You have printed the following article : A Framework for the Evaluation of Music Representation Systems

Stable URL:http://links.jstor.org/sici?sici=0148-9267%28199323%2917%3A3%3C31%3AAFFTEO%3E2.0.CO%3B2-%23Computer Music Journal is currently published by The MIT Press.Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available athttp://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtainedprior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content inthe JSTOR archive only for your personal, non-commercial use.Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained athttp://www.jstor.org/journals/mitpress.html.Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printedpage of such transmission.The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academicjournals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers,and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community takeadvantage of advances in technology. For more information regarding JSTOR, please contact support@jstor.org.http://www.jstor.orgTue Jan 29 22:04:20 2008

[1]  Alan Smaill,et al.  Representing music symbolically , 1991 .

[2]  I. Xenakis,et al.  Formalized Music: Thought and Mathematics in Composition , 1971 .

[3]  Curtis Abbott,et al.  Programming languages for computer music synthesis, performance, and composition , 1985, CSUR.

[4]  Stephen Travis Pope.  The Interim DynaPiano: An Integrated Computer Tool and Instrument for Composers , 1992 .

[5]  Stephen Travis Pope,et al.  Machine Tongues XV: Three Packages for Software Sound Synthesis , 1993 .

[6]  Ronald J. Brachman,et al.  An overview of the KL-ONE Knowledge Representation System , 1985 .

[7]  Glendon Diener,et al.  TTrees: A Tool for the Compositional Environment , 1989 .

[8]  J. Nattiez.  Fondements d'une sémiologie de la musique , 1976 .

[9]  Heinrich Taube,et al.  Common music. A music composition language in common lisp and CLOS , 1991 .

[10]  Mira Balaban.  A Music-Workstation Based on Multiple Hierarchical Views of Music , 1988, ICMC.

[11]  Marc Leman,et al.  Symbolic and subsymbolic information processing in models of musical communication and cognition , 1989 .

[12]  Alan Smaill,et al.  Hierarchical music representation for composition and analysis , 1993, Comput. Humanit..

[13]  Stephen Travis Pope.  The well-tempered object: musical applications of object-oriented software technology , 1991 .

[14]  Mira Balaban,et al.  Music structures: interleaving the temporal and hierarchical aspects in music , 1992 .

[15]  Mira Balaban,et al.  Understanding music with AI: perspectives on music cognition , 1992 .

[16]  Joseph Rothstein,et al.  MIDI: A Comprehensive Introduction , 1992 .

[17]  Carlo Innocenti,et al.  A Model of Representation and Communication of Music and Multimedia Knowledge , 1992, ECAI.

[18]  C. Roads,et al.  Grammars as Representations for Music , 1979 .

[19]  R. Jackendoff,et al.  A Generative Theory of Tonal Music , 1985 .

[20]  Max V. Mathews,et al.  The Technology Of Computer Music , 1970 .

[21]  James Kippen,et al.  Bol processor grammars , 1992 .

[22]  Raymond F. Erickson.  “The Darms project”: A status report , 1975 .

[23]  Marvin Minsky,et al.  A framework for representing knowledge , 1974 .

[24]  Terry Winograd,et al.  Understanding natural language , 1974 .

[25]  Heinrich Taube.  Stella: Persistent Score Representation in Common Music , 1992, ICMC.