An Analysis of Narrative Moves in Improvisational Theatre

Our continued investigation into the experience of improvisers as they construct narrative in improvisational theatre provides a meaningful decomposition of its atomic unit, the offer. Our study was conducted with improvisers performing improv "games" in their theatre with each performance video recorded. Individual participants were selectively shown individual performances before being interviewed. This process is meant to elicit deeper information into how the performer chooses specific narrative interactions to develop in an improvisation performance. This paper presents our ongoing findings related to narrative development in improvisational theatre and how they were used to create an improvisational micro-agent. These findings have demonstrated that the use of offers to construct a scene involves the offers' acceptance and augmentation in a scene more than just the strength of an offer.

[1]  Brian Magerko,et al.  An empirical study of cognition and theatrical improvisation , 2009, C&C '09.

[2]  Allen Newell,et al.  SOAR: An Architecture for General Intelligence , 1987, Artif. Intell..

[3]  Ken Perlin,et al.  Improv: a system for scripting interactive actors in virtual worlds , 1996, SIGGRAPH.

[4]  Peter Reinholdsson,et al.  Making Music Together: An Interactionist Perspective on Small-Group Performance in Jazz , 1998 .

[5]  Stefan Göbel,et al.  Technologies for Interactive Digital Storytelling and Entertainment, Third International Conference, TIDSE 2006, Darmstadt, Germany, December 4-6, 2006 , 2006, TIDSE.

[6]  Barbara Hayes-Roth,et al.  Directed Improvisation , 1994 .

[7]  Marc Cavazza,et al.  Character-Based Interactive Storytelling , 2002, IEEE Intell. Syst..

[8]  R. Michael Young,et al.  An architecture for integrating plan-based behavior generation with interactive game environments , 2004, J. Game Dev..

[9]  David L. Roberts,et al.  Beyond Adversarial: The Case for Game AI as Storytelling , 2009, DiGRA Conference.

[10]  Andrew Stern,et al.  A Behavior Language for Story-Based Believable Agents , 2002, IEEE Intell. Syst..

[11]  K. Johnstone IMPRO: Improvisation and Theatre , 1979 .

[12]  K. Weick,et al.  Introductory Essay : Improvisation As a Mindset for Organizational Analysis , 1998 .

[13]  Ana Paiva,et al.  FearNot! - An Experiment in Emergent Narrative , 2005, IVA.

[14]  Ivo Swartjes,et al.  Emergent Story Generation: Lessons from Improvisational Theater , 2007, AAAI Fall Symposium: Intelligent Narrative Technologies.

[15]  Brian Magerko,et al.  Shared mental models in improvisational performance , 2010, FDG.

[16]  Brian Magerko,et al.  Bottoms up: improvisational micro-agents , 2010, FDG.

[17]  Brian Magerko,et al.  Gamemasters and Interactive Story : A Categorization of Storytelling Techniques in Live Roleplaying , 2006 .

[18]  Andrew Stern,et al.  Believable Agents and Intelligent Story Adaptation for Interactive Storytelling , 2006, TIDSE.

[19]  Brian Magerko,et al.  Narrative Development in Improvisational Theatre , 2009, ICIDS.

[20]  Bjørn Alterhaug,et al.  Improvisation on a triple theme: Creativity, Jazz Improvisation and Communication , 2004 .

[21]  Illah R. Nourbakhsh,et al.  Robot improv: using drama to create believable agents , 2000, Proceedings 2000 ICRA. Millennium Conference. IEEE International Conference on Robotics and Automation. Symposia Proceedings (Cat. No.00CH37065).