al. The neural foundations of aesthetic appreciation , 2011, Progress in Neurobiology.
[9] Di Dio Cinzia,et al. Neuroaesthetics: a review , 2009, Current Opinion in Neurobiology.
[10] A. Crawley,et al. Viewing artworks: Contributions of cognitive control and perceptual facilitation to aesthetic experience , 2009, Brain and Cognition.
[11] Marcin Szczerbinski,et al. Global and local perceptual style, field-independence, and central coherence: An attempt at concept validation. , 2009, Advances in cognitive psychology.
[12] G. Rizzolatti,et al. The Golden Beauty: Brain Response to Classical and Renaissance Sculptures , 2007, PloS one.
[13] I. Yevin. Ambiguity in Art , 2006, Complexus.
[14] S. Zeki,et al. Neural correlates of beauty. , 2004, Journal of neurophysiology.
[15] S. Zeki. The neurology of ambiguity , 2004, Consciousness and Cognition.
[16] Timothy J. Andrews,et al. Activity in the Fusiform Gyrus Predicts Conscious Perception of Rubin's Vase–Face Illusion , 2002, NeuroImage.
[17] Richard S. J. Frackowiak,et al. Human brain activity during spontaneously reversing perception of ambiguous figures , 1998, 5th IEEE EMBS International Summer School on Biomedical Imaging, 2002..
[18] D. Navon. Forest before trees: The precedence of global features in visual perception , 1977, Cognitive Psychology.
[19] Christopher Janaway,et al. Schopenhauer: 'The World as Will and Representation': Volume 1 , 2010 .
[20] Marcos Nadal,et al. The experience of art: insights from neuroimaging. , 2013, Progress in brain research.
[21] Anjan Chatterjee,et al. Prospects for a cognitive neuroscience of visual aesthetics , 2003 .
[22] G. Cupchik,et al. Chapter 3 – Confluence and Divergence in Empirical Aesthetics, Philosophy, and Mainstream Psychology , 1996 .
[23] Gerald C. Cupchik,et al. From perception to production: A multilevel analysis of the aesthetic process. , 1992 .
[24] Daniel Kolb. Critique of Judgment , 1988 .