Creativity East and West: Perspectives and Parallels
暂无分享,去创建一个
[1] S. Winter,et al. An evolutionary theory of economic change , 1983 .
[2] W. C. D. Whetham. The History of Scientific Thought , 1924, Nature.
[3] J. Gui,et al. International Association for Chinese Management Research , 2007 .
[4] S. Kanazawa. No, it Ain't Gonna Be like That , 2006 .
[5] Mina Yang. Musicians from a Different Shore: Asians and Asian Americans in Classical Music , 2009 .
[6] J. Needham,et al. Science and Civilisation in China. , 1955 .
[7] Daniel A. Levinthal,et al. Exploration and Exploitation in Organizational Learning , 2007 .
[8] Aileen Koh,et al. Linking Learning, Knowledge Creation, and Business Creativity , 2000 .
[9] Alan Wolfe,et al. Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 BC to 1950 (review) , 2005 .
[10] C. Murray,et al. Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950 , 2003 .
[11] Dean Keith Simonton,et al. Creativity in Eastern and Western Civilizations: The Lessons of Historiometry , 2010, Management and Organization Review.
[12] C. D. De Dreu,et al. Motivated information processing, social tuning, and group creativity. , 2010, Journal of personality and social psychology.
[13] M. Keane. Created in China: The Great New Leap Forward , 2007 .
[14] I. Simonson,et al. Cultural Chameleons: Biculturals, Conformity Motives, and Decision Making , 2005 .
[15] 吉原 真里. Musicians from a different shore : Asians and Asian Americans in classical music , 2007 .
[16] Robert A. Rosenstone. Learning from Those "Imitative" Japanese: Another Side of the American Experience in the Mikado's Empire , 1980 .
[17] Gerard J. Tellis,et al. Global Takeoff of New Products: Culture, Wealth or Vanishing Differences? , 2008, Mark. Sci..
[18] K. Pomeranz,et al. The Great Divergence: China, Europe, and the Making of the Modern World Economy , 2001 .
[19] T. M. Amabile. The social psychology of creativity: A componential conceptualization. , 1983 .
[20] Matthijs Baas,et al. The dual pathway to creativity model: Creative ideation as a function of flexibility and persistence , 2010 .
[21] Xi Zou,et al. PERCEIVED CONSENSUS VS . PERSONAL BELIEFS Culture as Common Sense : Perceived Consensus vs . Personal Beliefs as Mechanisms of Cultural Influence , 2009 .
[22] J. Needham. Science and civilisation in China , 1963 .
[23] M. Morris,et al. Asian-Americans' Creative Styles in Asian and American Situations: Assimilative and Contrastive Responses as a Function of Bicultural Identity Integration , 2010, Management and Organization Review.
[24] D. Cremer,et al. Social Psychology and Organizations , 2011 .
[25] J. Birkinshaw,et al. CENTERS OF EXCELLENCE IN MULTINATIONAL CORPORATIONS , 2002 .
[26] Chi-yue Chiu,et al. Epistemic motives and cultural conformity: need for closure, culture, and context as determinants of conflict judgments. , 2007, Journal of personality and social psychology.
[27] Jing Zhou,et al. A Missing Piece of the Puzzle: The Organizational Context in Cultural Patterns of Creativity , 2010, Management and Organization Review.
[28] Kishore Mahbubani. Can Asians Think? Understanding the Divide between East and West , 2002 .
[29] William C. Hannas,et al. The Writing on the Wall: How Asian Orthography Curbs Creativity , 2003 .
[30] M. Csíkszentmihályi. Creativity: Flow and the Psychology of Discovery and Invention , 1996 .
[31] R. Nisbett. The geography of thought : how Asians and Westerners think differently--and why , 2003 .
[32] Weihua Niu,et al. The Effectiveness of Western Creative Teaching Methods in China: An Action Research Project , 2008 .
[33] Aik Kwang Ng,et al. A Cultural Model of Creative and Conforming Behavior , 2003 .
[34] Andrew Simon Bell,et al. Sildenafil (VIAGRATM), a potent and selective inhibitor of type 5 cGMP phosphodiesterase with utility for the treatment of male erectile dysfunction , 1996 .
[35] Sadao Nagaoka,et al. The R&D Process in the U.S. and Japan: Major findings from the RIETI-Georgia Tech inventor survey , 2009 .
[36] Ivy Yee-Man Lau,et al. Culture as common sense: perceived consensus versus personal beliefs as mechanisms of cultural influence. , 2009, Journal of personality and social psychology.
[37] K. W. Carsten,et al. Human Creativity: Reflections on the Role of Culture , 2010 .
[38] Aik Kwang Ng,et al. Liberating the Creative Spirit in Asian Students , 2004 .
[39] M. Morris,et al. Cultural chameleons and iconoclasts: Assimilation and reactance to cultural cues in biculturals’ expressed personalities as a function of identity conflict , 2009 .
[40] J. Clark. Modern Asian Art , 1998, Journal of Asian Studies.
[41] Kenneth Pomeranz,et al. The Great Divergence: China, Europe, and the Making of the Modern World Economy , 2001 .
[42] Paul Herbig,et al. Innovation ‐ Japanese style , 1996 .
[43] Gavin J. Wright. An evolutionary theory of economic change , 1982 .
[44] Chi-yue Chiu,et al. Culture and Creativity: A Process Model , 2010, Management and Organization Review.
[45] E. Rudowicz,et al. On Ng's Why Asians Are Less Creative Than Westerners , 2003 .
[46] Linsu Kim,et al. Imitation to Innovation: The Dynamics of Korea's Technological Learning , 1997 .
[47] M. Erez,et al. Creativity: The Influence of Cultural, Social, and Work Contexts , 2010, Management and Organization Review.
[48] Christina Sue-Chan,et al. Culture and the Assessment of Creativity , 2010, Management and Organization Review.
[49] M. Morris,et al. Culture and Creativity: A Social Psychological Analysis , 2011 .
[50] J. March. Exploration and exploitation in organizational learning , 1991, STUDI ORGANIZZATIVI.
[51] Marshall W. Meyer. Editor's Introduction – No Free Lunch: Dilemmas of Product Quality in China , 2008, Management and Organization Review.