FacEMOTE: qualitative parametric modifiers for facial animations

We propose a control mechanism for facial expressions by applying a few carefully chosen parametric modifications to pre-existing expression data streams. This approach applies to any facial animation resource expressed in the general MPEG-4 form, whether taken from a library of preset facial expressions, captured from live performance, or entirely manually created. The MPEG-4 Facial Animation Parameters (FAPs) represent a facial expression as a set of parameterized muscle actions, given as intensity of individual muscle movements over time. Our system varies expressions by changing the intensities and scope of sets of MPEG-4 FAPs. It creates variations in "expressiveness" across the face model rather than simply scale, interpolate, or blend facial mesh node positions. The parameters are adapted from the Effort parameters of Laban Movement Analysis (LMA); we developed a mapping from their values onto sets of FAPs. The FacEMOTE parameters thus perturb a base expression to create a wide range of expressions. Such an approach could allow real-time face animations to change underlying speech or facial expression shapes dynamically according to current agent affect or user interaction needs.

[1]  C. Dell A Primer for Movement Description Using Effort Shape and Supplementary Concepts , 1970 .

[2]  Jörn Ostermann,et al.  Animation of synthetic faces in MPEG-4 , 1998, Proceedings Computer Animation '98 (Cat. No.98EX169).

[3]  I. Bartenieff,et al.  Body Movement: Coping with the Environment , 1980 .

[4]  Frederic I. Parke,et al.  A parametric model for human faces. , 1974 .

[5]  David Salesin,et al.  Synthesizing realistic facial expressions from photographs , 1998, SIGGRAPH.

[6]  Demetri Terzopoulos,et al.  Realistic modeling for facial animation , 1995, SIGGRAPH.

[7]  Norman I. Badler,et al.  The EMOTE model for effort and shape , 2000, SIGGRAPH.

[8]  W. S. Monkhouse,et al.  GRAY'S ANATOMY , 1947 .

[9]  Clifford Nass,et al.  Consistency of personality in interactive characters: verbal cues, non-verbal cues, and user characteristics , 2000, Int. J. Hum. Comput. Stud..

[10]  Bernice B. Capusten,et al.  Gray's Anatomy. 37th ed , 1990 .

[11]  Daniel Thalmann,et al.  Computer Animation , 1990, Computer Science Workbench.

[12]  Norman I. Badler,et al.  Animating facial expressions , 1981, SIGGRAPH '81.

[13]  M. Knapp,et al.  Nonverbal communication in human interaction , 1972 .

[14]  Nadia Magnenat-Thalmann,et al.  Fast head modeling for animation , 2000, Image Vis. Comput..

[15]  K. Scherer,et al.  Studying the dynamics of emotional expression using synthesized facial muscle movements. , 2000, Journal of personality and social psychology.

[16]  Keith Waters,et al.  Computer facial animation , 1996 .

[17]  Demetri Terzopoulos,et al.  Techniques for Realistic Facial Modeling and Animation , 1991 .

[18]  Thomas Vetter,et al.  A morphable model for the synthesis of 3D faces , 1999, SIGGRAPH.

[19]  H. Gray Gray's Anatomy , 1858 .

[20]  L. Vistnes The Artist??s Complete Guide to Facial Expression , 1992 .

[21]  Daniel Thalmann,et al.  Simulation of Facial Muscle Actions Based on Rational Free Form Deformations , 1992, Comput. Graph. Forum.

[22]  Matthew Turk,et al.  A Morphable Model For The Synthesis Of 3D Faces , 1999, SIGGRAPH.

[23]  Alex Pentland,et al.  Coding, Analysis, Interpretation, and Recognition of Facial Expressions , 1997, IEEE Trans. Pattern Anal. Mach. Intell..

[24]  Jun-yong Noh,et al.  Expression cloning , 2001, SIGGRAPH.

[25]  Klaus R. Scherer,et al.  Studying the dynamics of emotional expression using synthesized facial muscle movements. , 2000 .

[26]  Keith Waters,et al.  A muscle model for animation three-dimensional facial expression , 1987, SIGGRAPH.

[27]  Norman I. Badler,et al.  Eyes alive , 2002, ACM Trans. Graph..

[28]  John Lasseter,et al.  Principles of traditional animation applied to 3D computer animation , 1987, SIGGRAPH.

[29]  Stephen Rogers Peck Atlas of Facial Expression: An Account of Facial Expression for Artists, Actors and Writers , 1987 .